Adolf Hölzel
Adolf Richard Hölzel (13 May 1853 – 17 October 1934) was a German painter. He began as a Realist, but later became an early promoter of various Modern styles, including Abstractionism. Biography Hölzel was born in Olmütz. His father was the publisher, Eduard Hölzel. In 1868, he completed a three-year apprenticeship as a typesetter at the map publishing firm of F.A.Perthes in Gotha. Three years later, he and his family moved to Vienna where the following year he enrolled at the Academy of Fine Arts, moving to the Academy of Fine Arts, Munich, in 1876, where he studied with Wilhelm von Diez. After completing his studies, Hölzel married and divided his time between Munich and Rothenburg ob der Tauber. In Munich, he became acquainted with Fritz von Uhde, who introduced him to Impressionism. Together with Von Uhde, Ludwig Dill and Arthur Langhammer, he helped create an art school, the Dachauer Malschule, in the nearby village of Dachau, which later became the keystone of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dachau Art Colony
The Dachau Artists' Colony was located in Dachau, Germany, and flourished from around 1890 until 1914. History In the early 19th century, the then-bucolic village of Dachau (located just 12 miles from Munich) began attracting landscape painters. By the second half of the century, Barbizon-influenced painters like Carl Spitzweg and Christian Morgenstern, and academic painters like Wilhelm von Diez and Eduard Schleich the Elder had worked in and around Dachau. A new era opened in 1888 when the German painter Adolf Hölzel moved to Dachau. In 1897 he and several other avant-garde artists — notably Ludwig Dill and Arthur Langhammer — set up the "New Dachau" art school in Dachau that attracted artists from all over Europe, especially rural genre painters, landscape painters, and printmakers. Many stayed and formed a colony, drawn both by the picturesque surrounding moors stretching to the distant Alps and by the lower cost of living than in nearby Munich. Among those drawn to th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Willi Baumeister
Willi Baumeister (22 January 1889 – 31 August 1955) was a German painter, scenic designer, art professor, and typographer. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics. Life Born in Stuttgart in 1889, Baumeister completed an apprenticeship as a decorative painter in his native city from 1905 to 1907, followed by military service (fall 1907–1908). During his apprenticeship, Baumeister also began art studies at the Stuttgart Art Academy (Königlich Württembergische Akademie) (1905–1906), attended Robert Poetzelberger’s drawing class, and took additional lessons from Josef Kerschensteiner. In 1906 he resumed his apprenticeship and, in 1907, completed the trade test. Following his military service, Baumeister continued his studies at the art academy. Dismissed by his teacher Poetzelberger due to lack of talent, he switched into the composition class of Adolf Hölzel, with whom he studied until 1912, where he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oskar Schlemmer
Oskar Schlemmer (4 September 1888 – 13 April 1943) was a German painter, sculptor, designer and choreographer associated with the Bauhaus school. In 1923, he was hired as Master of Form at the Bauhaus theatre workshop, after working at the workshop of sculpture. His most famous work is '' Triadisches Ballett'' (Triadic Ballet), which saw costumed actors transformed into geometrical representations of the human body in what he described as a "party of form and colour". Biography Childhood and apprenticeships Born in September 1888 in Swabia, Germany, Oskar Schlemmer was the youngest of six children. His parents, Carl Leonhard Schlemmer and Mina Neuhaus, both died around 1900 and the young Oskar lived with his sister and learned at an early age to provide for himself. By 1903 he was completely independent and supporting himself as an apprentice in an inlay workshop, moving on to another apprenticeship in marquetry from 1905 to 1909. Oskar Schlemmer studied at the Kunstgew ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Deutscher Werkbund
The Deutscher Werkbund (English: "German Association of Craftsmen"; ) is a German association of artists, architects, designers and industrialists established in 1907. The Werkbund became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto ''Vom Sofakissen zum Städtebau'' (from sofa cushions to city-building) indicates its range of interest. History The Deutscher Werkbund emerged when the architect Joseph Maria Olbrich left Vienna for Darmstadt, Germany, in 1899, to form an ar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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State Academy Of Fine Arts In Stuttgart
The State Academy of Fine Arts Stuttgart (German: Staatliche Akademie der Bildenden Künste Stuttgart) is a university in Stuttgart, Germany. Founded on 25 June 1761, and located since 1946 on the Weißenhof, the Academy, whose historical significance marks names such as Nicolas Guibal, Johann Heinrich von Dannecker, Bernhard Pankok, Adolf Hölzel, Willi Baumeister, Herbert Hirche, K.R.H. Sonderborg, Alfred Hrdlicka, Heinz Edelmann, Marianne Eigenheer, Richard Sapper, Joseph Kosuth, David Chipperfield, Joan Jonas, Micha Ullman, offers from all art universities in the federal state Baden-Württemberg the largest numbers of courses, namely all disciplines of the visual field, and not just in an organizational network but also under one roof. This is essentially the result of the connection of the former Academy of Fine Arts (''Württembergische Akademie der bildenden Künste'') with the former School of Applied Arts (''Württembergische Staatliche Kunstgewerbeschule'') in 1941 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leopold Von Kalckreuth
