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All The Things You Are
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. The song was written for the musical '' Very Warm for May'' (1939)"Jerome Kern" . Songwriters Hall of Fame and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film '' Broad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance (song), A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway theatre, Broadway musicals and musical films, Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enharmonic
In music, two written notes have enharmonic equivalence if they produce the same pitch but are notated differently. Similarly, written intervals, chords, or key signatures are considered enharmonic if they represent identical pitches that are notated differently. The term derives from Latin , in turn from Late Latin , from Ancient Greek (), from ('in') and ('harmony'). Definition The predominant tuning system in Western music is twelve-tone equal temperament (12 ), where each octave is divided into twelve equivalent half steps or semitones. The notes F and G are a whole step apart, so the note one semitone above F (F) and the note one semitone below G (G) indicate the same pitch. These written notes are ''enharmonic'', or ''enharmonically equivalent''. The choice of notation for a pitch can depend on its role in harmony; this notation keeps modern music compatible with earlier tuning systems, such as meantone temperaments. The choice can also depend on the note's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borrowed Chord
A borrowed chord (also called mode mixture,Romeo, Sheila (1999). ''Complete Rock Keyboard Method: Mastering Rock Keyboard'', p. 42. . Bouchard, Joe and Romeo, Sheila (2007). ''The Total Rock Keyboardist'', p. 120. Alfred Music. . modal mixture, substituted chord,White, William Alfred (1911). Harmonic Part-writing', p. 42. Silver, Burdett, & Co. . modal interchange, or mutation) is a chord borrowed from the parallel key ( minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales.Benward & Saker (2009), p. 71. Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. The mixing of the major and minor modes developed in the Baroque period. Borrowed chords are distinguished from modulation by being brief enough that the tonic is not lost or displaced, and may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altered Chord
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." For example, altered notes may be used as leading tones to emphasize their diatonic neighbors. Contrast this with chord extensions: In jazz harmony, chromatic alteration is either the addition of notes not in the scale or expansion of a hordprogression by adding extra non-diatonic chords.Arkin, Eddie (2004). ''Creative Chord Substitution for Jazz Guitar'', p. 42. . For example, "A C major scale with an added D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borrowed Chord
A borrowed chord (also called mode mixture,Romeo, Sheila (1999). ''Complete Rock Keyboard Method: Mastering Rock Keyboard'', p. 42. . Bouchard, Joe and Romeo, Sheila (2007). ''The Total Rock Keyboardist'', p. 120. Alfred Music. . modal mixture, substituted chord,White, William Alfred (1911). Harmonic Part-writing', p. 42. Silver, Burdett, & Co. . modal interchange, or mutation) is a chord borrowed from the parallel key ( minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales.Benward & Saker (2009), p. 71. Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. The mixing of the major and minor modes developed in the Baroque period. Borrowed chords are distinguished from modulation by being brief enough that the tonic is not lost or displaced, and may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ii–V–I Progression
The ii–V–I progression ("two–five–one progression") (occasionally referred to as ii–V–I turnaround, and ii–V–I) is a common Cadence, cadential chord progression used in a wide variety of music genres, including jazz harmony. It is a succession of chord (music), chords whose root (chord), roots descend in fifths from the second degree (music), degree (supertonic) to the fifth degree (Dominant (music), dominant), and finally to the Tonic (music), tonic. In a major key, the supertonic triad (ii) is minor, and in a minor key it is Diminished triad, diminished. The dominant is, in its normal form, a major triad and commonly a dominant seventh chord. With the addition of chord altered chord, alterations, chord substitution, substitutions, and extended chord, extensions, limitless variations exist on this simple formula. The ii–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and country.Workman, Josh. " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect 4th
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive synthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
