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70th Birthday Concert (Duke Ellington Album)
''70th Birthday Concert'' is a live album by American pianist, composer and bandleader Duke Ellington recorded in England recorded at the Free Trade Hall in Manchester, England and originally released on the Solid State Records (jazz label), Solid State label in 1970.A Duke Ellington Panorama accessed May 17, 2010 The album was later reissued on CD on the Blue Note Records, Blue Note label in 1995. Reception The Allmusic review by Scott Yanow stated:Track listing :*Recorded at Colston Hall in Bristol, England on November 25 (track 10) and Free Trade Hall in Manchester, England on November 26 (tracks 1-9 & 10-17), 1969.Personnel *Duke Ellington – piano *Cat Anderson, Mercer Ellington, Rolf Ericson, Cootie Williams – trumpet *Lawrence Brown (jazz trom ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Hamilton
Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra. Biography Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilson sextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter. In 1943, he replaced Barney Bigard in the Duke Ellington orchestra and stayed with Ellington until 1968. His style was different on his two instruments: on tenor saxophone he had an R&B sound, while on clarinet he was much more precise and technical. He wrote some of his own material in his time with Ellington. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Get Around Much Anymore
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of "Don't Get Around Much Anymore", one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart. Other versions * Mose Allison – '' Young Man Mose'', Prestige, 1958) * Mose Allison – ''Creek Bank'' (Prestige, 1975) * Louis Armstrong with his All-Stars and Duke Ellington – ''The Great Reunion'' (1961) and included on ''The Great Summit'' * Louis Armstrong – ''I've Got the World on a String'' (1960) * Tony Bennett and Miguel Bosé – '' Viva Duets'' (2010) * To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Squeeze Me (But Please Don't Tease Me)
"Just Squeeze Me (But Please Don't Tease Me)" is a 1941 popular song composed by Duke Ellington, with lyrics by Lee Gaines. The song has been recorded numerous times by a number of artists in the years since, having become a jazz standard. Hit recordings have been by Paul Weston & His Orchestra (vocal by Matt Dennis) (reached No. 21 in the '' Billboard'' charts in 1947) and by The Four Aces (No. 20 in 1952). Other notable recordings * Louis Armstrong – originally recorded with Duke Ellington in 1961 for an album called ''The Great Reunion'' and later included in the compilation CD ''The Great Summit'' (2001) * Dave Brubeck * Clark Terry – '' Duke with a Difference'' (1957) * Chris Connor – ''A Jazz Date With Chris Connor'' (1956) *Miles Davis – '' Miles: The New Miles Davis Quintet'' (1955) *Ella Fitzgerald – ''Ella Fitzgerald Sings the Duke Ellington Songbook'' (1957) * Marvin Gaye and Mary Wells – ''Together'' (Marvin Gaye and Mary Wells album) (1964) *Joni James â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do Nothin' Till You Hear From Me
"Do Nothing till You Hear from Me" (also written as "Do Nothin' Til You Hear from Me") is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental ("Concerto for Cootie") that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart. Other recordings to reach the ''Billboard'' charts in 1944 were by Woody Herman and by Stan Kenton (vocal: Red Dorris). Other versions "Do Nothing till You Hear from Me" has since been performed by many other famous musical artists, including: *Nat King Cole, 1944, with The King Cole Trio *Billie Holiday, 1944 - Live, 1955, Studio, '' Stay With Me'' *Lena Horne, 1944, appears on her 2002 compilation album ''The Young Star'' *Patti Page, 1949, released in 1986 on ''The Uncollected Patti Page (1949): Patti P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Just A Lucky So-and-So
