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Adolf Loos's Dvořák Mausoleum
In 1921 the Austrian architect Adolf Loos completed a plan for a mausoleum for the Austrian Czech art historian Max Dvořák, who had died earlier that year. The mausoleum was never built. In a 1910 essay, ''Architecture'', Loos wrote that "...only a very small part of architecture belongs to the realm of art: The tomb and the monument". Loos died in 1933. His own tomb was based on a design that he had sketched two years previously, consisting of a square of gray granite. Design The mausoleum is shaped as a square chamber made of blocks of Swedish black granite, with blocks also forming a roof in a ziggurat. It was to be 20 feet high. The interior was to be decorated with frescoes by Oscar Kokoschka. In his book ''Adolf Loos: The Art of Architecture'', writer Joseph Masheck draws parallels between Loos's mausoleum and the work of later post-modern architects and artists including the brick installations of Carl Andre, the "gray prisms" of sculptor Robert Morris and the sculptu ...
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Adolf Loos's Dvořák Mausoleum
In 1921 the Austrian architect Adolf Loos completed a plan for a mausoleum for the Austrian Czech art historian Max Dvořák, who had died earlier that year. The mausoleum was never built. In a 1910 essay, ''Architecture'', Loos wrote that "...only a very small part of architecture belongs to the realm of art: The tomb and the monument". Loos died in 1933. His own tomb was based on a design that he had sketched two years previously, consisting of a square of gray granite. Design The mausoleum is shaped as a square chamber made of blocks of Swedish black granite, with blocks also forming a roof in a ziggurat. It was to be 20 feet high. The interior was to be decorated with frescoes by Oscar Kokoschka. In his book ''Adolf Loos: The Art of Architecture'', writer Joseph Masheck draws parallels between Loos's mausoleum and the work of later post-modern architects and artists including the brick installations of Carl Andre, the "gray prisms" of sculptor Robert Morris and the sculptu ...
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Hal Foster (art Critic)
Harold Foss "Hal" Foster
: Foster, Harold. Retrieved 2011-11-04.
(born August 13, 1955) is an American art critic and . He was educated at , , and the City University of New York. He taught at

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Ziggurat Style Modern Architecture
A ziggurat (; Cuneiform: 𒅆𒂍𒉪, Akkadian: ', D-stem of ' 'to protrude, to build high', cognate with other Semitic languages like Hebrew ''zaqar'' (זָקַר) 'protrude') is a type of massive structure built in ancient Mesopotamia. It has the form of a terraced compound of successively receding storeys or levels. Notable ziggurats include the Great Ziggurat of Ur near Nasiriyah, the Ziggurat of Aqar Quf near Baghdad, the now destroyed Etemenanki in Babylon, Chogha Zanbil in Khūzestān and Sialk Plus, Sumer in general. The Sumerians believed that the Gods lived in the temple at the top of the Ziggurats, so only priests and other highly respected individuals could enter. Society offered them many things such as music, harvest, and creating devotional statues to live in the temple. History The word ziggurat comes from ''ziqqurratum'' (height, pinnacle), in ancient Assyrian. From ''zaqārum'', to be high up. The Ziggurat of Ur is a Neo-Sumerian ziggurat built by King Ur ...
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Adolf Loos Buildings
Adolf (also spelt Adolph or Adolphe, Adolfo and when Latinised Adolphus) is a given name used in German-speaking countries, Scandinavia, the Netherlands and Flanders, France, Italy, Spain, Portugal, Latin America and to a lesser extent in various Central European and East European countries with non-Germanic languages, such as Lithuanian Adolfas and Latvian Ādolfs. Adolphus can also appear as a surname, as in John Adolphus, the English historian. The female forms Adolphine and Adolpha are far more rare than the male names. The name is a compound derived from the Old High German ''Athalwolf'' (or ''Hadulf''), a composition of ''athal'', or ''adal'', meaning "noble" (or '' had(u)''-, meaning "battle, combat"), and ''wolf''. The name is cognate to the Anglo-Saxon name '' Æthelwulf'' (also Eadulf or Eadwulf). The name can also be derived from the ancient Germanic elements "Wald" meaning "power", "brightness" and wolf (Waldwulf). Due to negative associations with Adolf H ...
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1921 In Art
Events from the year 1921 in art. Events * March – Puhl & Wagner are contracted to decorate the interior of the Golden Hall (Stockholm City Hall) with neo-Byzantine mosaics designed by Einar Forseth. * September–October – 5x5=25 abstract art exhibition held in Moscow. * The experimental short documentary film ''Manhatta'' is shot by painter Charles Sheeler and photographer Paul Strand in New York City. * Thomas Gainsborough's c. 1770 portrait ''The Blue Boy'' from the collection of the Duke of Westminster is sold by dealer Joseph Duveen to California magnate Henry E. Huntington for $728,800 (£182,200; equivalent to $ million in ), according to Duveen's bill, a record price for any painting at this time. * Paul Sérusier publishes his ''ABC of Painting''. * André Delatte opens his glasswares studio in Nancy. * Simon Rodia begins construction of the Watts Towers in Los Angeles. Awards * Archibald Prize: W B McInnes – ''Desbrowe Annear'' Works * Carlo Carrà – ...
