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Al Columbia
Al Columbia (born 1970) is an American artist known for his horror and black humor-themed alternative comics. His published works include the comic book series ''The Biologic Show'', the graphic novel/art book '' Pim & Francie: The Golden Bear Days'', and short stories such as "I Was Killing When Killing Wasn't Cool" and " The Trumpets They Play!". He also works in other media including painting, illustration, printmaking, photography, music, and film. Career ''Big Numbers'' At the age of 18 Columbia was hired to assist Bill Sienkiewicz in illustrating Alan Moore's ambitious '' Big Numbers'' series. When Sienkiewicz withdrew from the series in 1990 after the release of the first two issues, Moore and his backers at Tundra Publishing asked Columbia to become its sole artist. In 1992, Columbia left the project after accusations that he had destroyed his own artwork for ''Big Numbers'' #4. Columbia declined to address the subject publicly for several years, writing in a 1998 let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doghead (comics)
''Doghead'' is a 48-page graphic novel by Al Columbia. His first solo publication, it was released by Tundra Publishing in 1992 while he was involved with Alan Moore's ill-fated '' Big Numbers'' series. It contains two short stories in black and white (the Pixies-inspired " Broken Face" and "Patio Lanterns") and one ("Poster Child") painted in full color. ''Dogheads reception was lukewarm. A 1995 review by Vincent Aliberti dismissed it as " Dave McKean and Bill Sienkiewicz impersonations, some fine colour work and an occasional exchange of witty dialogue", and Marshall Pryor in ''The Comics Journal'' called it "forgettable, but lovely, work ..most notable for its experimentation with disturbing single images and animation-style movement, strengths of olumbia'slater comics." Writing in 2002, Paul Gravett allowed that ''Doghead'' was "indebted" to Sienkiewicz and McKean but saw "hints of olumbia'semerging singular identity" in it as well. Columbia told an interviewer in 1992 tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Biologic Show
''The Biologic Show'' is a comic book series written and drawn by Al Columbia. The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in '' Previews'' but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology '' Zero Zero''. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating." The series' title is taken from a passage in the William S. Burroughs book ''Exterminator!'' (in the story "Short Trip Home"). The passage in question is quoted briefly in a story from issue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Allred
Michael Dalton Allred is an American comic book artist and writer most famous for his independent comics creations, ''Madman'' and ''iZombie''. His style is often compared to pop art, as well as commercial and comic art of the 1950s and 1960s. Early life Allred was raised as a member of the Church of Jesus Christ of Latter-day Saints. Upon his parents' divorce, he was raised with his father in Oregon, while his brothers and mother moved to Utah. He considers himself a Mormon, though a liberal-leaning one, and has stated that he still identifies with the beliefs, and considers the Book of Mormon to be a phenomenal and fascinating story, irrespective of its factual accuracy. Career Mike Allred began his career as a radio host on KYES AM 950 (KY95) in Roseburg, Oregon. He later became a television reporter in Europe, and started drawing comics in 1989 with the 104-page graphic novel ''Dead Air'' ( Slave Labor Graphics). The story loosely followed his stint in radio as a sidebar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantagraphics Books
Fantagraphics (previously Fantagraphics Books) is an American publisher of alternative comics, classic comic strip anthologies, manga, magazines, graphic novels, and the erotic Eros Comix imprint. History Founding Fantagraphics was founded in 1976 by Gary Groth and Michael Catron in College Park, Maryland. The company took over an adzine named ''The Nostalgia Journal'', which it renamed ''The Comics Journal''. As comics journalist (and former Fantagraphics employee) Michael Dean writes, "the publisher has alternated between flourishing and nearly perishing over the years." Kim Thompson joined the company in 1977, using his inheritance to keep the company afloat.Dean, Michael"Comics Community Comes to Fantagraphics' Rescue," ''The Comics Journal'', Posted July 11, 2003. (He soon became a co-owner.) The company moved from Washington, D.C. to Stamford, Connecticut, to Los Angeles over its early years, before settling in Seattle in 1989.Matos, Michelangelo"Saved by the Beag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadline Magazine
