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Accelerator (The Future Sound Of London Album)
''Accelerator'' is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea". Release ''Accelerator'' was released in the United Kingdom in 1992 by Jumpin' & Pumpin'. Following the commercial success of the single "Papua New Guinea", the album was re-released a year later with two additional remixes. Due to record label difficulties, it could not be released in the United States until 1996, where it contained a further remix. It was re-released, enhanced, in 2001 worldwide, with a bonus CD entitled ''Papua New Guinea Remix Anthology'', which contained both old and new remixes of "Papua New Guinea", several of which had already been released on previous singles by the group. ''Accelerator'' marked the first time that The Future Sound of London worked with artist and frequent collaborator Buggy G. Riphead, who created the album's cover art. Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea" (1991), "Cascade" (1993), and albums '' Lifeforms'' (1994) and ''Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single "Stakker Humanoid" that reached ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q (magazine)
''Q'' was a popular music magazine published monthly in the United Kingdom. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series ''The Old Grey Whistle Test''. ''Q'''s final issue was published in July 2020. ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP sold its consumer magazine titles, including ''Q'', to the Bauer Media Group. Bauer put the title up for sale in 2020 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Weatherall
Andrew James Weatherall (6 April 1963 – 17 February 2020) was an English musician, DJ, songwriter, producer and remixer. His career took him from being one of the key DJs in the acid house movement of the late 1980s to being a remixer of tracks by the likes of Happy Mondays, New Order, Björk, the Orb, the Future Sound of London and My Bloody Valentine. His production work on Primal Scream's album '' Screamadelica'', adding samples, loops and creating an influential mix of hard rock, house and rave, helped the record win the first ever Mercury Music Prize in 1992 and become one of the most celebrated albums of the 1990s. Biography Andrew James Weatherall was born on 6 April 1963, in Windsor, Berkshire, England, to Robert Weatherall and Carol (Spires) Weatherall. During his teenage years, he started going to Funk & Soul Weekenders and disco parties. After leaving the local grammar school, he left home at the age of 18, and worked in a variety of jobs including on building si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satoshi Tomiie
is a Japanese DJ, record producer and musician. Biography A lifelong student of jazz and classical piano, Satoshi had an influential impact from his very first record. His debut single ‘Tears’, which he co-produced in 1989 with Chicago's ‘Godfather of House’ Frankie Knuckles, was an instant club hit. In the early 1990s, he toured and played keyboard for Japanese composer Ryuichi Sakamoto (of Yellow Magic Orchestra fame). His reputation for crafting meticulous club rhythms led to him remixing some of pop's biggest names including U2, Mariah Carey, Photek, Simply Red and David Bowie. At the turn of the millennium, Satoshi introduced a groundbreaking new club sound via 2000's ‘Full Lick’ album. The long-player featured dark twisted electronic rhythms, haunting vocals, and hypnotic grooves that came to set the benchmark for a new developing house scene. Another source of house music renovation, Satoshi and Hector Romero's record label SAW Recordings Saw Recordings i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Dougans
Brian Dougans (born 1968) is a British musician, and a member of the British electronic duo, the Future Sound of London (FSOL). He is the more technical member of FSOL, doing most of the programming, circuit bending et cetera and creating electronic instruments at his home studio in Glastonbury, Somerset. He is currently head of FSOLdigital (FSOL's record label) and co designer of the FSOL:Digitana SX-1 Synthesiser. Dougans' first releases were as "Humanoid", releasing the acid house single "Stakker Humanoid", which reached number 17 in the UK Singles Chart in 1988, and also charted in 1992 and 2001. "Stakker Humanoid" was No.1 for five weeks in the UK Dance Chart (December 1988) and has been cited as a major influence on early Aphex Twin releases. Dougans music as Humanoid is also part of the MOMA NY collection via Stakker Eurotechno. Dougans has always been the quiet, technical workhorse of FSOL whilst Garry Cobain brings in his melody and softness to balance Dougans' techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garry Cobain