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Highgate Cemetery
Highgate Cemetery is a place of burial in north London, England. There are approximately 170,000 people buried in around 53,000 graves across the West and East Cemeteries. Highgate Cemetery is notable both for some of the people buried there as well as for its ''de facto'' status as a nature reserve. The Cemetery is designated Grade I on the Register of Historic Parks and Gardens. It is one of the Magnificent Seven cemeteries in London. Location The cemetery is in Highgate N6, next to Waterlow Park, in the London Borough of Camden. It comprises two sites, on either side of Swains Lane. The main gate is on Swains Lane just north of Oakshott Avenue. There is another, disused, gate on Chester Road. The nearest public transport ( Transport for London) is the C11 bus, Brookfield Park stop, and Archway tube station. History and setting The cemetery in its original formthe northwestern wooded areaopened in 1839, as part of a plan to provide seven large, modern cemeteries, now known a ...
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Architecture Foundation
Founded in 1991, The Architecture Foundation is Britain's oldest independent architecture centre. It examines contemporary issues in architectural theory and practice, through a public programme that has involved exhibitions, competitions publications, lectures, films and debates. The organisation ran the Yard Gallery in Clerkenwell as a temporary space experimenting in different ways of exhibiting and communicating architecture before moving to Carmody Groarke-designed headquarters in Southwark. Under the direction of Sarah Ichioka it gave itself a greater international remit, manifesting itself in 2009 through a series of exchange programmes. The Southwark headquarters also operated a project space, again hosting a variety of exhibitions, installations and talks. The Architecture Foundation left the Southwark space in 2014 due to financial problems following the withdrawal of Arts Council funding. In 2015 it co-located with the Sir John Cass Faculty of Art, Architecture and De ...
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Wilhelm Worringer
Wilhelm Robert Worringer (13 January 1881 in Aachen – 29 March 1965 in Munich) was a German art historian known for his theories about abstract art and its relation to avant-garde movements such as German Expressionism. Through his influence on the art critic T. E. Hulme, his ideas were influential in the development of early British modernism, especially Vorticism. Biography Worringer studied art history in Freiburg, Berlin, and Munich before moving to Bern, where he got his Ph.D. in 1907. His thesis was published the following year under the title ''Abstraction and Empathy: Essay in the Psychology of Style'' and remains his best-known work. He taught at Bern University from 1909 to 1914. During this period he got to know members of the Blue Rider group, and he worked with his sister Emmy Worringer to arrange lectures and exhibitions at the avant-garde artists' association known as the Gereonsklub. In 1907 he married Marta Schmitz, a friend of Emmy's who later became a well-kn ...
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Mausoleum At Halicarnassus
The Mausoleum at Halicarnassus or Tomb of Mausolus ( grc, Μαυσωλεῖον τῆς Ἁλικαρνασσοῦ; tr, Halikarnas Mozolesi) was a tomb built between 353 and 350 BC in Halicarnassus (present Bodrum, Turkey) for Mausolus, an Anatolian from Caria and a satrap in the Achaemenid Empire, and his sister-wife Artemisia II of Caria. The structure was designed by the Greek architects Satyros and Pythius of Priene. Its elevated tomb structure is derived from the tombs of neighbouring Lycia, a territory Mausolus had invaded and annexed c. 360 BC, such as the Nereid Monument. The Mausoleum was approximately in height, and the four sides were adorned with sculptural reliefs, each created by one of four Greek sculptors: Leochares, Bryaxis, Scopas of Paros, and Timotheus. The mausoleum was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World. It was destroyed by successive earthquakes from the 1 ...
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Mausolus
Mausolus ( grc, Μαύσωλος or , xcr, 𐊠𐊸𐊫𐊦 ''Mauśoλ'') was a ruler of Caria (377–353 BCE) and a satrap of the Achaemenid Empire. He enjoyed the status of king or dynast by virtue of the powerful position created by his father Hecatomnus ( xcr, 𐊴𐊭𐊪𐊳𐊫 ), who had succeeded the assassinated Persian Satrap Tissaphernes as the first satrap of Caria and founded the hereditary Hecatomnid dynasty. Alongside Caria, Mausolus also ruled Lycia and parts of Ionia and the Dodecanese islands. He is best known for the monumental shrine, the Mausoleum at Halicarnassus, erected and named for him by order of his widow (who was also his sister) Artemisia. Name Mausolus' name is only known directly in Greek ( grc, Μαύσωλος or ). It is clearly of Carian origin, though, and would have been written as *𐊪𐊠𐊲𐊸𐊫𐊦 (''*Mauśoλ'') or similar. This is a compound name perhaps meaning "much blessed". The first part, ''*Ma-'', may mean "much ...
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Tony Smith (sculptor)
Anthony Peter Smith (September 23, 1912 – December 26, 1980) was an American sculptor, visual artist, architectural designer, and a noted theorist on art. He is often cited as a pioneering figure in American Minimalist sculpture. Education and early life Smith was born in South Orange, New Jersey, to a waterworks manufacturing family started by his grandfather and namesake, A. P. Smith. Tony contracted tuberculosis around 1916, which lasted through much of elementary school. In an effort to speed his recovery, protect his immune system, and protect his siblings, his family constructed a one-room prefabricated house in the backyard. He had a full-time nurse and had tutors to keep up with his school work; he sporadically attended Sacred Heart Elementary School in Newark. His medicine came in little boxes which he used to form cardboard constructions. Sometimes he visited the waterworks factory, marveling at the industrial production, machines and fabrication processes. Smith c ...
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