"I'm Just a Lucky So-and-So" is a 1945 song composed by Duke Ellington, with lyrics written by Mack David. Notable recordings *Al Hibbler & Duke Ellington - recorded for RCA Victor (catalog No. 20-1799) on November 26, 1945 (Ellington, Hodges, Lawrence brown, soloists) *Eddie "Lockjaw" Davis & Shirley Scott - '' The Eddie "Lockjaw" Davis Cookbook Volume 3'' (Prestige, 1958). *Billy Eckstine & Quincy Jones on the album '' At Basin Street East'' (EmArcy, 1961) as part of a Duke Ellington medley. *Annie Ross - included in her album ''A Gasser!'' (World Pacific, 1960). *Louis Armstrong & Duke Ellington - '' Together for the First Time'' (Roulette Records, 1961) *Ella Fitzgerald - she first recorded it for Decca Records (catalog No. 18814) in New York on Feb 21, 1946. She sang it at Carnegie Hall in 1949 and it was included in ''Jazz at the Philharmonic, The Ella Fitzgerald Set'' (Verve/Polygram)" (1949). A later recording was included in ''Ella Fitzgerald Sings the Duke Ellington Song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude To A Kiss (song)
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills. Background and composition This composition is in the key of D-flat major but makes extensive use of the secondary dominant chords, secondary ii–V–I progressions, diatonic circle of fifths, and evaded cadences. The song is extremely chromatic and complex, employing sophisticated mathematics that were rare at this time in jazz: Ellington's rising semitones (G-G#-A-A#-B) at the end of the bridge mirror the opening of both A sections (B-A#-A-G#-G). By the late 1930s, swing was at the height of its popularity. Using his fame and artistic freedom, Ellington became more ambitious and experimental, writing "Prelude to a Kiss", which abandoned the Tin Pan Alley style hooks and dance tempo for melodic lines and harmonies found more often in classical music. He recorded this piece as an instrumental in August 1938 before returning to the studio a few weeks later to recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Tizol
Juan Tizol MartÃnez (22 January 1900 – 23 April 1984) was a Puerto Rican jazz trombonist and composer. He is best known as a member of Duke Ellington's big band, and as the writer of the jazz standards " Caravan", "Pyramid", and " Perdido". Biography Tizol was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he played throughout his career. His musical training came mostly from his uncle Manuel Tizol, who was the director of the municipal band and the symphony in San Juan. Throughout his youth, Tizol played in his uncle's band and also gained experience by playing in local operas, ballets and dance bands. In 1920, Tizol joined a band that was traveling to the United States to work in Washington, D.C. The group eventually made it to Washington (traveling as stowaways) and established residence at the Howard Theater, where they played for tour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perdido (song)
"Perdido" is a jazz standard composed by Juan Tizol that was recorded on December 3, 1941 by Duke Ellington. However, it is the January 21, 1942, recording of the song on the Victor label by the Ellington orchestra, of which Tizol was a member, that is regarded as the original recording. In 1944, Ervin Drake and Hans Lengsfelder were hired to write lyrics for the song. Background "Perdido" is Spanish and means ''lost'', but also sloppy or indecent. The song refers to Perdido Street in New Orleans. Ella Fitzgerald recording "Perdido" was not usually sung with the Ellington band, the exception being Ella Fitzgerald on her 1957 album ''Ella Fitzgerald Sings the Duke Ellington Songbook''. Other recordings Many others recorded the song, including: *Sarah Vaughan *Dinah Washington *Art Tatum *Quincy Jones *The Charlie Parker Quintet *Dave Brubeck *Charles Mingus *Randy Weston *Erroll Garner *Bill Doggett *Harry James Harry Haag James (March 15, 1916 – July 5, 1983) was an Ame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satin Doll
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. Written in 1953, the song has been recorded by Ella Fitzgerald, 101 Strings, Terry Callier, and Nancy Wilson. Its chord progression is well known for its unusual use of chords and opening with a ii-V-I turnaround. Background Johnny Mercer was often asked to write lyrics to already popular songs. Lyrics to "Satin Doll" were written after the song was a hit in its instrumental version. Ellington used "Satin Doll" as the closing number in most of his concerts. Other versions * Duke Ellington – ''Capitol Sessions 1953–1955'' (1953) * The Gaylords – 1958 * Bill Doggett – ''Salute to Duke Ellington'' (King, 1959) * Peggy Lee / George Shearing – ''Beauty And The Beat!'' (Capitol Records, 1959) * The Coasters – ''One by One'' (1960) * Harry James – ''Harry James...Today'' (MGM, 1960) * Ella Fitzgerald – ''Ella in Hollywood'' (1961) * McCoy Tyner – ''Night ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
