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Adam De La Bassée
Adam de la Bassée (died 25 February 1286) was a canon of the collegiate church of Saint Pierre in Lille, and a poet and musician associated with the circle of trouvères around Arras. Around 1280, he composed the ''Ludus super Anticlaudianum'' ("Play on the ''Anticlaudianus''"), a rhyming paraphrase of Alain de Lille's poem ''Anticlaudianus''. The ''Ludus'' is conserved in one known manuscript, ''F-Lm'' 316 in the Bibliothèque Municipale Jean Levy in Lille, which may be in part a work of Adam's own hand.Hughes, "Adam de la Bassée". Adam's influence can be seen in the ''romans'' composed around Lille, and possibly also in the ''Jeu de Robin et Marion'', written by Adam de la Halle after he left Arras in 1283. The form of the ''Ludus'', "a comprehensive musical anthology ... in which almost every contemporary sacred and secular style is represented", may have been copied directly for the ''Roman de Fauvel'', composed around 1316. Adam was probably not advanced in age when he died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illustration De La Collégiale Saint-Pierre De Lille
An illustration is a decoration, interpretation or visual explanation of a text, concept or process, designed for integration in print and digital published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films. An illustration is typically created by an illustrator. Digital illustrations are often used to make websites and apps more user-friendly, such as the use of emojis to accompany digital type. llustration also means providing an example; either in writing or in picture form. The origin of the word "illustration" is late Middle English (in the sense ‘illumination; spiritual or intellectual enlightenment’): via Old French from Latin ''illustratio''(n-), from the verb ''illustrare''. Illustration styles Contemporary illustration uses a wide range of styles and techniques, including drawing, painting, printmaking, collage, montage, digital design, multimedia, 3D modelling. Depending on the purpose, illustration ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei (music)
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celeb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry III Of Brabant
Henry III of Brabant ( 1230 – February 28, 1261, Leuven) was Duke of Brabant between 1248 and his death. He was the son of Henry II of Brabant and Marie of Hohenstaufen. He was also a trouvère. The disputed territory of Lothier, the former Duchy of Lower Lorraine, was assigned to him by the King Alfonso X of Castile, a claimant to the German throne. Alfonso also appointed him imperial vicar to advance his claims on the Holy Roman Empire. In 1251, he married Adelaide of Burgundy ( 1233 – October 23, 1273), daughter of Hugh IV, Duke of Burgundy and Yolande de Dreux, by whom he had four children: # Henry IV, Duke of Brabant ( 1251 – aft. 1272) Mentally disabled, and made to abdicate in favor of his brother John on 24 May 1267. # John I, Duke of Brabant (1253–1294) Married first to Marguerite of France, daughter of King Louis IX of France (Saint Louis) and his wife Margaret of Provence, and later to Margaret of Flanders, daughter of Guy, Count of Flan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theobald I Of Navarre
Theobald I (french: Thibaut, es, Teobaldo; 30 May 1201 – 8 July 1253), also called the Troubadour and the Posthumous, was Count of Champagne (as Theobald IV) from birth and King of Navarre from 1234. He initiated the Barons' Crusade, was famous as a trouvère, and was the first Frenchman to rule Navarre. Rule of Champagne Regency of Champagne Born in Troyes, he was the son of Theobald III of Champagne and Blanche of Navarre, the youngest daughter of Sancho VI of Navarre. His father died less than a week before he was born, and Blanche ruled the county as regent until Theobald turned twenty-one in 1222. He was a notable trouvère, and many of his songs have survived, including some with music. The first half of Theobald's life was plagued by a number of difficulties. His uncle, Count Henry II, had left behind a great deal of debt, which was far from paid off when Theobald's father died. Further, Theobald's right to the succession was challenged by Henry's daughter Philippa an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastourelle
