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6 Feet Deep
''6 Feet Deep'' (also titled ''Niggamortis'' in some regions) is the debut album of the American hip hop supergroup Gravediggaz. Formed by former Tommy Boy Records artists Prince Paul, RZA, Frukwan and Poetic, the group utilized horror-themed imagery and lyrics combined with black comedy and satire to vent their frustrations with the hip hop record industry. The album's concept satirizes the hardcore hip hop and gangsta rap of the early 1990s. Released on August 9, 1994 by Gee Street Records, the album helped usher in horrorcore. Production The conception of the Gravediggaz group came at a low point in the careers of each of the group's members, each of which had at one point or another been signed to Tommy Boy Records and had not had good experiences with the label. Prince Paul had also contributed drums to the RZA's early single " Ooh We Love You Rakeem". According to Paul, the RZA was trying to get signed to Doo Dew Man Records, Paul's vanity label distributed by Def ...
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Gravediggaz
Gravediggaz was an American hip hop group from New York, known for its dark sense of humor and abrasive, menacing soundscapes. Gravediggaz blended hardcore hip hop, gangsta rap and heavy metal with horror elements to pioneer the hip-hop subgenre of horrorcore. The group was formed in 1994, which brought together Prince Paul (The Undertaker), Frukwan (The Gatekeeper), Too Poetic (The Grym Reaper) and RZA (The RZArector). It came about largely due to the efforts of Prince Paul. Frukwan and Prince Paul were previously together in the group Stetsasonic. Biography The group's first album was originally titled ''Niggamortis''; however, this potentially risqué title was changed to '' 6 Feet Deep'' for the American market (European versions of the album retained the original title, and also included the bonus track "Pass the Shovel"); it was released on August 9, 1994. The four members adopted ''Gravedigga'' alter egos for their work with the group: RZA became The RZArec ...
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Record Industry
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artists and ...
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Jive Records
Jive Records was an American independent record label founded by Clive Calder in 1981 as a subsidiary to the Zomba Group. In the US, the label had offices in New York City and Chicago. Jive was best known for its successes with hip hop, R&B, and dance acts in the 1980s and 1990s, along with teen pop and boy bands during the late 1990s and early 2000s. Jive was acquired by Bertelsmann Music Group in 2002. In 2008, BMG itself was bought out by Sony Music Entertainment. Jive Records thereupon remained a unit wholly owned by Sony up until the label’s dissolution in 2011, when Jive was absorbed into RCA Records. History 1970s: Beginnings In 1971, South African businessmen Clive Calder and Ralph Simon began a publishing and management company. It was named Zomba Records and relocated to London, England, four years later; their first client was a young Robert "Mutt" Lange. Zomba originally wanted to avoid record labels to instead focus on their songwriters and producers while a ...
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Supergroup (music)
A supergroup is a musical group whose members are successful as solo artists or as members of other successful groups. The term became popular in the late 1960s when members of already successful rock groups recorded albums together, after which they normally disband. Charity supergroups, in which prominent musicians perform or record together in support of a particular cause, have been common since the 1980s. The term is most common context of rock and pop music, but it has occasionally been applied to other musical genres. For example, opera superstars The Three Tenors ( José Carreras, Plácido Domingo, and Luciano Pavarotti) have been called a supergroup. A supergroup sometimes forms as a side project for a single recording project or other ''ad hoc'' purposes, with no intention that the group will remain together afterwards. In other instances, the group may become the primary focus of the members' career. History '' Rolling Stone'' editor Jann Wenner credited Britis ...
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De La Soul Is Dead
''De La Soul Is Dead'' is the second studio album by American hip-hop group De La Soul, released on May 14, 1991. The album was produced by Prince Paul, whose work on '' 3 Feet High and Rising'' was highly praised by music critics. The album was one of the first to receive a five-mic rating in the Hip hop magazine ''The Source''; and the album was also selected as one of The Source's 100 Best Rap Albums in 1998. The album's cover refers to the death of the "D.A.I.S.Y." (Da Inner Sound, Y'all) age, or a distancing from several cultures including hippies and mainstream hip-hop. The song "Oodles of O's" was featured on the soundtrack of '' Tony Hawk's Pro Skater 4''. In 2020, ''Rolling Stone'' placed the album at number 228 on their 500 Greatest Albums of All Time list. Overview The album features a series of separate, ongoing skits. The introduction to the album features Jeff, a teenage character (introduced in the B-sides to " Eye Know" and " Me Myself and I": "Brain Wash ...
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3 Feet High And Rising
''3 Feet High and Rising'' is the debut studio album by American hip hop group De La Soul, released on March 3, 1989 by Tommy Boy Records. It is the first of three collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. The album title comes from the Johnny Cash song " Five Feet High and Rising". The album contains the singles " Me Myself and I", "The Magic Number", " Buddy", and " Eye Know". Critically, as well as commercially, the album was a success. It is consistently placed on lists of the greatest albums of all time by noted critics and publications, with Robert Christgau calling it "unlike any rap album you or anybody else has ever heard". In 1998, it was selected as one of ''The Source''s "100 Best Rap Albums". It was selected by the Library of Congress as a 2010 addition to the National Recording Registry, which selects recordings annually that are culturally, historically, or aesthetically significant. Artwork T ...
