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Alina, Regina Di Golconda
''Alina, regina di Golconda'' (''Alina, Queen of Golconda'') is an opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani after Michel-Jean Sedaine's French libretto for Pierre-Alexandre Monsigny's ballet-heroique ''Aline, reine de Golconde'' (Paris Opera, 1766), in its turn based on the novel by Stanislas de Boufflers. The opera was commissioned for the opening festivities of the Teatro Carlo Felice, Genoa, where it premiered with success on 12 May 1828. Soon after, a revised version debuted at the Teatro Valle, Rome on 10 October 1829. Roles Synopsis :Time: "The mythical past"Osborne 1994, p. 177 :Place: India Act 1 Alina, a humble country girl, has been captured by pirates and taken to the kingdom of Golconda, where the elderly king falls in love with her, marries her, and shortly dies, leaving Alina a widow and queen. Her subjects urge her to choose another husband, and the noble and handsome Seide emerges as leading candidate. Al ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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William Ashbrook
William Ashbrook (January 28, 1922 – March 31, 2009) was an American musicologist, writer, journalist, and academic. He was perhaps best noted as a historian, researcher and popularizer of the works of Italian opera composer Gaetano Donizetti. Biography Ashbrook was born in Philadelphia, Pennsylvania. He received a Bachelor of Arts degree in English literature from the University of Pennsylvania in 1946, and a Master's degree in musicology from Harvard University in 1947.Gossett, Philip, "In Memory of William Ashbrook", ''Opera Quarterly'', November 18, 2009 Ashbrook began an academic career by teaching humanities and then, for nearly twenty years, was a member of the English Department at Indiana State University at Terre Haute. He retired in 1974 as Distinguished Professor Emeritus. From 1974 to 1984 he was professor of opera at the Philadelphia College of the Performing Arts (now the University of the Arts). Ashbrook died in Denver, Colorado at the age of 87. Ashbrook as o ...
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Nuova Era
Nuova Era was an Italian classical record label founded by Marco Rho in 1985. It is primarily known for recordings of live performances from Italian opera houses and broadcast performances from the RAI archives.New York Times 198Operatic Rarities From a Farsighted Italian Label/ref> Originally based in Asti, Piemonte, Italy the label was acquired by Membran Entertainment Group GmbH. in Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal .... References {{Authority control Italian record labels ...
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Ravenna Festival
The Ravenna Festival is a summer festival of opera and classical music (as well as dance, jazz, ethnic, musical theater, ballett, sacred music, electronic music, drama, film, plus conventions and exhibitions) held in the city of Ravenna, Italy and the surrounding area each June and July. It was founded in 1990 by Maria Cristina Mazzavillani, the wife of conductor Riccardo Muti, who makes regular appearances there. Other well-known conductors who have appeared at the Festival include Pierre Boulez, Claudio Abbado, Chung, Gavazzeni, Lorin Maazel, Valery Gergiev, Zubin Mehta, Georg Solti, Giuseppe Sinopoli, Carlos Kleiber, and Georges Prêtre. The Festival also offers operatic productions in the Teatro Comunale Alighieri, as well as performances of jazz and popular music. See also * Opera festivals This is an inclusive list of opera festivals and summer opera seasons, and music festivals which have opera productions. This list may have some overlap with list of early music ...
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Teatro Regio Di Parma
Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre),Martini, "Before the Teatro Regio", pp. 56 is an opera house and opera company in Parma, Italy. Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer Giuseppe Verdi, who was born near Busseto, some thirty kilometres away, had achieved fame. Also well known in Parma was the conductor Arturo Toscanini, born there in 1867. As has been noted by Lee Marshall, "while not as well known as La Scala in Milan or La Fenice in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery." The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of Vincenzo Bellini's ' ...
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Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career he was appointed the first music director of the NBC Symphony Orchestra (1937–54), and this led to his becoming a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in his later years, ...
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Rockwell Blake
Rockwell Blake (born January 10, 1951) is an American operatic tenor, particularly known for his roles in Rossini operas. He was the first winner of the Richard Tucker Award. Biography Born and raised in Plattsburgh, NY, Blake was the son of a mink farmer. After graduating from high school in Peru, he studied music first at the State University of New York at Fredonia and then at The Catholic University of America. On leaving Catholic University, he served for three years in the United States Navy as a member of the Sea Chanters male chorus and later as a soloist with the US Navy Band. During that time, he continued his voice training with Renata Carisio Booth, who had been his teacher since his school days. He made his solo opera debut in 1976 at the Kennedy Center in Washington D.C. as Lindoro in Rossini's ''L'italiana in Algeri'', and made his debut at the New York Metropolitan Opera House in 1981 in the same role, with Marilyn Horne as his Isabella. He went on to become one ...
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Daniela Dessì
Daniela Dessì (14 May 1957 – 20 August 2016) was an Italian operatic soprano. Life and career Born in Genoa, Italy, Dessì completed her studies at the Arrigo Boito Conservatory in Parma and the Accademia Musicale Chigiana in Siena. She made her operatic debut on 7 December 1978 at Sanremo Casino's theatre as Serpina in ''La serva padrona'' by Pergolesi during the season of Savona's Teatro dell'Opera Giocosa. In 1980, she distinguished herself as a finalist at the Maria Callas International Competition organized by Italy's RAI TV. Her international career took her to a variety of opera theatres, singing under the direction of conductors such as Riccardo Muti, Claudio Abbado, and the Metropolitan Opera's James Levine. Dessì's 2008–2009 season began with ''Tosca'' in Florence, where she performed an encore of "Vissi d'arte", the first encore at Teatro Comunale di Firenze since Renata Tebaldi's "Amami Alfredo" in 1956. She later performed at the Verdi Theatre in Trieste, ...
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Antonio Crippa
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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Giuseppe Frezzolini
Giuseppe Frezzolini (9 November 1789 – 16 March 1861) was an Italian operatic bass. Born in Orvieto, he studied singing in his native city with G. Pedoto. He began his career in 1819 and was active in Italy's leading opera houses up into the 1840s. He is best known for creating the role of Dr Dulcamara in the world premiere of Gaetano Donizetti's ''L'elisir d'amore'' at the Teatro della Canobbiana in Milan on 12 May 1832. He also sang parts in the world premieres of two other Donizetti operas: Pasquale in '' Olivo e Pasquale'' (7 January 1827, Teatro Valle, Rome) and Belfiore in ''Alina, regina di Golconda'' (12 May 1828, Teatro Carlo Felice, Genoa). He died in Orvieto in 1861. He was the father of soprano Erminia Frezzolini Erminia Frezzolini (27 March 1818 – 5 November 1884) was an Italian operatic soprano. She excelled in the coloratura soprano repertoire, drawing particular acclaim in the bel canto operas of Gaetano Donizetti and Vincenzo Bellini. She was marri .... Ref ...
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Buffo
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ...
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