All Kinds Of Everything (album)
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All Kinds Of Everything (album)
''All Kinds of Everything'' is a studio album by American country singer–songwriter Hank Locklin. It was released in 1979 via Top Spin Records and contained 12 tracks of new material. It contained mostly re-recordings of songs Locklin had previously recorded. The album was issued to international markets outside of his home market: the United States. Background, content and release Hank Locklin had major hits in the 1950s and 1960s with songs like " Send Me the Pillow You Dream On" and " Please Help Me, I'm Falling." These songs (among others) gained notable international success, especially in Europe. After Locklin's commercial success declined in the 1970s, he began touring more overseas. He remained a popular concert attraction in Ireland specifically. ''All Kinds of Everything'' was Locklin's second studio recording tailored specifically for the Irish market. In 1978, he had released his first international album. The project was recorded at Fireside Studios in Nashville, ...
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Re-recording (music)
A re-recording is a recording produced following a new performance of a work of music. This is most commonly, but not exclusively, by a popular artist or group. It differs from a reissue, which involves a second or subsequent release of a previously-recorded piece of music. Re-recordings are often produced decades after the original recordings were released, usually under contract terms more favorable to the artists. This is especially common among acts who originally agreed to contracts that would be considered unfair and exploitative today. When re-recordings are issued under newer contracts, artists can collect far higher royalties for use in films, commercials, and movie trailers. Other acts re-record their work for artistic reasons. Jeff Lynne of the Electric Light Orchestra released a solo best-of album with new versions of previous hits like " Mr. Blue Sky", the original of which Lynne described as " otquite how I meant it". Some artists, such as Def Leppard and Taylor Swif ...
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Eddy Arnold
Richard Edward Arnold (May 15, 1918 – May 8, 2008) was an American country music singer who performed for six decades. He was a Nashville sound (country/popular music) innovator of the late 1950s, and scored 147 songs on the ''Billboard'' country music charts, second only to George Jones. He sold more than 85 million records. A member of the Grand Ole Opry (beginning 1943) and the Country Music Hall of Fame (beginning 1966), Arnold ranked 22nd on Country Music Television's 2003 list of "The 40 Greatest Men of Country Music." Early years Arnold was born on May 15, 1918, on a farm near Henderson, Tennessee. His father, a sharecropper, played the fiddle, while his mother played guitar. Arnold's father died when he was just 11, forcing him to leave school and begin helping on the family farm. This led to him later gaining his nickname, the Tennessee Plowboy. Arnold attended Pinson High School in Pinson, Tennessee, where he played guitar for school functions and events. He quit ...
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Hargus "Pig" Robbins
Hargus Melvin Robbins (January 18, 1938 – January 30, 2022), known by his nickname "Pig," was an American session keyboard player. Having played on records for many artists, including John Stewart, Dolly Parton, Connie Smith, Patti Page, Loretta Lynn, Kenny Rogers, George Jones, Charlie Rich, Bob Dylan, Neil Young, J.J. Cale, John Hartford, Mark Knopfler, Ween, Alan Jackson, Merle Haggard, Roger Miller, David Allan Coe, Moe Bandy, George Hamilton IV, Sturgill Simpson, Conway Twitty, and Al Hirt. He was blind, having lost his sight at age four due to an accident involving his father's knife. Life and career Robbins was born on January 18, 1938, in Spring City, Tennessee. He learned to play piano at age seven, while attending the Nashville School for the Blind. He played his first session in 1957, with his first major recording being George Jones's " White Lightning". Thereafter he played keyboards for scores of country music artists. Between 1963 and 1979, Robbins also rec ...
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Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ...
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Weldon Myrick
Weldon Myrick (born Weldon Merle Myrick; April 10, 1938 – June 2, 2014) was an American steel guitar player.Weldon Myrick Obituary
The Tennessean accessdate July 22, 2018 Myrick was born in . His debut came in 1964, when he played on the #1 country hit "" by . She would call Myrick "the guy who was responsible for creating the Connie Smith sound." In the late 1960s, he joined
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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Wedding Bells (Hank Williams Song)
"Wedding Bells" is a song written by Claude Boone and recorded by Hank Williams on MGM Records. It peaked at No. 2 on the Best Selling Retail Folk chart in 1949. Background "Wedding Bells" was first recorded by the Knoxville radio veteran Bill Carlisle on King Records in 1947. According to the country music historian Colin Escott, Claude Boone, who played guitar for the Knoxville bluegrass star Carl Story, bought the song for 25 dollars from James Arthur Pritchett, a local musician and drunk who performed under the name "Arthur Q. Smith". The song's narrator describes his despair over the love of his life marrying another man. According to Boone, Williams called it "the prettiest song he'd ever heard". Williams recorded it at Castle Studio in Nashville on March 20, 1949, with Fred Rose producing and was supported by Dale Potter (fiddle), Don Davis (steel guitar), Zeb Turner (electric guitar), Jack Shook (rhythm guitar) and Velma Williams (bass). "Wedding Bells" was signific ...
