999 (band)
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999 (band)
999 are an English punk rock band, formed in London in December 1976. From the period of 1976 to 1985, the line-up of 999 consisted of Nick Cash (vocals, guitar), Guy Days (lead guitar), Jon Watson (bass guitar) and Pablo LaBritain (drums). LaBritain was temporarily replaced in 1980 by drummer Paul Edward aka 'Ed Case' while he recovered from a motor accident. Bassist Jon Watson left the band in 1985 and was replaced by Danny Palmer, who was succeeded by Arturo Bassick in 1991. Between 1978 and 2007, 999 released fourteen singles and twelve studio albums. Five of the singles released by 999 between 1978 and 1981 charted within the Top 75 in the UK Singles Chart, with one further single released by 999 in 1978, "Homicide", charting within the Top 40. In addition, as a result of extensive touring in the United States in the early 1980s, the band's third and fourth studio albums: ''The Biggest Prize in Sport'' and ''Concrete,'' each charted on the U.S. ''Billboard'' 200. Despite ...
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Düsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in the state and the seventh-largest city in Germany, with a population of 617,280. Düsseldorf is located at the confluence of two rivers: the Rhine and the Düssel, a small tributary. The ''-dorf'' suffix means "village" in German (English cognate: ''thorp''); its use is unusual for a settlement as large as Düsseldorf. Most of the city lies on the right bank of the Rhine. Düsseldorf lies in the centre of both the Rhine-Ruhr and the Rhineland Metropolitan Region. It neighbours the Cologne Bonn Region to the south and the Ruhr to the north. It is the largest city in the German Low Franconian dialect area (closely related to Dutch). Mercer's 2012 Quality of Living survey ranked Düsseldorf the sixth most livable city in the world. Düsse ...
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United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territories, nine Minor Outlying Islands, and 326 Indian reservations. The United States is also in free association with three Pacific Island sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Republic of Palau. It is the world's third-largest country by both land and total area. It shares land borders with Canada to its north and with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the most populous country in the Americas and the third most populous in the world. The national capital of the United States is Washington, D.C. and its most populous city and principal financial center is New York City. Paleo-Americ ...
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Tony James (musician)
Anthony Eric James (born 12 April 1953) is an English pop musician and record producer, who was the bassist for the 1970s–1980s bands Generation X, Sigue Sigue Sputnik and the Sisters of Mercy. Early life Tony James was born in Shepherd's Bush in West London on 12 April 1953, and spent his childhood years in Twickenham. After formal education at Hampton Grammar School he attended Brunel University, from which he graduated with first-class honours in mathematics and computer science. Before becoming a professional musician he was briefly employed as a computer programmer in the accounting department of a company. London S.S. In 1975 James was a member of an early London proto- punk rock formation styling itself as The London S.S., along with Brian James (later of The Damned) and Mick Jones and Terry Chimes (both future members of The Clash). Generation X In late 1976 James joined the new band Chelsea as its bassist, the group included William Broad (a member of the Broml ...
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Culture Club
Culture Club are an English pop band formed in London in 1981. The band comprises Boy George (lead vocals), Roy Hay (guitar and keyboards), Mikey Craig (bass guitar) and formerly included Jon Moss (drums and percussion). Emerging in the New Romantic scene, they are considered one of the most representative and influential groups of the 1980s. Led by singer and frontman Boy George, whose androgynous style of dressing caught the attention of the public and the media in the early 1980s, the band have sold more than 50 million records including over 6 million BPI certified records sold in the UK and over 7 million RIAA certified records sold in the US. Their hits include "Do You Really Want to Hurt Me", "Time (Clock of the Heart)", "I'll Tumble 4 Ya", "Church of the Poison Mind", "Karma Chameleon", " Victims", "Miss Me Blind", " It's a Miracle", "The War Song", "Move Away", and "I Just Wanna Be Loved". In the UK they amassed twelve Top 40 hit singles between 1982 and 1999, inclu ...
