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A Mother's Duty
''A Mother's Duty'' (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum. Description This painting by Hooch showing a woman delousing a child's hair was documented by Hofstede de Groot in 1910, who wrote:71. MOTHER COMBING HER CHILD'S HAIR. Sm. 33, 4, 67; de G. 5. In a homely bedroom sits a woman in profile to the right. She wears a red blouse and blue skirt, and is de-lousing her daughter's hair who kneels before her with her head in her lap. Behind her is an elevated, recessed bed with curtains; a child's chair stands in the right foreground. The door on the left, near which is a little dog, opens into a second room, through the door of which is seen a garden with slender trees. This is one of the finest pictures by De Hooch in Holland. ompare 74.Signed on the chair "Pr d' hooch"; canvas on panel, 21 inches by 24 inches. Wrongly attributed to E. Boursse in the 1887 cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter De Hooch
Pieter de Hooch (, also spelled "Hoogh" or "Hooghe"; 20 December 1629 (baptized) – 24 March 1684 (buried)) was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary of Jan Vermeer in the Delft Guild of St. Luke, with whom his work shares themes and style. Biography De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. Little is known of his early life and most archival evidence suggests he worked in Rotterdam, Delft, and Amsterdam. According to his first biographer Arnold Houbraken, he studied art in Haarlem under the landscape painter Nicolaes Berchem at the same time as Jacob Ochtervelt and was known for his "kamergezichten" or "room-views" with ladies and gentlemen in conversation. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esaias Boursse
Esaias Boursse (March 3, 1631 – November 16, 1672) was a Dutch painter. His paintings were mainly genre works. Biography He was born in Amsterdam, the youngest son of immigrants from Wallonia. His parents, Jacques Boursse and Anna des Forest, married in 1618 in Amsterdam. Nothing is known about the education of Esaias Boursse, other than that he travelled to Italy in about 1650 to study the great Renaissance examples. No reminders of those examples are to be found in his work. In the past art historians have tried to place him among Rembrandt's pupils, but there is no objective evidence to prove this, although the painters were neighbours in the Sint Antoniebreestraat in Amsterdam (nowadays called Jodenbreestraat, still housing the Rembrandt House Museum). Boursse's financial position will not have been good, since in 1661 he sailed with the Verenigde Oostindische Compagnie, on the ship ''Amersfoort''. It travelled to Ceylon (nowadays called Sri Lanka). Boursse drew the inhab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of The Rijksmuseum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1650s Paintings
Year 165 ( CLXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 ''Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commercial ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Golf Players
''The Golf Players'' (1658) is an oil-on-panel painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of Polesden Lacey. The painting was documented by Hofstede de Groot in 1910, who wrote: "305. The Game of Golf. In an entrance-hall paved with red tiles a little girl carrying a golf-club stands with her hand on the latch of an open door. She looks at a boy who is playing golf in the courtyard. In the distance is a village. Panel, 25 inches by 18 inches. Formerly in the collection of Count von Fries, Vienna. Sales: * Heris of Brussels, in Paris, June 19, 1846, No. 27. * Pierard of Valenciennes, in Paris, March 21, 1860, No. 29. * Sir H. H. Campbell, in London, 1867 (bought in for £63)." in Hofstede de Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bedroom (Karlsruhe)
''The Bedroom'' (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Staatliche Kunsthalle Karlsruhe. The painting was documented by Hofstede de Groot in 1910, who wrote:72. THE BEDROOM. To the right a young woman is making a bed. She has taken the clothes from a bed enclosed in a wooden partition, and has laid them over a chair. She stands in profile to the left, and smiles at her little girl, who stands in the open doorway to the left with an apple in her left hand. The child's figure is illumined from a high window on the left and from a door in the background. This door leads from a little ante-room into the open air, where walls and garden hedges are visible. In the left foreground is a table with a jug; behind it is a chair. Signed to the left on the table-leg with a monogram of the letters P and H (apparently genuine) ; canvas, 19 1/2 inches by 25 inches. Menti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bedroom (Widener Collection)
