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A Midsummer Night's Dream (Mendelssohn)
On two occasions, Felix Mendelssohn composed music for William Shakespeare's play ''A Midsummer Night's Dream'' (in German ''Ein Sommernachtstraum''). First in 1826, near the start of his career, he wrote a concert overture ( Op. 21). Later, in 1842, five years before his death, he wrote incidental music (Op. 61) for a production of the play, into which he incorporated the existing overture. The incidental music includes the famous " Wedding March". Overture The overture in E major, Op. 21, was written by Mendelssohn at 17 years and 6 months old (it was finished on 6 August 1826).'' Grove's Dictionary of Music and Musicians'', 5th ed., 1954 The near-contemporary music scholar George Grove called it "the greatest marvel of early maturity that the world has ever seen in music". It was written as a concert overture, not associated with any performance of the play. The overture was written after Mendelssohn had read a German translation of the play in 1826. The translation was by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Overture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important was the prologue, consisting of sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, the French overture first appears in the court ballet and operatic overtures of Jean-Baptiste Lully, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grove
Sir George Grove (13 August 182028 May 1900) was an English engineer and writer on music, known as the founding editor of ''Grove's Dictionary of Music and Musicians''. Grove was trained as a civil engineer, and successful in that profession, but his love of music drew him into musical administration. When responsible for the regular orchestral concerts at the Crystal Palace, he wrote a series of programme notes from which eventually grew his musical dictionary. His interest in the music of Franz Schubert, which was neglected in England at that point in the nineteenth century, led him and his friend Arthur Sullivan to go to Vienna in search of undiscovered Schubert manuscripts. Their researches led to their discovery of the lost score of Schubert's ''Rosamunde'' music, several of his Symphony, symphonies and other music in 1867, leading to a revival of interest in Schubert's work. Grove was the first director of the Royal College of Music, from its foundation in 1883 until hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon
Oberon () is a king of the fairy, fairies in Middle Ages, medieval and Renaissance literature. He is best known as a character in William Shakespeare's play ''A Midsummer Night's Dream'', in which he is King of the Fairies and spouse of Titania (A Midsummer Night's Dream), Titania, Queen of the Fairies. Etymology Oberon is a variant spelling of Auberon, earlier Alberon, the origin of which is uncertain, though it may be connected with Alberich and Aubrey, or might else be derived from the Old High German elements wikt: adal#Old High German, adal 'noble' + wikt: bero#Old High German, ber(n) 'bear'. French heroic song Oberon is first attested as the name of a fairy king in the early 13th century entitled Huon de Bordeaux, Les Prouesses et faitz du noble Huon de Bordeaux, wherein the eponymous hero encounters King Oberon of the fairies as he passes through a enchanted forest, forest. Huon is forewarned by a hermit not to speak to Oberon, but his courtesy causes him to answer the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Eduard Jacob
Heinrich Eduard Jacob (7 October 1889 – 25 October 1967) was a German and American journalist and author. Born to a Jewish family in Berlin and raised partly in Vienna, Jacob worked for two decades as a journalist and biographer before the rise to power of the Nazi Party. Interned in the late 1930s in the concentration camps at Dachau and then Buchenwald, he was released through the efforts of his future wife Dora, and emigrated to the United States. There he continued to publish books and contribute to newspapers before returning to Europe after the Second World War. Ill health, aggravated by his experiences in the camps, dogged him in later life, but he continued to publish through to the end of the 1950s. He wrote also under the pen names Henry E. Jacob and Eric Jens Petersen. Early life Jacob, originally named Henry Edward Jacob, was born in Friedrichstadt, a district of Berlin, the son of bank director and newspaper publisher Richard Jacob (1847–1899) and his wife Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Bernhard Marx
