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88 Elmira Street
''88 Elmira St.'' is a 1991 album by guitarist Danny Gatton. The album was Gatton's fifth, but his first on a major record label— Elektra. The instrumental album covers a number of genres, including jazz, country, rockabilly, and blues. Background When Gatton signed to Elektra, their only stipulation for his first album on the label was that it should be solely instrumental. On presenting his ideas for the album to the label, they suggested he cut his version of the ''Simpsons'' theme tune. The manualist flatulence at the end of the recording may have been Gatton's response to the label's suggestion. The album's title, ''88 Elmira St.'', is a reference to Gatton's home as a child. Gatton stated that at the time of producing the album, he "was playing Scotty Moore's original guitar ..It's a Gibson ES-295, and I bought it trashed out twelve years ago. It sounded incredibly good; it had some magic in it, but I didn't know it was Scotty's. Then Billy Hancock kept offering me all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Gatton
Daniel Wood Gatton Jr. (September 4, 1945 – October 4, 1994) was an American virtuoso guitarist who combined blues, rockabilly, jazz, and country to create a musical style he called "redneck jazz". Career Daniel Wood Gatton Jr. was born in Washington, D.C., in 1945. The son of a rhythm guitarist, Gatton started playing at the age of nine. From 1960–1964 he played jazz guitar with the Offbeats, then worked as a session musician in Nashville. When he returned to Washington, he drew attention in the 1970s as a member of Liz Meyer & Friends and other local bands. He recorded his debut album, ''American Music'' (1975), followed by ''Redneck Jazz'' (1978) with pedal steel guitarist Buddy Emmons appearing as a guest. He founded the band the Redneck Jazz Explosion. Although Gatton could play most genres of music, including jazz, blues, bluegrass, and rock, he was known as a country and rockabilly guitarist. He toured with singers Roger Miller and Robert Gordon. He was sometimes ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Twin
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone. The Twin has seen a number of revisions since its introduction, both internal and external, with its designs sometimes varying greatly from one year to the next. Several variations on the amp's original design have been produced through the years, including the Twin Reverb, the Super Twin, the Twin Reverb II, the Twin Reverb '65 Reissue and the Twin Reverb 68’ Custom Reissues. The Cyber Twin, which combined a tube amp with a digital processor, was introduced in January 2001.YouTube page:The Fender Cyber-Twin: Full-Length DVD" Many notable musicians have used Fender Twin amplifiers, including Mark Knopfler, David Gilmour, Chuck Berry, Mike Oldfield, The BeatlesJohn Lennon and George Harrison of the Beatles both used Fen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Super Reverb
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato" (actually tremolo). The original Super Reverb amplifiers were all-tube designs and featured spring reverb. There were two different designs, distinguishable by the color of the "face" or front control panel. Super Reverbs from 1963 through 1967 had "blackface" panels. From 1968 until its discontinuation in 1982, the Super Reverb had " silverface" cosmetics and circuitry. Early models in 1968, while cosmetically "silverface", did contain "blackface" circuitry. Fender introduced a reissue '65 Super Reverb in 2001 featuring a printed circuit board design rather than the hand-wired circuitry of the original '65 Super Reverb. The Super Reverb is commonly used by blues guitarists due to its ability to deliver loud, warm tube distortion through its four 10" speakers. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Precision Bass
The Fender Precision Bass (often shortened to "P-Bass") is a model of electric bass guitar manufactured by Fender Musical Instruments Corporation. In its standard, post-1957 configuration, the Precision Bass is a solid body, four-stringed instrument usually equipped with a single split-coil humbucking pickup and a one-piece, 20-fret maple neck with rosewood or maple fingerboard. Its prototype, designed by Leo Fender in 1950, was brought to market in 1951. It was the first electric bass guitar to earn widespread attention and use, remaining among the best-selling and most-imitated electric bass guitars with considerable effect on the sound of popular music. Background The double bass is among the largest and most physically cumbersome instruments which are regularly still transported by the player themselves on their own. It is also hard to hear in large bands or those that use amplified instruments, and it requires specialized skills to play that are distinct from those requir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lap Steel
The lap steel guitar, also known as a Hawaiian guitar, is a type of steel guitar without pedals that is typically played with the instrument in a horizontal position across the performer's lap. Unlike the usual manner of playing a traditional acoustic guitar, in which the performer's fingertips press the strings against frets, the pitch of a steel guitar is changed by pressing a polished steel bar against plucked strings (from which the name "steel guitar" derives). Though the instrument does not have frets, it displays markers that resemble them. Lap steels may differ markedly from one another in external appearance, depending on whether they are acoustic or electric, but in either case, do not have pedals, distinguishing them from pedal steel guitar. The steel guitar was the first "foreign" musical instrument to gain a foothold in American pop music. It originated in the Hawaiian Islands about 1885, popularized by an Oahu youth named Joseph Kekuku, who became known for playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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