:' Leopold Karl Walter Graf von Kalkreuth (15 May 1855 – 1 December 1928) was a German painter, known for portraits and landscapes. Biography A direct descendant of field-marshal Friedrich Adolf Graf von Kalckreuth, Leopold was born at Düsseldorf, received his first training at Weimar from his father, the landscape painter Count Stanislaus von Kalckreuth (1820–1894), and subsequently studied at the academies of Weimar and Munich. Although he painted some portraits remarkable for their power of expression, he devoted himself principally to depicting with relentless realism the monotonous life of the fishing folk on the sea-coast, and of the peasants in the fields. His palette is joyless, and almost melancholy, and in his technique he is strongly influenced by the impressionists. He was one of the founders of the secessionist movement. One of his students was Hellmut Eichrodt. From 1885 to 1890, Count von Kalckreuth was professor at the Weimar art school. In 1890, he resig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ver Sacrum (magazine)
''Ver Sacrum'' (meaning "Sacred Spring" in Latin) was the official magazine of the Vienna Secession. Founded by Gustav Klimt and Max Kurzweil, it was published from 1898 to 1903, featuring drawings and designs in the Secession style along with literary contributions from distinguished writers from across Europe. These included Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer, Josef Maria Auchentaller and Arno Holz. See also * List of magazines in Austria References External links * Digitized issues of ''Ver Sacrum''on the website of the University of Heidelberg E-Books of ''Ver Sacrum''on the website of the Belvedere Museum Belvedere (from Italian, meaning "beautiful sight") may refer to: Places Australia *Belvedere, Queensland, a locality in the Cassowary Coast Region Africa * Belvedere (Casablanca), a neighborhood in Casablanca, Morocco *Belvedere, Harare, Zi ... ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vienna Secession
The Vienna Secession (german: Wiener Secession; also known as ''the Union of Austrian Artists'', or ''Vereinigung Bildender Künstler Österreichs'') is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession Building designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called '' Ver Sacrum'' (''Sacred Spring'', in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Munich Secession
The Munich Secession was an association of visual artists who broke away from the mainstream Munich Artists' Association in 1892, to promote and defend their art in the face of what they considered official paternalism and its conservative policies. They acted as a form of cooperative, using their influence to assure their economic survival and obtain commissions. In 1901, the association split again when some dissatisfied members formed the group Phalanx. Another split occurred in 1913, with the founding of the New Munich Secession. Background By the end of the nineteenth century, more artists lived in Munich than lived in Vienna and Berlin put together. However, the art community there was dominated by the conservative attitudes of the Munich Artists' Association and its supporters in the government. These attitudes found expression in the official "mission statements", written by the so-called "Prince of Painters" (''Malerfürst'') Franz von Lenbach. Matters came to a head ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wilhelm Von Bezold
Johann Friedrich Wilhelm von Bezold (June 21, 1837 – February 17, 1907) was a German physicist and meteorologist born in Munich, Kingdom of Bavaria. He is best known for discovering the Bezold effect and the Bezold–Brücke shift. Bezold studied mathematics and physics at the University of Munich and the University of Göttingen. He taught meteorology in Munich from 1861, becoming a professor in 1866. In 1868 he began teaching at the Technical University of Munich. In 1875, he was named a member of the Bavarian Academy of Sciences. From 1885 to 1907 director of the Prussian Institute of Meteorology at the University of Berlin. As a scientist, he was mainly interested in the physics of the atmosphere, and he contributed much to the theory of electrical storms. Bezold was one of the early researchers of atmospheric thermodynamics. He considered pseudo-adiabatic processes describing air as it is lifted, expands, cools, and eventually condenses and precipitates its water vapo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theory Of Colours
''Theory of Colours'' (german: Zur Farbenlehre, links=no) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how these are perceived by humans. It was published in German in 1810 and in English in 1840. The book contains detailed descriptions of phenomena such as coloured shadows, refraction, and chromatic aberration. The work originated in Goethe's occupation with painting and mainly exerted an influence on the arts (Philipp Otto Runge, J. M. W. Turner, the Pre-Raphaelites, Hilma af Klint, Wassily Kandinsky). The book is a successor to two short essays entitled "Contributions to Optics". Although Goethe's work was rejected by some physicists, a number of philosophers and physicists have concerned themselves with it, including Thomas Johann Seebeck, Arthur Schopenhauer (see: '' On Vision and Colors''), Hermann von Helmholtz, Ludwig Wittgenstein, Werner Heisenberg, Kurt Gödel, and Mitchell Feigenbaum. Goethe's book ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |