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Alessandro Salucci
Alessandro Salucci (Florence, 1590 – Rome, c. 1655–60) was an Italian painter who played an important role in the development of the genre of cityscapes (''vedute'') of Rome. He created Capriccio (art), capricci, i.e. imaginary architectural perspectives and harbour views, in which the figures were often executed by another artist.17th century Capriccio by Alessandro Salucci
at Brans Antiques and Art. Web. 23 April 2016


Life

Very little is known about Alessandro Salucci's early life and training. He is believed to have been born in Florence in 1590. The first written record of the artist dates from 1628 when he is mentioned in connection with other artists in Rome. Salucci completed important public and private commissions in Rome. In 1628 he made fresco ...
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Jan Miel And (possibly) Alessandro Salucci - Arch Of Constantine, Rome
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses

* January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a m ...
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Viviano Codazzi
Viviano Codazzi (c. 1604 – 5 November 1670) was an Italian architectural painter who was active during the Baroque period. He is known for his architectural paintings, capricci, compositions with ruins, and some ''vedute''. He worked in Naples and Rome. He is known in older sources as ''Viviano Codagora'' or ''il Codagora.'' Life Viviano Codazzi was born in Valsassina near Bergamo around 1604.Ludovica Trezzani. "Codazzi, Viviano." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 Apr. 2016 His family relocated to Rome by 1605. Viviano most likely trained in Rome. He had moved by 1633 to Naples where he worked on commissions at the Certosa di San Martino resulting from his connections with his fellow Bergamasque Cosimo Fanzago. A major commission in Naples was a series of four large canvases representing ancient Roman scenes (including one depicting gladiatorial combats in the Colosseum) for the Buen Retiro in Madrid, with figures by Domenico Gargiulo. ...
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Cincinnati Art Museum
The Cincinnati Art Museum is an art museum in the Eden Park neighborhood of Cincinnati, Ohio. Founded in 1881, it was the first purpose-built art museum west of the Alleghenies, and is one of the oldest in the United States. Its collection of over 67,000 works spanning 6,000 years of human history make it one of the most comprehensive collections in the Midwest. Museum founders debated locating the museum in either Burnet Woods, Eden Park, or downtown Cincinnati on Washington Park. Charles West, the major donor of the early museum, cast his votes in favor of Eden Park sealing its final location. The Romanesque-revival building designed by Cincinnati architect James W. McLaughlin opened in 1886. A series of additions and renovations have considerably altered the building over its -year history. In 2003, a major addition, The Cincinnati Wing was added to house a permanent exhibit of art created for Cincinnati or by Cincinnati artists since 1788. The Cincinnati Wing includes fift ...
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Charles Emmanuel II, Duke Of Savoy
Charles Emmanuel II ( it, Carlo Emanuele II di Savoia); 20 June 1634 – 12 June 1675) was Duke of Savoy from 1638 to 1675 and under regency of his mother Christine of France until 1648. He was also Marquis of Saluzzo, Count of Aosta, Geneva, Moriana and Nice, as well as claimant king of Cyprus, Jerusalem and Armenia. At his death in 1675 his second wife Marie Jeanne Baptiste of Savoy-Nemours acted as Regent for their nine-year-old son. Biography He was born in Turin to Victor Amadeus I, Duke of Savoy, and Christine of France. His maternal grandparents were Henry IV of France and his second wife Marie de' Medici. In 1638 at the death of his older brother Francis Hyacinth, Duke of Savoy, Charles Emmanuel succeeded to the duchy of Savoy at the age of 4. His mother governed in his place, and even after reaching adulthood in 1648, he invited her to continue to rule. Charles Emmanuel continued a life of pleasure, far away from the affairs of state. He became notorious for his perse ...
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Jan Miel And Alessandro Salucci - Harbour View With Triumphal Arch - WGA20675
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number The International Article Number (also known as European Article Number or EAN) is a standard describing a barcode symbology and numbering system used in global trade to identify a specific retail product type, in a specific packaging configurat ..., a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Ma ...
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Dutch And Flemish Renaissance Painting
Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries. These artists, who span from the Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late Northern Mannerists such as Hendrik Goltzius and Joachim Wtewael at the end, drew on both the recent innovations of Italian painting and the local traditions of the Early Netherlandish artists. Antwerp was the most important artistic centre in the region. Many artists worked for European courts, including Bosch, whose fantastic painted images left a long legacy. Jan Mabuse, Maarten van Heemskerck and Frans Floris were all instrumental in adopting Italian models and incorporating them into their own artistic language. Pieter Brueghel the Elder, with Bosch the only artist from the period to remain widely familiar, may seem atypical, but in fact his many innovations drew on the fertile artistic scene in Antwerp. Dutch and Flemish painters wer ...
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Pieter Van Laer
Pieter Bodding van Laer (christened 14 December 1599, Haarlem – 1641 or later) was a Dutch painter and printmaker. He was active in Rome for over a decade and was known for genre scenes, animal paintings and landscapes placed in the environs of Rome.Pieter van Laer
at the
Pieter van Laer was an active member of the association of Flemish and Dutch artists in Rome known as the . His nickname in this group ("bent name") was Il Bamboccio. The style of genre painting he introduced was followed by other Northe ...
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Bamboccianti
The ''Bamboccianti'' were genre painters active in Rome from about 1625 until the end of the seventeenth century. Most were Dutch and Flemish artists who brought existing traditions of depicting peasant subjects from sixteenth-century Netherlandish art with them to Italy, and generally created small cabinet paintings or etchings of the everyday life of the lower classes in Rome and its countryside.Haskell, pp. 132–134. Typical subjects include food and beverage sellers, farmers and milkmaids at work, soldiers at rest and play, and beggars, or, as Salvator Rosa lamented in the mid-seventeenth century, "rogues, cheats, pickpockets, bands of drunks and gluttons, scabby tobacconists, barbers, and other 'sordid' subjects."Levine, p. 569. Despite their lowly subject matter, the works found appreciation among elite collectors and fetched high prices. Artists Many of the artists associated with the Bamboccianti were members of the '' Bentvueghels'' (Dutch for 'birds of a feather'), ...
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The Embarkation Of The Queen Of Sheba
''Seaport with the Embarkation of the Queen of Sheba'' is an oil painting by Claude Lorrain (born Claude Gellée, traditionally known as Claude), in the National Gallery, London, signed and dated 1648. The large oil-on-canvas painting was commissioned by Frédéric Maurice de La Tour d'Auvergne, Duc de Bouillon, general of the Papal army, together with Claude's ''Landscape with the Marriage of Isaac and Rebecca'', also now in the National Gallery. It depicts the departure of the Queen of Sheba to visit King Solomon in Jerusalem, described in the tenth chapter of the First Book of Kings. A more usual subject would be their meeting; this is one of many harbour scenes painted by Claude. The Queen is departing from a city with classical buildings, with the early morning Sun lighting the sea, as vessels are loaded. The composition draws the eye to a group of people on the steps to the right, at the intersection of a line of perspective (the steps) and a strong vertical (the left col ...
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Alessandro Salucci (Attr
Alessandro Salucci (Florence, 1590 – Rome, c. 1655–60) was an Italian painter who played an important role in the development of the genre of cityscapes (''vedute'') of Rome. He created capricci, i.e. imaginary architectural perspectives and harbour views, in which the figures were often executed by another artist.17th century Capriccio by Alessandro Salucci
at Brans Antiques and Art. Web. 23 April 2016


Life

Very little is known about Alessandro Salucci's early life and training. He is believed to have been born in in 1590. The first written record of the artist dates from 1628 when he is mentioned in connection with other artists in ...
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Illusionistic Ceiling Painting
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance art, Renaissance, Baroque art, Baroque and Rococo art in which ''trompe-l'œil'', Perspective (graphical), perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the Oculus (architecture), oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of Illusionism (art), illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upw ...
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