|
Abdelaziz Al-Maghrawi
Abu Faris abd al-Aziz al-Maghrawi (; d. 1605) was a Moroccan poet and the first known author of a qasida written in malhun. He was one of the poets of the court of the Saadian sultan Ahmad al-Mansur Ahmad al-Mansur ( ar, أبو العباس أحمد المنصور, Ahmad Abu al-Abbas al-Mansur, also al-Mansur al-Dahabbi (the Golden), ar, أحمد المنصور الذهبي; and Ahmed al-Mansour; 1549 in Fes – 25 August 1603, Fes) was the ... (1578–1602). He is still well known in Morocco. His name is preserved in the proverb "Nothing that is long is of interest except the palmtree and al-Maghrawi". One of his best known poems is "Chafett Aïni Ya Raoui". References *A. A. Dellaï, ''Chansons de La Casbah' ', p. 12 *M. Th.Houtsma, ''E.J. Brill's First Encyclopaedia of Islam, 1913-1936'', p. 603 *Saïd El Meftahi, ''L'art du Melhoun, son histoire, ses richesses'p. 3 *Abu Ali al-Ghawthi, ''Kashf al-Kina an Alat al-Sima'', Algiers 1904, p. 49-93 16th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malhun
Malhun (Arabic الملحون / ALA-LC: ''al-malḥūn''), meaning "the melodic poem", is a form of music that originated in Morocco.Mounira SolimanPopular Culture in the Middle East and North Africa: A Postcolonial Outlook p.58 (Routledge 2013) – It is a kind of urban, sung poetry that comes from the exclusively masculine working-class milieu of craftsmen's guilds. Origins The ''mǝlḥun'' first emerged as a pure literary creation, as a poetic genre today known in Morocco under the name of "qasida" (meaning "poem") (Arabic: القصيدة) or "zajal" (Arabic: الزجل). It developed in the Tafilalet oases of southern Morocco in the fifteenth century before it spread to other parts of the Maghreb. The Mal’aba of Al-Kafif az-Zarhuni (ملعبة الكفيف الزرهوني) is considered to be the oldest known form of the Malhun, dating back to the Marinid dynasty era (14th century). The Mal’aba describes the union's attempt of the Maghreb by the sultan Abu al-Hasan A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saadi Dynasty
The Saadi Sultanate (also rendered in English as Sa'di, Sa'did, Sa'dian, or Saadian; ar, السعديون, translit=as-saʿdiyyūn) was a state which ruled present-day Morocco and parts of West Africa in the 16th and 17th centuries. It was led by the Saadi dynasty, an Arabs, Arab Moroccan Sharifism, Sharifian dynasty. The dynasty's rise to power started in 1510 when Abu Abdallah al-Qaim, Muhammad al-Qa'im was declared leader of the tribes of the Sous valley in their resistance against the Portugal, Portuguese who occupied Agadir and other coastal cities. Al-Qai'm's son, Ahmad al-Araj, secured control of Marrakesh by 1525 and, after a period of rivalry, his brother Mohammed ash-Sheikh, Muhammad al-Shaykh captured Agadir from the Portuguese and eventually captured Fez, Morocco, Fez from the Wattasid dynasty, Wattasids, securing control over nearly all of Morocco. After Muhammad al-Shaykh's assassination by the Ottoman Empire, Ottomans in 1557 his son Abdallah al-Ghalib enjoyed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Al-Mansur
Ahmad al-Mansur ( ar, أبو العباس أحمد المنصور, Ahmad Abu al-Abbas al-Mansur, also al-Mansur al-Dahabbi (the Golden), ar, أحمد المنصور الذهبي; and Ahmed al-Mansour; 1549 in Fes – 25 August 1603, Fes) was the Saadi Sultan of Morocco from 1578 to his death in 1603, the sixth and most famous of all rulers of the Saadis. Ahmad al-Mansur was an important figure in both Europe and Africa in the sixteenth century. His powerful army and strategic location made him an important power player in the late Renaissance period. He has been described as "a man of profound Islamic learning, a lover of books, calligraphy and mathematics, as well as a connoisseur of mystical texts and a lover of scholarly discussions." Early life Ahmad was the fifth son of Mohammed ash-Sheikh who was the first Saadi sultan of Morocco. His mother was Lalla Masuda. After the murder of their father, Mohammed in 1557 and the following struggle for power, the two brothers Ahmad a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Moroccan People
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Moroccan Poets
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Moroccan People
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Moroccan Poets
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moroccan Songwriters
Moroccan may refer to: * Something or someone from, or related to the country of Morocco * Moroccan people * Moroccan Arabic, spoken in Morocco * Moroccan Jews See also * Morocco leather Morocco leather (also known as Levant, the French Maroquin, or German Saffian from Safi, a Moroccan town famous for leather) is a vegetable-tanned leather known for its softness, pliability, and ability to take color. It has been widely used in ... * * {{disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