''Deadline'' was a British comics magazine published between 1988 and 1995. Created by '' 2000 AD'' artists Brett Ewins and Steve Dillon, ''Deadline'' featured a mix of comic strips and written articles aimed at adult readers. ''Deadline'' sat at the forefront of the wave of British comics anthologies for mature audiences that included ''Crisis'', ''Revolver'' and ''Toxic!'', and had a cultural influence beyond the comics world, most notably via its breakout star Tank Girl. ''Deadline'' was published by Deadline Publications Ltd. History The magazine's origins lie in the earlier publication ''Strange Days'', an anthology title created by Ewins, Brendan McCarthy and Peter Milligan. Much of the non-strip content centred on alternative and indie music. Coupled with the subversive nature of many of the comic strips, the magazine had a distinctive counterculture ethos and post-punk sensibility. The magazine was owned and financed by Tom Astor (grandson of Nancy Astor), and initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Comics
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s. Precursors to horror comics include detective and crime comics that incorporated horror motifs into their graphics, and early superhero stories that sometimes included the likes of ghouls and vampires. Individual horror stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Comics Journal
''The Comics Journal'', often abbreviated ''TCJ'', is an American magazine of news and criticism pertaining to comic books, comic strips and graphic novels. Known for its lengthy interviews with comic creators, pointed editorials and scathing reviews of the products of the mainstream comics industry, the magazine promotes the view that comics are a fine art, meriting broader cultural respect, and thus should be evaluated with higher critical standards. History In 1976, Gary Groth and Michael Catron acquired ''The Nostalgia Journal'', a small competitor of the newspaper adzine '' The Buyer's Guide for Comics Fandom''. At the time, Groth and Catron were already publishing ''Sounds Fine'', a similarly formatted adzine for record collectors that they had started after producing Rock 'N Roll Expo '75, held during the July 4 weekend in 1975 in Washington, D.C. The publication was relaunched as ''The New Nostalgia Journal'' with issue No. 27 (July 1976), and with issue No. 32 (Janua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tundra Publishing
Tundra Publishing was a Northampton, Massachusetts-based comic book publisher founded by Kevin Eastman in 1990. The company was founded to provide a venue for adventurous, creator-owned work by talented cartoonists and illustrators. Its publications were noted in the trade for their high production values, including glossy paper stock, full-color printing, and square binding. Tundra was one of the earlier creator-owned companies, before the formation of Image Comics and Dark Horse Comics' Legends imprint. Creators and projects involved with Tundra included Alan Moore and Bill Sienkiewicz's '' Big Numbers'', Moore & Eddie Campbell's ''From Hell'', Moore & Melinda Gebbie's ''Lost Girls'' (these last two original serialised in Stephen R. Bissette's ''Taboo'' anthology, which was also part-published by Tundra), ''The Crow,'' Mike Allred's '' Madman'' and Dave McKean's '' Cages''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Numbers (comics)
''Big Numbers'' is an unfinished graphic novel by writer Alan Moore and artist Bill Sienkiewicz. In 1990 Moore's short-lived imprint Mad Love published two of the planned twelve issues. The series was picked up by Kevin Eastman's Tundra Publishing, but the completed third issue did not print, and the remaining issues, whose artwork was to be handled by Sienkiewicz's assistant Al Columbia, were never finished. The work marks a move, on Moore's part, away from genre fiction, in the wake of the success of ''Watchmen''. Moore weaves mathematics into a narrative of socioeconomic changes wrought by an American corporation's building of a shopping mall in a small, traditional English town, and the effects of the economic policies of the Margaret Thatcher administration in the 1980s. Publication history The planned 500-page graphic novel was to be serialised one chapter at a time over twelve issues. The series was printed on high-quality paper in an unusual square format. The first two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Moore
Alan Moore (born 18 November 1953) is an English author known primarily for his work in comic books including ''Watchmen'', ''V for Vendetta'', ''The Ballad of Halo Jones'', ''Swamp Thing'', ''Batman:'' ''The Killing Joke'', and ''From Hell''. He is widely recognised among his peers and critics as one of the best comic book writers in the English language. Moore has occasionally used such pseudonyms as Curt Vile, Jill de Ray, Brilburn Logue, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. Moore started writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as '' 2000 AD'' and ''Warrior''. He was subsequently picked up by DC Comics as "the first comics writer living in Britain to do prominent work in America", where he worked on major characters such as Batman ('' Batman: The Killing Joke'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