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Jon Moss
Jonathan Aubrey Moss (born 11 September 1957) is an English drummer, best known as a member of the 1980s new wave group Culture Club. He has also played with other bands, including London, the Nips, the Damned and Adam and the Ants. Early life Moss was born in Clapham Jewish Boys Home at Wandsworth, South London, and was adopted when six months old by Rosetta (née Goldsmith, b. 1929) and Lionel Moss (b. 1927, d. 1999), a couple of Jewish ancestry. His father owned a clothing store called ''Alkit'', located at Cambridge Circus. He grew up in Hampstead, attending Arnold House School (1962–1970) and Highgate School (1970–1975). During Moss' childhood, music began to have an important role in his life, and he would play well-known songs on his family's piano. His elder brother, David, was drummer in a school band and had a Wayward drum kit, which Jon borrowed to start playing when 13 years old. At Highgate School, Moss developed a fascination for sports, especially boxin ...
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The Pretenders
Pretenders are an English–American rock band formed in March 1978. The original band consisted of founder and main songwriter Chrissie Hynde (lead vocals, rhythm guitar), James Honeyman-Scott (lead guitar, backing vocals, keyboards), Pete Farndon (bass guitar, backing vocals) and Martin Chambers (drums, backing vocals, percussion). Following the deaths of Honeyman-Scott in 1982 and Farndon in 1983, the band experienced numerous personnel changes; Hynde has been the band's only consistent member. The band's hit songs include "Kid (Pretenders song), Kid" (1979), "Brass in Pocket" (1979), "Talk of the Town (Pretenders song), Talk of the Town" (1980), "Message of Love" (1981), "My City Was Gone" (1982), "Back on the Chain Gang" (1982), "Middle of the Road (song), Middle of the Road" (1983) and "2000 Miles" (1983), "Don't Get Me Wrong" (1986), "My Baby (Pretenders song), My Baby" (1986) and "I'll Stand by You" (1994). Pretenders were inducted into the Rock and Roll Hall of Fame in ...
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Chrissie Hynde
Christine Ellen Hynde (born September 7, 1951) is an American musician. She is a founding member and the lead vocalist, guitarist, and primary songwriter of the rock band the Pretenders, and one of the band's two remaining original members alongside drummer Martin Chambers. Hynde formed the Pretenders in Hereford, England in 1978, with Pete Farndon, James Honeyman-Scott and Chambers. She has also recorded a number of songs with other musicians including Frank Sinatra, Cher and UB40. She recorded her first solo album, ''Stockholm'', in 2014. Hynde was inducted into the Rock and Roll Hall of Fame in 2005 as a member of the Pretenders. Early life Hynde was born in Akron, Ohio, the daughter of a part-time secretary and a Yellow Pages manager. She graduated from Firestone High School in Akron, but stated that "I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ...
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Session Musician
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres an ...
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Kilburn And The High-Roads
Kilburn and the High Roads were a British pub rock band formed in London by Ian Dury in 1970. The band released one studio album in 1975, disbanding the same year. AllMusic credits the band with being "an undeniable influence on punk and new wave". History Dury formed Kilburn and the High Roads in 1970. The band consisted of Ian Dury as lead vocalist and lyricist, pianist Russell Hardy, guitarist Edward "Ted" Speight (later replaced by Keith Lucas), bassist Charlie Hart (later replaced by Humphrey Ocean and later by Charley Sinclair), saxophonist George Khan (later replaced by Davey Payne) and drummer Chris Lucas (replaced by Terry Day and later by David Newton-Rohoman, who used crutches). The band performed their first gig in 1971 and were regulars on the pub rock scene by 1973. The Kilburns also supported the Who on their ''Quadrophenia'' tour of late 1973. The band signed to Warner Bros. subsidiary Raft Records and recorded an album in 1974 but it remained unreleased ...
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Pub Rock (United Kingdom)
Pub rock is a rock music genre that was developed in the early to mid-1970s in the United Kingdom. A back-to-basics movement which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes of the time. Although short-lived, pub rock was live rock played in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub rockers sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label. With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and R&B, punk was iconoclastic, ...
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