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Ben Peters
Ben James Peters (born Greenville, Mississippi, June 20, 1933; died Nashville, Tennessee, May 25, 2005) was an American country music songwriter who wrote many #1 songs. Charley Pride recorded 68 of his songs and 6 of them went to #1 on the American country charts. Peters was inducted into the Nashville Songwriters Hall of Fame in 1980. Peters was briefly a recording artist himself; his only charting hit was his own composition " San Francisco is a Lonely Town", which hit #46 on the country charts in 1969. Number One Compositions in America *"Turn the World Around" (1967) was a #1 Billboard chart country hit for Eddy Arnold & top 5 Billboard chart AC single. *"That's A No, No" was a 1969 #1 Cashbox chart country hit for Lynn Anderson. *"Kiss an Angel Good Mornin'" was a 1971 #1 Billboard chart country hit for Charley Pride; it also went to #21 on the American pop charts. It won Ben Peters the 1973 Grammy Award for Best Country Song. *"It's Gonna Take a Little Bit Longer" was a ...
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Jenny Lou Carson
Jenny Lou Carson, (January 13, 1915 – December 16, 1978), born Virginia Lucille Overstake, was an American country music singer-songwriter and the first woman to write a No. 1 country music hit. From 1945 to 1955 she was one of the most prolific songwriters in country music. Early life The second of six children of Herschel Jewel Overstake (1894–1936) and Helen Elizabeth Nalefski (1897–1988), Lucille was born in Decatur, Illinois. She was raised in Decatur in modest surroundings. She learned to work early in life and was expected to do chores around the house. Her father had a strict, no-nonsense personality who instilled a strong work ethic and a fierce win-at-any-cost sense of competition in his children. In her adult life she rarely spoke of her early days to any of her friends or business associates, other than to occasionally remark, "You don't need friends if you've got your family with you." Career Carson began her professional music career at age 17 in 1932, perfor ...
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Jealous Heart
"Jealous Heart" is a classic C&W song written by American country music singer-songwriter Jenny Lou Carson. In the mid 1940s it spent nearly six months on the Country & Western charts. It was subsequently recorded by several pop singers. Early versions The first recording of "Jealous Heart" was made in 1944 by its composer Jenny Lou Carson. That 20 September Tex Ritter recorded the song: his version spent 23 weeks on the C&W chart peaking at No. 2. The song had its first impact in the pop-music field via a recording by Al Morgan, a Chicago-based vocalist/pianist whose version of "Jealous Heart" released September 1949 was on the hit parade for six months spending ten weeks in the Top 5. This Al Morgan is not to be confused with the bassist of the same name. Also in 1949 Ivory Joe Hunter had an R&B hit with "Jealous Heart"; Hunter's version reached No. 2 R&B that December. "Jealous Heart" - which Ernest Tubb had recorded in 1945 - was also recorded in 1949 by C&W singe ...
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Wally Fowler
John Wallace "Wally" Fowler (February 15, 1917 – June 3, 1994) was an American Southern gospel music singer, manager, and music promoter and businessman. He founded the Oak Ridge Quartet, a gospel act that eventually became the Oak Ridge Boys; and popularized all-night gospel sings. An accomplished songwriter in both the country music and gospel fields, Fowler's composition "Wasted Years" became a gospel music standard. He was known as The Man with a Million Friends and Mr. Gospel Music. Personal life Born near Adairsville, Georgia, Fowler's father was the cotton king of Bartow County, Georgia until the Great Depression left him broken both in health and financially. He then struck out on his own, forming a country music group, Wally Fowler and the Georgia Clodhoppers, which included Chet Atkins on lead guitar. They performed on WNOX-AM in Knoxville, Tennessee and became regulars on ''Mid-day Merry Go Round''. Fowler later formed his Harmony Quartet, which sang in weekly conc ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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