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Allegro Barbaro (Bartók)
''Allegro barbaro'', BB 63 (Sz. 49), composed in 1911, is one of Béla Bartók's most famous and frequently performed solo piano pieces. The composition is typical of Bartók's style, utilizing folk elements. The work combines Hungarian and Romanian scales; Hungarian peasant music is based on the pentatonic scale, while Romanian music is largely chromatic. The title is a jab at Bartók's critics who called him a 'barbarian'. History of the composition ''Allegro barbaro'' was composed in 1911, but the first performance didn't occur until 1921. According to Maurice Hinson, editor, Bartók premiered the piece in February 1913 in Kecskemet, Hungary. Like many of Bartók's compositions, there are several different editions of ''Allegro barbaro''. The piece was performed in private by Bartók many times by memory before he even started to notate the music. In many early printed versions of the composition, the tempo markings were indicated at a much slower speed. These indications woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. Biography Childhood and early years (1881–98) Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod. His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian. Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857–1939), also spoke Hungarian fluently. A native of Turócszentmárton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegro Barbaro Score
Allegro may refer to: Common meanings * Allegro (music), a tempo marking indicate to play fast, quickly and bright * Allegro (ballet), brisk and lively movement Artistic works * L'Allegro (1645), a poem by John Milton * ''Allegro'' (Satie), an 1884 piano piece by Erik Satie * "Allegro", any of several musical works in Nannerl Notenbuch by Wolfgang Amadeus Mozart * "Allegro", a composition by Bear McCreary in Music of ''Battlestar Galactica'' * ''Allegro'' (film), a 2005 Danish film by Christoffer Boe * ''Allegro'' (musical), a 1947 musical by Rodgers and Hammerstein Businesses and brands * Allegro (website), a Polish e-commerce platform * Allegro (restaurant), a luxury restaurant in Prague * Allegro (train), a passenger train service between Helsinki and Saint Petersburg * Allegro Coffee Co., a beverage company acquired by Whole Foods Market * Austin Allegro, a car once manufactured by British Leyland * Mazda Allegro, a car manufactured in South America as a version of Maz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central And Eastern European Online Library
The Central and Eastern European Online Library (CEEOL) is a repository of full text indexed documents in the fields of Humanities and Social Science publications from and about Central and Eastern Europe. The collections include native language sources from and about Central, East and Southeast Europe's humanities and social sciences in the form of journal articles, eBooks and Grey Literature. The subject areas include anthropology, culture and society, economy, gender studies, history, Judaic studies, fine arts, literature, linguistics, political sciences and social sciences, philosophy, religion, law Updated daily, the CEEOL coverage grows by approximately 4,000 newly included journal articles every month. A significant number of the included journals are represented with a complete archival collection. The CEEOL eBook collection development started in 2016 offering an ever-growing number of eBooks, as well as backlists of the publishing houses. The CEEOL Grey Literature Coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenő Jandó
Jenő Jandó (; born 1 February 1952) is a Hungarian pianist and Professor of the Franz Liszt Academy of Music in Budapest, Hungary. Background and education Jandó studied piano at the Liszt Academy with Katalin Nemes and Pál Kadosa, later going on to win many major international piano competitions, including the Georges Cziffra and Ciani Piano Competitions. However, his professional career began when he took third prize at the Beethoven Piano Competition at the age of 18. He was also the winner of the 1973 Hungarian Piano Concours and took first prize in the chamber music category at the Sydney International Piano Competition in 1977. Solo and collaborative pianist Jandó enjoys being both a solo and collaborative artist, as shown by his recordings, ranging from a complete recording of the Beethoven sonatas to Schubert's 'Trout' Quintet and Beethoven's ' Ghost' and ' Archduke' piano trios. As a collaborative pianist, Jenő Jandó has worked with Takako Nishizaki in rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Sándor
György Sándor (; 21 September 1912 – 9 December 2005) was a Hungarian pianist and writer. Early years Sándor was born in Budapest. He studied at the Liszt Academy in Budapest under Béla Bartók and Zoltán Kodály, and debuted as a performer in 1930. He toured as a concert pianist through the 1930s, making his Carnegie Hall debut in 1939. He became an American citizen and served in the Army Signal Corps and the Intelligence and Special Services from 1942 to 1944. Friends with Bartók Sándor remained friends with Bartók throughout his life, and was one of only ten people who attended Bartók's funeral in 1945. Sándor played the premiere of Bartók's Piano Concerto No. 3 on 8 February 1946 with the Philadelphia Orchestra conducted by Eugene Ormandy in Philadelphia, Pennsylvania. The performance was repeated on 26 February 1946 by the same ensemble in Carnegie Hall, New York, and recorded for Columbia Masterworks in April 1946. Concert artist Following World ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emerson, Lake & Palmer
Emerson, Lake & Palmer (informally known as ELP) were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards), Greg Lake (vocals, bass, guitar, producer) and Carl Palmer (drums, percussion). With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano (although Lake wrote several acoustic songs for the group).Lake says almost dismissively, "It used to be a thing where as a balance to the record I would write an acoustic song." Lake's ballads, the least typical aspect of ELP's music, often garnered the band their greatest airplay and widest public exposure. The band came to prominence followin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barbarian (song)
"The Barbarian" is the opening track on the eponymous debut album of British progressive rock band Emerson, Lake & Palmer, released in 1970. Description This piece of music is instrumental, and it is the shortest one on the album (4:27). Although the composition of "The Barbarian" was attributed to the three band members, it is an arrangement for rock band of Béla Bartók’s 1911 piano piece '' Allegro barbaro''. Although the original piece is for piano only, the band arranged the song for organ, piano, bass, and drums. The music of the song is aggressive with a heavy metal style. Greg Lake used a fuzz box to give his bass a fuller, guitar-like sound. The band members did not give credit to Bartók, thinking that the label would arrange the matter. Bartók's family sued ELP for copyright infringement, but eventually, the band gave equal credit to Bartók. The song was never included in a compilation album of the band until the album ''The Essential Emerson, Lake & Palmer''. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emerson, Lake & Palmer (album)
''Emerson, Lake & Palmer'' is the debut studio album by English progressive rock band Emerson, Lake & Palmer. It was released in the United Kingdom by Island Records in November 1970, and in the United States by Cotillion Records in January 1971. After the group formed in the spring of 1970, they entered rehearsals and prepared material for an album which became a mix of original songs and rock arrangements of classical music. The album was recorded at Advision Studios in July 1970, when the band had yet to perform live. Lead vocalist and bassist/guitarist Greg Lake produced it. Upon release, the album went to No. 4 in the UK and No. 18 in the US. Lake's song " Lucky Man" was released as a single in 1970 and helped the group achieve radio airplay; it peaked at No. 48 in the US. After a warm-up gig in Plymouth, the band performed songs from the album at their next, a spot at the 1970 Isle of Wight Festival which propelled them to widespread fame. In 2012, Steven Wilson prepare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
