Adoration Of The Magi (Veronese)
The ''Adoration of the Magi'' by the Venetian artist Paolo Veronese is a large oil painting on canvas dated to 1573 which has been in the National Gallery, London since 1855, shortly after it was sold by the Venetian church for which it was commissioned. It shows the common subject in the Nativity art of the visit by the Three Kings to the infant Jesus, here given a grandly theatrical treatment typical of Veronese's mature works. It was not an altarpiece, having been painted to hang beside rather than over a side altar in the nave of the church. Description The Adoration of the Magi was a very common subject in religious art. It was no doubt chosen for this painting because it was commissioned by a confraternity of Saint Joseph, although he is not especially prominent in the composition, placed hanging off a ledge above the ox. However he is at the top of the compositional diagonal formed by the main figures. Veronese enjoyed painting elaborate and stagey costumes and the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paolo Veronese - Adoration Of The Magi - National Gallery
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art * Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor * Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist * Paolo Carosone (born 1941), Italian painter and sculptor * Paolo Moranda Cavazzola (1486–1522), Italian painter * Paolo Farinati (c. 1524–c. 1606), Italian painter * Paolo Fiammingo (c. 1540–1596), Flemish painter * Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter * Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor * Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christopher Lloyd
Christopher Allen Lloyd (born October 22, 1938) is an American actor. He has appeared in many theater productions, films, and on television since the 1960s. He is known for portraying Dr. Emmett "Doc" Brown in the ''Back to the Future'' trilogy (1985–1990); and Jim Ignatowski in the comedy series ''Taxi'' (1978–1983), for which he won two Emmy Awards. Lloyd came to public attention in Northeastern theater productions during the 1960s and early 1970s, earning Drama Desk and Obie awards for his work. He made his cinematic debut in '' One Flew Over the Cuckoo's Nest'' (1975), and his television debut in ''The Adams Chronicles'' the following year. He also starred as Commander Kruge in '' Star Trek III: The Search for Spock'' (1984), Professor Plum in ''Clue'' (1985), Judge Doom in ''Who Framed Roger Rabbit'' (1988), and Uncle Fester in ''The Addams Family'' (1991) and its sequel ''Addams Family Values'' (1993). He earned a third Emmy for his 1992 guest appearance as Alistai ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacopo Bassano
Jacopo Bassano (c. 1510 – 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, and took the village as his surname. Trained in the workshop of his father, Francesco the Elder, and studying under Bonifazio Veronese in Venice, he painted mostly religious paintings including landscape and genre scenes. He often treated biblical themes in the manner of rural genre scenes, portraying people who look like local peasants and depicting animals with real interest. Bassano's pictures were very popular in Venice because of their depiction of animals and nocturnal scenes. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter. Life He was born around 1510 in the town of Bassano del Grappa, located about 65 km from the city of Venice. His father, Francesco il Vecchio, was a l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicholas Penny
Sir Nicholas Beaver Penny (born 21 December 1949) is a British art historian. From 2008 to 2015 he was director of the National Gallery in London. Early life Penny was educated at Shrewsbury School before he studied English at St Catharine's College, Cambridge. He then studied for a doctorate at The Courtauld Institute of Art in London, where he was taught by Michael Kitson. While a student at the Courtauld, Penny contributed photographs to the Art & Architecture section of the Conway Library collection. Career Penny's academic career began with a research fellowship at Clare Hall, Cambridge, after which he went on to teach art history at Manchester University. While still in his early thirties, Penny was appointed to the Slade Professorship at Oxford University and to a senior research fellowship at King's College, Cambridge. He was the co-author, with Francis Haskell, of ''Taste and the Antique'', a study of the formation of the canon of classical sculpture published in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Accademia, Venice
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the ''vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Feast In The House Of Levi
''The Feast in the House of Levi'' or ''Christ in the House of Levi'' is a 1573 oil painting by Italian painter Paolo Veronese and one of the largest canvases of the 16th century, measuring . It is now in the Gallerie dell'Accademia in Venice. It was painted by Veronese for a wall of a Dominican friary called the refectory of the Basilica di Santi Giovanni e Paolo. This painting was intended to be a ''Last Supper'', to replace an earlier work by Titian of this subject destroyed in the fire of 1571. The painting is directly tied to Luke, chapter 5, of the Bible which is clear from the inscription the artist added. The painting shows a banquet taking place in which Christ is the focal point at the center of the image. However, the painting led to an investigation by the Tribunal of the Holy Inquisition in Venice. Veronese was called to answer for irreverence and indecorum, and the serious offense of heresy was mentioned. Subject Originally this painting was meant to be of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cecil Gould
Cecil Hilton Monk Gould (24 May 1918 – 7 April 1994) was a British art historian and curator A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the parti ... who specialised in Renaissance painting. He was a former Keeper and Deputy Director of the National Gallery, London, National Gallery in London. Life Born in London in 1918, Gould was the son of Admiralty Lieutenant-Commander Rupert Gould, the restorer of John Harrison's chronometers and well-known panellist of the BBC's "Brains Trust" programme during WWII, and Muriel Estall. Gould was educated at Kingswood House School, Kingswood House preparatory school, near Epsom, and then at Westminster School. When he was nine, Gould's mother permanently separated from his father and raised Cecil and his sister Jocelyne. After leaving school ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera. In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the ''Annunciation'' (van Eyck, Washington) or the ''Arnolfini Portrait'', reveals that artists made alterations, sometimes radical ones, to their compositions. The underdrawing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jewish Law
''Halakha'' (; he, הֲלָכָה, ), also Romanization of Hebrew, transliterated as ''halacha'', ''halakhah'', and ''halocho'' ( ), is the collective body of Judaism, Jewish religious laws which is derived from the Torah, written and Oral Torah. Halakha is based on biblical commandments (''Mitzvah, mitzvot''), subsequent Talmudic and Mitzvah#Rabbinic mitzvot, rabbinic laws, and the customs and traditions which were compiled in the many books such as the ''Shulchan Aruch''. ''Halakha'' is often translated as "Jewish law", although a more literal translation of it might be "the way to behave" or "the way of walking". The word is derived from the Semitic root, root which means "to behave" (also "to go" or "to walk"). ''Halakha'' not only guides religious practices and beliefs, it also guides numerous aspects of day-to-day life. Historically, in the Jewish diaspora, ''halakha'' served many Jewish communities as an enforceable avenue of law – both Civil law (legal system), civil a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Covenant (biblical)
The Hebrew Bible makes reference to a number of covenants ( he, בְּרִיתוֹת) with God (YHWH). These include the Noahic Covenant (in Genesis), which is between God and all living creatures, as well as a number of more specific covenants with Abraham, the whole Israelite people, the Israelite priesthood, and the Davidic lineage of kings. In form and terminology, these covenants echo the kinds of treaty agreements in the surrounding ancient world. The Book of Jeremiah, verses says that Yahweh will establish a new covenant with the house of Israel and the house of Judah. Most Christians believe this New Covenant is the "replacement" or "final fulfilment" of the Old Covenant described in the Old Testament and as applying to the People of God, while some believe both covenants are still applicable in a dual covenant theology. Ancient Near Eastern treaties The Hebrew term בְּרִית ''bĕriyth'' for "covenant" is from a root with the sense of "cutting", because p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |