Adoration In The Forest (Lippi)
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Adoration In The Forest (Lippi)
The ''Mystical Nativity'' or ''Adoration in the Forest'' was painted by Fra Filippo Lippi (c. 1406 – 1469) around 1459 as the altarpiece for the Magi Chapel in the new Palazzo Medici in Florence. It is now in the Gemäldegalerie, Berlin, with a copy by another artist now hanging in the chapel. It is a highly individual depiction of the familiar scene of the Nativity of Jesus in art, placed in a mountainous forest setting, with debris from woodcutting all around, rather than the familiar stable in Bethlehem, and with the usual figures and animals around the mother and child replaced by others. The painting is in oil on a poplar panel, and the painted surface measures 127 x 116 cm, with the panel being 129.5 x 118.5 cm. It is not to be confused with ''The Mystical Nativity'' by Sandro Botticelli, now in London. Description The moment shown is known as the ''Adoration of the Child'' in art, as the almost naked baby Jesus is placed on the ground, and "adored" by his mother ...
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Fra Filippo Lippi - The Adoration In The Forest - Google Art Project
A friar is a member of one of the mendicant orders founded in the twelfth or thirteenth century; the term distinguishes the mendicants' itinerant apostolic character, exercised broadly under the jurisdiction of a superior general, from the older monastic orders' allegiance to a single monastery formalized by their vow of stability. A friar may be in holy orders or a brother. The most significant orders of friars are the Dominicans, Franciscans, Augustinians, and Carmelites. Definition Friars are different from monks in that they are called to live the evangelical counsels (vows of poverty, chastity, and obedience) in service to society, rather than through cloistered asceticism and devotion. Whereas monks live in a self-sufficient community, friars work among laypeople and are supported by donations or other charitable support. Monks or nuns make their vows and commit to a particular community in a particular place. Friars commit to a community spread across a wider geog ...
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Filippo Lippi, Adorazione Del Bambino Di Palazzo Medici, 1459 Ca
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman * Filippo II Colonna (1663–1714), Italian noblemen * Filippo Abbiati (1640–1715), Italian painter * Filippo Baldinucci (1624–1697), Italian historian * Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general * Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat * Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Mi ...
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Pope Martin V
Pope Martin V ( la, Martinus V; it, Martino V; January/February 1369 – 20 February 1431), born Otto (or Oddone) Colonna, was the head of the Catholic Church and ruler of the Papal States from 11 November 1417 to his death in February 1431. His election effectively ended the Western Schism of 1378–1417. He is the last pope to date to take on the pontifical name "Martin". Biography Oddone Colonna was born at Genazzano, the son of Agapito Colonna and Caterina Conti, between 26 January and 20 February, 1369. He belonged to one of the oldest and most distinguished families of Rome. His brother Giordano became Prince of Salerno and Duke of Venosa, while his sister Paola was Lady of Piombino between 1441 and 1445. Oddone studied law at the University of Pavia. He became apostolic protonotary under Pope Urban VI (1378–1389), and was created Cardinal-Deacon of San Giorgio in Velabro by Pope Innocent VII in 1405. In 1409 he took part in the Council of Pisa, and was one of the su ...
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Panorama Del Convento Di Camaldoli
A panorama (formed from Greek πᾶν "all" + ὅραμα "view") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive "panoptic" experience of a vista. Cartographic experiments during the Enlightenment era ...
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Passion Of Christ
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Lati ...
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European Goldfinch
The European goldfinch or simply the goldfinch (''Carduelis carduelis'') is a small passerine bird in the finch family that is native to Europe, North Africa and western and central Asia. It has been introduced to other areas, including Australia, New Zealand and Uruguay. The breeding male has a red face with black markings around the eyes, and a black-and-white head. The back and flanks are buff or chestnut brown. The black wings have a broad yellow bar. The tail is black and the rump is white. Males and females are very similar, but females have a slightly smaller red area on the face. The goldfinch is often depicted in Italian Renaissance paintings of the Madonna and Child. Taxonomy The European goldfinch was one of the birds described and illustrated by Swiss naturalist Conrad Gessner in his '' Historiae animalium'' of 1555. The first formal description was by Carl Linnaeus in the 10th edition of his ''Systema Naturae'' published in 1758. He introduced the binomial name, ...
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Frederick Hartt
Frederick Hartt (1914–1991) was an Italian Renaissance scholar, author and professor of art history. His books include ''History of Italian Renaissance Art'', '' Art: A History of Painting, Sculpture, and Architecture ''(two volumes), ''Michelangelo (Masters of Art Series)'', ''The Sistine Chapel'' and ''The Renaissance in Italy and Spain (Metropolitan Museum of Art Series)''. He was also involved with cataloging and repatriating art work looted and stolen by the Third Reich during World War II. Biography Hartt was born in Boston, Massachusetts on 22 May 1914, the son of Rollin Lynde Hartt and Jessie Clark Knight (Hartt). He graduated from Columbia College in 1935 and received his PhD from New York University's Institute of Fine Arts in 1950; the subject of his dissertation was ''Giulio Romano and the Palazzo del Te''. From 1942 to 1946, during World War II, Hartt was an officer in the Monuments, Fine Arts, and Archives program of the US Army and received a Bronze Star. He ...
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Holy Spirit In Christianity
For the majority of Christian denominations, the Holy Spirit, or Holy Ghost, is believed to be the third person of the Trinity, a Triune God manifested as God the Father, God the Son, and God the Holy Spirit, each entity itself being God in Christianity, God.Grudem, Wayne A. 1994. ''Systematic Theology: An Introduction to Biblical Doctrine.'' Leicester, England: Inter-Varsity Press; Grand Rapids, MI: Zondervan page 226. Nontrinitarianism, Nontrinitarian Christians, who reject the doctrine of the Trinity, differ significantly from mainstream Christianity in Holy Spirit (Christian denominational variations)#Non-Trinitarian views, their beliefs about the Holy Spirit. In Christian theology, pneumatology is the study of the Holy Spirit. Due to Christianity's historical relationship with Judaism, theologians often identify the Holy Spirit with the concept of the Holy Spirit in Judaism, ''Ruach Hakodesh'' in Jewish scripture, on the theory that Jesus was expanding upon these Jewish con ...
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God The Father
God the Father is a title given to God in Christianity. In mainstream trinitarian Christianity, God the Father is regarded as the first person of the Trinity, followed by the second person, God the Son Jesus Christ, and the third person, God the Holy Spirit. Since the second century, Christian creeds included affirmation of belief in "God the Father ( Almighty)", primarily in his capacity as "Father and creator of the universe". However, in Christianity the concept of God as the father of Jesus Christ goes metaphysically further than the concept of God as the creator and father of all people, as indicated in the Apostles' Creed where the expression of belief in the "Father almighty, creator of heaven and earth" is immediately, but separately followed by in "Jesus Christ, his only Son, our Lord", thus expressing both senses of fatherhood. Christianity Overview In much of modern Christianity, God is addressed as the Father, in part because of his active interest in huma ...
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Holy Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three distinct persons sharing one ''homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This doctrine ...
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Bernard Of Clairvaux
Bernard of Clairvaux, O. Cist. ( la, Bernardus Claraevallensis; 109020 August 1153), venerated as Saint Bernard, was an abbot, mystic, co-founder of the Knights Templars, and a major leader in the reformation of the Benedictine Order through the nascent Cistercian Order. He was sent to found Clairvaux Abbey at an isolated clearing in a glen known as the ''Val d'Absinthe'', about southeast of Bar-sur-Aube. In the year 1128, Bernard attended the Council of Troyes, at which he traced the outlines of the Rule of the Knights Templar, which soon became an ideal of Christian nobility. On the death of Pope Honorius II in 1130, a schism arose in the church. Bernard was a major proponent of Pope Innocent II, arguing effectively for his legitimacy over the Antipope Anacletus II. In 1139, Bernard attended the Second Council of the Lateran and criticized Peter Abelard vocally. Bernard advocated crusades in general and convinced many to participate in the unsuccessful Second Crusade, ...
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