A-maze-ing Laughter
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A-maze-ing Laughter
''A-maze-ing Laughter'' is a 2009 bronze sculpture by Yue Minjun, located in Morton Park in Vancouver, British Columbia, Canada. Description ''A-maze-ing Laughter'' was designed by Yue Minjun and installed in Morton Park (Davie and Denman) along the English Bay in West End, Vancouver in 2009. The patinated bronze sculpture, composed of 14 statues each about three meters tall and weighing over 250 kilograms, portrays the artist's own image "in a state of hysterical laughter". It was created as part of the Vancouver International Sculpture Biennale, which exhibits international contemporary works in public spaces. The sculpture was donated to the City of Vancouver by Chip and Shannon Wilson through the Wilson5 Foundation on August 11, 2012. As part of the installation, an inscription carved into cement seating states "May this sculpture inspire laughter playfulness and joy in all who experience it." Reception ''A-maze-ing Laughter'' was nominated in the Great Places in Canada Co ...
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Yue Minjun
Yue Minjun (; born 1962) is a contemporary Chinese artist based in Beijing, China. He is best known for oil paintings depicting himself in various settings, frozen in laughter. He has also reproduced this signature image in sculpture, watercolour and prints. While Yue is often classified as part of the Chinese Cynical Realist art movement developed in 1989, Yue rejects this label, but also "doesn't concern himself about what people call him." Early life Yue was born in 1962 in Daqing, Heilongjiang, China. His family worked on an oil field, and he also taught art in oil school for a short time. In 1980, he graduated from high school, went to Tian Jing National Company. In 1983, he decided to go to He Pei and became an electrician. He was painting and working at the same time, and he could normally paint and work non-stop for 20 days. This life experience could indicate why he paints skin in red. In the 1980s, he started painting portraits of his co-workers and the sea while he was ...
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West End, Vancouver
The West End is a neighbourhood in Vancouver, British Columbia, Canada, located between the Coal Harbour neighbourhood and the financial and central business districts of Downtown Vancouver to the east, Stanley Park to the northwest, the English Bay to the west, and Kitsilano to the southwest across the False Creek opening. The West End is not to be confused with the West Side (which denotes the western half of the non-downtown part of Vancouver city to the south) or West Vancouver ("West Van"), a separate municipality. (Conversely, and to the confusion of some, "East Van," "the East End," and "the East Side" all denote East Vancouver.) The definition of the "official neighbourhood" of the West End, according to the city, is the area west of Burrard Street, east of Lost Lagoon, and south of West Georgia Street. Historically the term originated and remains used by Vancouverites to refer to everything from Burrard Street to Stanley Park, including the Stanley Park Neighbourhood ...
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Statues In British Columbia
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ...
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Sculptures Of Men In British Columbia
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Outdoor Sculptures In Vancouver
Outdoor(s) may refer to: * Wilderness *Natural environment * Outdoor cooking * Outdoor education *Outdoor equipment *Outdoor fitness *Outdoor literature *Outdoor recreation *Outdoor Channel, an American pay television channel focused on the outdoors See also * * * ''Out of Doors'' (Bartók) *Field (other) *Outside (other) *''The Great Outdoors (other) The Great Outdoors may refer to: * The outdoors as a place of outdoor recreation * ''The Great Outdoors'' (film), a 1988 American comedy film * ''The Great Outdoors'' (Australian TV series), an Australian travel magazine show * ''The Great Outd ...
'' {{disambiguation ...
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Bronze Sculptures In British Columbia
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks we ...
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2009 Sculptures
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mo ...
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2009 Establishments In British Columbia
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mo ...
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2009 In Art
The year 2009 in art involves various significant events. Events * May 31 – Jaume Plensa's concrete sculpture ''Dream'' is unveiled at a former colliery site in Sutton, St Helens, England. * September 9 – Herning Museum of Contemporary Art, Denmark, new building designed by American architect Steven Holl, opens. * September 24 – René Magritte's painting ''Olympia'' (a nude portrait of his wife) is stolen from the museum at his former home, rue Esseghem 135 in Brussels, by two armed men. The stolen work is said to be worth about $1.1 million. * October 16 – As part of its celebration of the 100th anniversary of Italian Futurism, the Performa 09 biennial, in collaboration with the Experimental Media and Performing Arts Center (EMPAC) and the San Francisco Museum of Modern Art, premieres a concert at San Francisco Museum of Modern Art whereby it invited Luciano Chessa to direct a reconstruction project to produce accurate replicas of Luigi Russolo's Intonarumori instrume ...
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Patina
Patina ( or ) is a thin layer that variously forms on the surface of copper, brass, bronze and similar metals and metal alloys ( tarnish produced by oxidation or other chemical processes) or certain stones and wooden furniture (sheen produced by age, wear, and polishing), or any similar acquired change of a surface through age and exposure. Additionally, the term is used to describe the aging of high-quality leather. The patinas on leather goods are unique to the type of leather, frequency of use, and exposure. Patinas can provide a protective covering to materials that would otherwise be damaged by corrosion or weathering. They may also be aesthetically appealing. Usage On metal, patina is a coating of various chemical compounds such as oxides, carbonates, sulfides, or sulfates formed on the surface during exposure to atmospheric elements (oxygen, rain, acid rain, carbon dioxide, sulfur-bearing compounds). In common parlance, weathering rust on steel is often mistakenly r ...
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English Bay (Vancouver)
English Bay is an open bay northwest of the Burrard Peninsula in British Columbia, Canada, extending from the headland between Siwash Rock and Prospect Point on Vancouver's Downtown peninsula in the northeast, to the northwestern tip of Point Grey in the southwest. The bay encompasses the coasts of Stanley Park, the West End, Kitsilano, West Point Grey and the University Endowment Lands, and makes up the southeastern portion of the outer Burrard Inlet. There is a narrow inlet named False Creek at its eastern end. Attractions English Bay Beach, near the city's West End residential neighbourhood, is a popular sunbathing, swimming, and sunset-watching beach in the downtown Vancouver area. Other downtown beaches facing English Bay include Sunset Beach, Second Beach, and Third Beach. Along the south shore of the bay lie Kitsilano Beach, Jericho Beach, Locarno Beach, and the Spanish Banks beaches, while on the North Shore are Ambleside Beach and various smaller cove-beaches in t ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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