Friedrich Heinrich Adolf Bernhard Marx [A. B. Marx] (15 May 1795, Halle, Saxony-Anhalt, Halle – 17 May 1866, Berlin) was a German people, German Music theory, music theorist, Music criticism, critic, and musicologist. Life Marx was the son of a Jewish doctor in Halle who, though a member of the congregation, was according to his son a convinced atheist. Marx was given the names Samuel Moses at birth, but changed these at his baptism in 1819. He began his career studying law at Halle, but also learned musical composition there—a fellow student was the composer Carl Loewe. After rejecting an offer for legal appointment at Naumburg, in 1821 he went to Berlin, where in 1825 Adolf Martin Schlesinger appointed him editor of the music journal he had founded, the ''Berliner allgemeine musikalische Zeitung''. Marx's intellectual critiques were appreciated by, amongst others, Beethoven, although they often offended the Berlin establishment, including Carl Friedrich Zelter. Marx became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Bottom
Nick Bottom is a character in Shakespeare's ''A Midsummer Night's Dream'' who provides comic relief throughout the play. A weaver by trade, he is famously known for getting his head transformed into that of a donkey by the elusive Puck. Bottom and Puck are the only two characters who converse with and progress the three central stories in the whole play. Puck is first introduced in the fairies' story and creates the drama of the lovers' story by messing up who loves whom, and places the donkey head on Bottom's in his story. Similarly, Bottom is performing in a play in his story intending it to be presented in the lovers' story, as well as interacting with Titania in the fairies' story. Overview While they are in the woods rehearsing a play for the Duke, the fairy Puck, a mischievous sprite and minion of Oberon, king of the fairies, happens upon their rehearsal. He decides to have some fun with them, carrying out part of Oberon's orders in the process, and when Bottom exi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The classical period falls between the Baroque music, Baroque and Romantic music, Romantic periods. It is mainly Homophony, homophonic, using a clear melody line over a subordinate chordal accompaniment,Friedrich Blume, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''Galant music, style galant'' which emphasizes light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before, and the orchestra increased in size, range, and power. The harpsichord declined as the main keyboard instrument and superseded by the piano (or fortepiano). Unlike the harpsichord, which plucks strings with quills, pianos s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothea Von Schlegel
Dorothea Friederike von Schlegel (; 24 October 1764 – 3 August 1839) was a German novelist and translator. Life She was born as Brendel Mendelssohn in 1764 in Berlin,In older literature and on her gravestone one finds the date 1763, but this is the birthyear of her elder sister Sara (May 23, 1763 – April 15, 1764) whose death was one of the reasons Moses Mendelssohn wrote the Phaedon. Cf. Alexander Altmann, Moses Mendelssohn, London 1973, Moses Mendelssohn, Jubilaeumsausgabe, Bd. 12,1, p. 43; letter to Thomas Abbt, May 1, 1764 Mendelssohn family, oldest daughter of the philosopher Moses Mendelssohn, a leading figure in the German Enlightenment (Aufklärung). In 1783, she married the merchant and banker Simon Veit (1754–1819), brother of the physician David Veit (1771–1814). Their son, Philipp Veit, would later become part of a circle of German Christian painters called "Nazarene movement, the Nazarenes", who influenced the English painters in the Pre-Raphaelite Brotherho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Schlegel
Karl Wilhelm Friedrich (after 1814: von) Schlegel ( ; ; 10 March 1772 – 12 January 1829) was a German literary critic, philosopher, and Indologist. With his older brother, August Wilhelm Schlegel, he was one of the main figures of Jena Romanticism. Born into a fervently Protestant family, Schlegel rejected religion as a young man in favor of atheism and individualism. He entered university to study law but instead focused on classical literature. He began a career as a writer and lecturer, and founded journals such as '' Athenaeum''. In 1808, Schlegel returned to Christianity as a married man with both him and his wife being baptized into the Catholic Church. This conversion ultimately led to his estrangement from family and old friends. He moved to Austria in 1809, where he became a diplomat and journalist in service of Klemens von Metternich, the Foreign Minister of the Austrian Empire. Schlegel died in 1829, at the age of 56.. Schlegel was a promoter of the Romantic mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
