Aegis Authenticator 3
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Aegis Authenticator 3
The aegis ( ; ''aigís''), as stated in the ''Iliad'', is a device carried by Athena and Zeus, variously interpreted as an animal skin or a shield and sometimes featuring the head of a Gorgon. There may be a connection with a deity named Aex, a daughter of Helios and a nurse of Zeus or alternatively a mistress of Zeus (Hyginus, ''Astronomica'' 2. 13). The modern concept of doing something "under someone's ''aegis'' means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word ''aegis'' is identified with protection by a strong force with its roots in Greek mythology and adopted by the Romans; there are parallels in Norse mythology and in Egyptian mythology as well, where the Greek word ''aegis'' is applied by extension. Etymology The Greek ''aigis'' has many meanings, including: # "violent windstorm", from the verb ''aïssō'' (word stem ''aïg-'') = "I rush or move violently". Akin to ''kataigis'', "thunderstorm". # The shield of ...
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Athena Lemnia (SK Dresden 49) 04
The ''Lemnian Athena'', or ''Athena Lemnia'', was a classical Greek statue of the goddess Athena that stood on the Acropolis of Athens. According to the traveler Pausanias (geographer), Pausanias, who visited Athens in the 2nd century CE, the statue was created by Pheidias, a sculptor of the 5th century BCE, and dedicated by the inhabitants of the island of Lemnos. In addition to Pausanias, two other authors of the Roman period, Lucian and Aelius Aristides, mention the statue by name, and it may also be alluded to by Pliny the Elder and the Later Roman Empire, Late Roman rhetorician Himerius. The ancient sources suggest that the statue was greatly admired: Pausanias calls it "the most worth seeing" () of all of Pheidias's works, and in Lucian's dialogue the answer to the question "Which of Pheidias's works do you praise the most?" is "What other than the goddess of Lemnos?" Since the 1890s the name "Athena Lemnia" has been associated with a specific ancient statue type, which depic ...
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Folk Etymology
Folk etymology – also known as (generative) popular etymology, analogical reformation, (morphological) reanalysis and etymological reinterpretation – is a change in a word or phrase resulting from the replacement of an unfamiliar form by a more familiar one through popular usage. The form or the meaning of an archaic, foreign, or otherwise unfamiliar word is reinterpreted as resembling more familiar words or morphemes. The term ''folk etymology'' is a loan translation from German ''Volksetymologie'', coined by Ernst Förstemann in 1852. Folk etymology is a productive process in historical linguistics, language change, and social interaction. Reanalysis of a word's history or original form can affect its spelling, pronunciation, or meaning. This is frequently seen in relation to loanwords or words that have become archaic or obsolete. Folk/popular etymology may also refer to a popular false belief about the etymology of a word or phrase that does not lead to a change in t ...
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Hector
In Greek mythology, Hector (; , ) was a Trojan prince, a hero and the greatest warrior for Troy during the Trojan War. He is a major character in Homer's ''Iliad'', where he leads the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He is ultimately killed in single combat by the Greek hero Achilles, who later drags his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. The name was in use during Mycenaean times, as evidenced by a servant with the name referred to in a Linear B tablet. In the tablet, the name is spelled , ''E-ko-to''. Moses I. Finley proposed that the Homeric hero was partly based ...
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Apollo
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracular god—the prophetic deity of the Pythia, Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off e ...
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Mount Ida
In Greek mythology, two sacred mountains are called Mount Ida, the "Mountain of the Goddess": Mount Ida in Crete, and Mount Ida in the ancient Troad region of western Anatolia (in modern-day Turkey), which was also known as the '' Phrygian Ida'' in classical antiquity and is mentioned in the ''Iliad'' of Homer and the ''Aeneid'' of Virgil. Both are associated with the mother goddess in the deepest layers of pre-Greek myth, in that Mount Ida in Anatolia was sacred to Cybele, who is sometimes called ''Mater Idaea'' ("Idaean Mother"), while Rhea, often identified with Cybele, put the infant Zeus to nurse with Amaltheia at Mount Ida in Crete. Thereafter, his birthplace was sacred to Zeus, the king and father of Greek gods and goddesses. Etymology The term ''Ida'' (Ἴδη) is of unknown origin. Instances of ''i-da'' in Linear A probably refer to the mountain in Crete. Three inscriptions bear just the name ''i-da-ma-te'' ( AR Zf 1 and 2, and KY Za 2), and may refer to ''mount Id ...
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Metis (mythology)
Metis (; ; Modern Greek: Μήτις, meaning 'Wisdom', 'Skill', or 'Craft'), in ancient Greek religion and mythology, was the pre-Olympian goddess of wisdom, counsel and deep thought, and a member of the Oceanids. She is notable for being the advisor and first wife of Zeus, the king of the gods. She first helped him to free his siblings from their father Cronus' stomach and later helped their daughter Athena to escape from the forehead of Zeus, who swallowed both mother and child after it was foretold that she would bear a son mightier than his father. Function By the era of Greek philosophy in the 5th century BC, Metis had become the first deity of wisdom and deep thought, but her name originally connoted "magical cunning" and was as easily equated with the trickster powers of Prometheus as with the "royal ''metis''" of Zeus, who is titled ''Metieta'' () in the Homeric poems. The Stoicism, Stoic commentators allegory, allegorised Metis as the embodiment of "prudence", "wis ...
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Serpent (symbolism)
The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin ''serpens'', a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to humankindRobbins, Lawrence H., Alec C. Campbell, George A. Brook, Michael L. Murphy (June 2007). "World's Oldest Ritual Site? The 'Python Cave' at Tsodilo Hills World Heritage Site, Botswana". Nyame Akuma. ''Bulletin of the Society of Africanist Archaeologists'' (67). Retrieved 1 (2010). and represent dual expression of good and evil. The historian of religions Mircea Eliade observed in ''The Myth of the Eternal Return,'' "the serpent symbolizes chaos, the formless and nonmanifested." In ''The Symbolism of the Cross'', Traditionalist René Guénon contended that "the serpent will depict the series of the cycles of universal manifestation," "the indefinitude of universal Existence," and "the being's attachment to the indefinite series of cycles of manifestati ...
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Attica
Attica (, ''Attikḗ'' (Ancient Greek) or , or ), or the Attic Peninsula, is a historical region that encompasses the entire Athens metropolitan area, which consists of the city of Athens, the capital city, capital of Greece and the core city of the metropolitan area, as well as its surrounding suburban cities and towns. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, Lavrio, was an important Mines of Laurion, mining region. The history of Attica is closely linked with that of Athens. In ancient times, Attica corresponded with the Athens city-state. It was the most prominent region in Ancient Greece, specifically during the Golden Age of Athens in the Classical Greece, classical period. Classical Athens, Ancient Attica (the classical Classical Athens, Athens city-state) was divided into deme, demoi, or municipalities, from the reform of Cleisthenes in 508/7 BC, gr ...
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Medusa
In Greek mythology, Medusa (; ), also called Gorgo () or the Gorgon, was one of the three Gorgons. Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was Petrifaction in mythology and fiction, turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her Aegis, shield. In classical antiquity, the image of the head of Medusa appeared in the apotropaic magic, evil-averting device known as the ''Gorgoneion''. According to Hesiod and Aeschylus, she lived and died on Sarpedon, somewhere near Cisthene (Mysia), Cisthene. The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Ancient Libya, ...
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Aeneid
The ''Aeneid'' ( ; or ) is a Latin Epic poetry, epic poem that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan War#Sack of Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. Written by the Roman poet Virgil between 29 and 19 BC, the ''Aeneid'' comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', ...
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Hephaestus
Hephaestus ( , ; wikt:Hephaestus#Alternative forms, eight spellings; ) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Lemnos, Mythic Lemnos In Greek mythology, Hephaestus was the son of Hera, either on her own or by her husband Zeus. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos. Hephaestus's symbols are a smith's ham ...
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