The pastourelle (; also ''pastorelle'', ''pastorella'', or ''pastorita'' is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a battle of wit and who displays general coyness. The narrator usually has sexual relations, either consensual or rape, with the shepherdess, and there is a departure or escape. Later developments moved toward pastoral poetry by having a shepherd and sometimes a love quarrel. The form originated with the troubadour poets of the 12th century and particularly with the poet Marcabru (pastorela). This troubadour form melded with goliard poetry and was practiced in France and Occitania until the ''Carmina Burana'' of ''c.'' 1230. In Spanish literature, the pastourelle influenced the '' serranilla'', and fifteenth century pastourelles exist in French, German, English, and Welsh. One short Scots example is ''Robene and Makyne''. Adam de la Halle's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lai (poetic Form)
A ''lai'' (or ''lay lyrique'', "lyric lay", to distinguish it from a ''lai breton'') is a lyrical, narrative poem written in octosyllabic couplets that often deals with tales of adventure and romance. ''Lais'' were mainly composed in France and Germany, during the 13th and 14th centuries. The English term ''lay'' is a 13th-century loan from Old French ''lai''. The origin of the French term itself is unclear; perhaps it is itself a loan from German '' Leich'' (reflected in archaic or dialectal English ''lake'', "sport, play" and in modern Swedish (leker = to play). The terms ''note'', ''nota'' and ''notula'' (as used by Johannes de Grocheio) appear to have been synonyms for ''lai''. The poetic form of the ''lai'' usually has several stanzas, none of which have the same form. As a result, the accompanying music consists of sections which do not repeat. This distinguishes the lai from other common types of musically important verse of the period (for example, the rondeau and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Chant
The ''grand chant'' (''courtois'') or, in modern French, (''grande'') ''chanson courtoise'' or ''chanson d'amour'', was a genre of Old French lyric poetry devised by the trouvères. It was adopted from the Occitan ''canso'' of the troubadours, but scholars stress that it was a distinct genre. The predominant theme of the ''grand chant'' was courtly love, but topics were more broad than in the ''canso'', especially after the thirteenth century. The monophonic ''grand chant'' of the High Middle Ages (12th–13th centuries) was in many respects the predecessor of the polyphonic ''chanson'' of the Late Middle Ages The Late Middle Ages or Late Medieval Period was the Periodization, period of European history lasting from AD 1300 to 1500. The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern period (and in much of Eur ... (14th–15th centuries). Reference works *O'Neill, Mary (2006). ''Courtly Love Songs of Medieval France: Transmissi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alleluia
Alleluia (derived from the Hebrew ''Hallelujah'', meaning "Praise Yahweh") is a Latin phrase in Christianity used to give praise to God. In Christian worship, Alleluia is used as a liturgical chant in which that word is combined with verses of scripture, usually from the Psalms. This chant is commonly used before the proclamation of the Gospel. In Western Christianity, congregations commonly cease using the word "Alleluia" during the period of Lent but restore it into their services at Easter. The form of praise "Alleluia" is used by Christians to thank and glorify God; it finds itself present in many prayers and hymns, especially those related to Eastertide, such as ''Jesus Christ Is Risen Today''. History The Hebrew word ''Hallelujah'' as an expression of praise to God was preserved, untranslated, by the Early Christians as a superlative expression of thanksgiving, joy, and triumph. Thus it appears in the ancient Greek Liturgy of St. James, which is still used to this day b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Processional Hymn
A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian Church, Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walking behind the processional cross. Occasionally, a service will also contain a recessional hymn, although in the Protestant tradition this is usually an organ voluntary (music), voluntary. The genre first appears in the early Middle Ages, and is a distinct genre from breviary hymns, often containing a refrain. With its longer cathedrals and churches, England was particularly rich in these and several are to be found in the ''Sarum Processional''. In ''The English Hymnal'' nos. 613 to 640 are described as "Processional" and nos. 641 to 646 are "Suitable for use in procession". The processional hymns include "Of the Father's Heart Begotten" (''Corde natus ex parentis'', by Prudentius), "Ride On, Ride On in Majesty!"(by Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsories
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