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De La Soul
De La Soul () is an American hip hop trio formed in 1988 in the Amityville area of Long Island, New York. They are best known for their eclectic sampling, quirky lyrics, and their contributions to the evolution of the jazz rap and alternative hip hop subgenres. The members are Posdnuos, Trugoy, and Maseo. The three formed the group in high school and caught the attention of producer Prince Paul with a demo tape of the song " Plug Tunin'". With its playful wordplay, innovative sampling, and witty skits, the band's debut album, '' 3 Feet High and Rising'', has been called "a hip hop masterpiece." The album was the band's biggest commercial success to date, with subsequent ones selling progressively less, despite receiving high praise from critics. They were influential in the early stages of rapper/actor Mos Def's career, and are a core part of the Spitkicker collective. They are the second longest standing Native Tongues group, after the Jungle Brothers. In 2006, the gr ...
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Stetsasonic
Stetsasonic is an American hip hop band. Formed in 1981 in Brooklyn, New York City, New York, Stetsasonic was one of the first hip hop acts to perform with a full band and use live instrumentation in their recordings, paving the way for future hip hop bands such as The Roots. The band combined beat-boxing, sampling technology, and live band performance, incorporating R&B, jazz, dancehall reggae, and rock into its sound. Stetsasonic is also considered one of the acts that pioneered jazz rap. Though rumored to have disbanded in 1991, soon after the release of its third album, '' Blood, Sweat & No Tears,'' Stetsasonic continues to record and perform together, as evidenced by their subsequent release, "People In The Neighborhood", and their performance at the Urban Matterz Hip Hop Festival in 2019. Individual members branched out to explore solo careers, while still maintaining Stetsasonic. Frukwan and Prince Paul were founding members of the Gravediggaz, while the latter als ...
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Def Jam Records
Def Jam Recordings (also simply known as Def Jam) is an American multinational record label owned by Universal Music Group. It is based in Manhattan, New York City, specializing predominantly in hip hop, contemporary R&B, soul and pop. The label has a London-based, UK arm known as 0207 Def Jam (formerly Def Jam UK in the 1990s until the mid-2000s) and is currently operated through EMI Records. It has a Johannesburg, South Africa and Lagos, Nigeria-based arm known as Def Jam Africa. Def Jam distributes releases of various label imprints, including Dave East's From the Dirt Records. Current artists include Justin Bieber, Toya Johnson, Nasty C, 2 Chainz, Dave East, Jeezy, Jeremih, Jhené Aiko, Fredo Bang and YK Osiris, among others. Company history Founding and CBS Records Group era (1983–1994) Def Jam was co-founded by Rick Rubin in his dormitory in Weinstein Hall at New York University, and its first release was a single by his punk-rock group Hose. Russell Simmons joi ...
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Vanity Label
A vanity label (see related topic on vanity press) is an informal name sometimes given to a record label A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the pr ... founded as a wholly or partially owned subsidiary of another, larger, and better established (at least at the time of the vanity label's founding) record label, where the subsidiary is (at least nominally) controlled by a successful recording artist, designed to allow this artist to release music by other artists they admire. The parent label handles the production and distribution and funding of the vanity label, but the album is usually released with the vanity brand name prominent. Usually, the artist/head of the vanity label is signed to the parent label, and this artist's own recordings will be released under the vanity bra ...
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Ooh I Love You Rakeem
Ooh may refer to: Music *" Ooh!", 2003 single by Mary J. Blige *"Ooh", a song by BoDeans (1988) *"Ooh", a song by Brook Benton and the Sandmen (1955) *"Ooh", a song by La Lupe (1963) *"Ooh", a song by Roy Ayers (1982) *"Ooh", a song by Scissor Sisters (2006) *"Oooh.", a 2000 song by De La Soul featuring Redman Other uses *Occupational Outlook Handbook, a biennial publication of the U.S. Bureau of Labor Statistics *Out-of-home advertising Out-of-home (OOH) advertising, also called outdoor advertising, outdoor media, and out-of-home media, is advertising experienced outside of the home. This includes billboards, wallscapes, and posters seen while "on the go". It also includes pl ... * Out-of-hours service * oOh!media, an Australian advertising company See also * " Ooouuu", 2016 single by Young M.A * Ooh La La (other) {{disambig ...
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Horrorcore
Horrorcore, also called horror hip hop, horror rap, death hip hop, or death rap, is a subgenre of hip hop music based on horror-themed and often darkly transgressive lyrical content and imagery. Its origins derived from certain hardcore hip hop and gangsta rap artists, such as the Geto Boys, which began to incorporate supernatural, occult, and psychological horror themes into their lyrics. Unlike most hardcore hip hop and gangsta rap artists, horrorcore artists often push the violent content and imagery in their lyrics beyond the realm of realistic urban violence, to the point where the violent lyrics become gruesome, ghoulish, unsettling, inspired by slasher films or splatter films. While exaggerated violence and the supernatural are common in horrorcore, the genre also frequently presents more realistic yet still disturbing portrayals of mental illness and drug abuse. Some horrorcore artists eschew supernatural themes or exaggerated violence in favor of more subtle and dark ...
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