Garry Cobain (sometimes styled as Gaz Cobain) (born 16 May 1967) is a British electronic musician, and one half of the Future Sound of London. Background Cobain was born on 16 May 1967 in Bedford. He left Bedford for Manchester in his late teens to study at a time when alternative music in that part of Britain was taking off; the dance music scene in particular was becoming more and more popular, not just in Manchester but all over the country and in the States too. Cobain, drawn to the city by bands like The Chameleons and The Smiths, embraced this atmosphere and joined a band he had seen rehearsing in a studio and stayed with them for a year; after his spell with that band he met Brian Dougans. Music After meeting Dougans they both started discussing their shared interest in electronic music and began to work together on small projects; Cobain then left the college to build his own studio on an Enterprise Allowance Course and he and Dougans began to release tracks under aliases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clash (magazine)
''Clash'' is a music and fashion magazine and website based in the United Kingdom. It is published four times a year by Music Republic Ltd, whose predecessor Clash Music Ltd went into liquidation. The magazine won the Best New Magazine award in 2004 at the PPA Magazine Awards and has won other awards in England and Scotland. Most notably, it won Magazine of the Year at the 2011 Record of the Day Awards. History ''Clash'' was founded by John O'Rourke, Simon Harper, Iain Carnegie and Jon-Paul Kitching. It emerged from the long-running Dundee, Scotland-based free-listings magazine ''Vibe''. Re-launching as ''Clash Magazine'' in 2004, it won Best New Magazine award at the PPA Magazine Awards and Music Magazine of the Year at the Record of the Day Awards in 2005 and 2011 respectively. At the turn of 2011, ''Clash'' took on an entirely new look, ditching its previous glossy feel and music-led design for an altogether more artistically-led approach. In 2013 it launched a Smartphone c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Option (music Magazine)
''Option'' (subtitled ''Music Alternatives'', then ''Music Culture'') was a music magazine based in Los Angeles, California, US. It covered independent, underground and alternative music and multiple musical genres for an international subscription base. Its print run began in 1985 and ended in 1998. History Originally called ''OPtion'', it, along with ''Sound Choice'', were the dual successors to the earlier music magazine '' OP'', published by John Foster and the Lost Music Network and known for its diverse scope and the role it played in providing publicity to DIY musicians in the midst of the cassette culture. When Foster ended ''OP'' after only twenty-six issues, he held a conference, offering the magazine's resources to parties interested in carrying on; attendant journalist David Ciaffardini went on to start ''Sound Choice'', while Scott Becker, alongside Richie Unterberger, founded ''Option''. Whereas ''Sound Choice'' was described as a low-budget and "chaotic" publication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandcamp
Bandcamp is an American online audio distribution platform founded in 2007 by Oddpost co-founder Ethan Diamond and programmers Shawn Grunberger, Joe Holt and Neal Tucker, with headquarters in Oakland, California, US. On March 2, 2022, Bandcamp was acquired by Epic Games. History Bandcamp was founded in 2007 by Ethan Diamond and programmers Shawn Grunberger, Joe Holt and Neal Tucker, headquartered in Oakland, California, US. In 2010, the site enabled embedding in other websites and shared links on social media sites. As of August 2020, half of Bandcamp's revenue was from sales for physical products. In November 2020, Bandcamp launched Bandcamp Live, a ticketed live-streaming service for artists. The service is an integrated feature of the Bandcamp website. Fees on tickets were waived until March 31, 2021, and became 10% from then. Bandcamp provides vinyl pressing services for artists. After a 50-artist pilot in 2020, the company opened limited access to 10,000 artists in e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papua New Guinea (song)
"Papua New Guinea" is a 1991 song by the electronic music group Future Sound of London. It was the group's debut single and later appeared on their full-length album '' Accelerator''. The single reached #22 on the UK singles chart. Development Background Garry Cobain described himself as being "bit of an indie kid" in the mid 1980s , being a fan of the Manchester-based Factory Records acts such as Joy Division. Cobain reflected in 2006 that he had played guitar but was "never very good, and I'm still not very good at it." This led Cobain going to the University of Manchester Institute of Science and Technology. At the school he met Brian Dougans who was studying sound recording and was also a fan of Factory Records bands like A Certain Ratio. Cobain described Dougans as "I was well envious of Brian, and he was also a couple of years older, which seemed to be very significant when I was in my late teens. He was very much a guiding force, and he was also extremely charismatic." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