''The Bedroom'' (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the National Gallery of Art. The painting was documented in 1910 by Hofstede de Groot, who wrote:78. THE BEDROOM. Sm. 29, 55. This picture is similar in all respects to the picture at Karlsruhe (72), except that the little mirror hanging at the side of the bed has no ornament at the top and bottom. It has every sign of authenticity. Canvas, 20 inches by 23 inches. Mentioned by Waagen, ii. 71. Sales: * S. J. Stinstra, in Amsterdam, May 22, 1822, No. 86 (25 florins, De Vries). * Lord Radstock, at Christie's, in London, 1826 (70 guineas) ; 1827 (bought in at 150). * Said by Smith (in 1833) and by Waagen to be in the collection of Lord Stafford, but not mentioned in the book on this collection which is still at Bridgewater House. * Sales. Amsterdam, April 24, 1838 (3311 florins, Brondgeest). * E. P. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriaan Van Der Hoop
Adriaan van der Hoop (28 April 1778, in Amsterdam – 17 March 1854, in Amsterdam) was a Dutch banker and in the first half of the 19th century one of the richest men in the Netherlands. He also was an influential politician: a member of the city council, the States-Provincial in Haarlem and the Senate in The Hague. In his later years he became an important art and plant collector. On his death he left 250 paintings to the city of Amsterdam, who could barely pay the inheritance tax. In this way Van der Hoop contributed substantially to the collection of the Rijksmuseum. Life Adriaan van der Hoop was the son of Joan Cornelis van der Hoop, secretary of the Sociëteit van Suriname, prosecutor for the Admiralty of Amsterdam and Minister of the Navy. Adriaan studied law in Groningen and Kiel, when it was still a Danish city. (N.B. Holland was occupied by the French army between 1795 – 1813). With his Danish passport he traveled through Germany and England. In 1811, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Lucas Van Der Dussen
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Hoet
Gerard Hoet (; 22 August 1648 – 2 December 1733) was a Dutch Golden Age painter and engraver. Biography Gerard Hoet trained with his father and brother who were glass painters, and Warnard van Rijsen, who lived in Zaltbommel, and who himself was a pupil of Cornelis van Poelenburgh in Utrecht.Gerard Hoet biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the In 1672 Hoet moved to |
Gerard Braamcamp
Gerrit Braamcamp (18 November 1699, in Amsterdam – 17 June 1771, in Amsterdam) was a successful Roman Catholic distiller, timber merchant, and art collector from the Netherlands. One of the most important merchants in Amsterdam, he built a timber yard and shipyard at one end of Hoogte Kadijk, opposite the Dutch East India Company's own shipyard. Over thirty years he created a major collection of Dutch and Flemish art, totally around 380 works, though only a few of these are now in Dutch museums. He owned no fewer than ten works by Metsu. He was friends with the poeJan Baptista Wellekensand the painters Jacob de Wit, Cornelis Troost, Jan ten Compe, Jacob Xavery and Georges-François Blondel (son of Jacques-François Blondel). Life Braamcamp 's family originated in Rijssen. In 1699 his father Jan (1671-1713) married the widow Hendriena van Beeck (-1721) in a ' schuilkerk' in Amsterdam - she lived on the N.Z. Achterburgwal, now called the Spuistraat, where Gerrit also grew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Chair
A high chair is a piece of furniture used for feeding older babies and younger toddlers. The seat is raised a fair distance from the ground, so that a person of adult height may spoon-feed the child comfortably from a standing position (hence the name). It often has a wide base to increase stability. There is a tray which is attached to the arms of the high chair, which allows the adult to place the food on it for either the child to pick up and eat or for the food to be spoon-fed to them. A booster chair is meant to be used with a regular chair to boost the height of a child sufficiently. Some boosters are a simple monolithic piece of plastic. Others are more complex and are designed to fold up and include a detachable tray. Rarely, a chair can be suspended from the edge of the table avoiding the need for an adult chair or a high chair. Designs & Styles There are five main high chair designs: # Standard - Also known as traditional or classic high chairs, these are just r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
