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502 Blues
502 Blues is a jazz standard composed in 1958 by Jimmy Rowles. The composition is best known through Wayne Shorter's rendition on his 1967 album, Adam's Apple. Musical composition The song is a 32-bar waltz in A minor. Notable recordings * Bill Holman - Mel Lewis Quintet in "''Jive for Five (1959)''" * Wayne Shorter in " ''Adam's Apple (1967)''" * Harold Danko Trio in "''Three of Four (1998)''" * Michael Cochrane, Bob Malach Bob Malach (born August 23, 1954) is an American jazz saxophonist. Malach learned several reed instruments in his youth, and played with Philadelphia soul bands such as The Stylistics and The O'Jays while still a teenager. He played in the big b ..., Calvin Hill, and Jeff Hirshfield in "Quartet Music (2001)" * Jeremy Pelt in "''Close to My Heart (2003)''" References {{Reflist Jazz standards 1950s jazz standards Jazz compositions Jazz compositions in A minor ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ...
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Harold Danko
Harold Danko (born June 13, 1947 in Ohio) is an American jazz pianist. Danko attended Youngstown State University. Among his credits are work in the big bands of Woody Herman and Thad Jones/Mel Lewis, as well as smaller ensembles with Gerry Mulligan, Chet Baker and Lee Konitz. He worked often with Rich Perry in the 1990s and also played with Rufus Reid, Kirk Lightsey, Jeff Hirshfield, Edward Simon, and Gregory Herbert. Discography As leader Main source: As sideman With Chet Baker *''Once Upon a Summertime'' (Artists House, 1977 980 *'' As Time Goes By'' (Timeless, 1986) *'' Cool Cat'' (Timeless, 1986 989 *'' Memories - Chet Baker in Tokyo'' (King Records, 1988) With Thad Jones and Mel Lewis *''The Thad Jones Mel Lewis Quartet'' (Artists House, 1978) With Lee Konitz *''Yes, Yes, Nonet'' (SteepleChase, 1979) *'' Dovetail'' (Sunnyside, 1983) *'' Ideal Scene'' (Soul Note, 1986) *'' The New York Album'' (Soul Note, 1988) *'' Dearly Beloved'' (SteepleChase, 1996) *''RichLee!'' ...
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1950s Jazz Standards
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 ''Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his head ...
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Jazz Standards
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard if ...
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Jeremy Pelt
Jeremy Pelt (born November 4, 1976, in California) is an American jazz trumpeter. Career Pelt studied classical trumpet as a child and focused on jazz after playing in a high school jazz ensemble. He studied at Berklee College of Music. Among those he has performed with are Ravi Coltrane, Roy Hargrove, Greg Osby, and Cassandra Wilson. Discography * ''Profile'' (Fresh Sound, 2002) * ''Close to My Heart'' (Maxjazz, 2003) * ''Insight'' (Criss Cross, 2003) * ''Identity'' (Maxjazz, 2005) * ''Shock Value: Live at Smoke'' (Maxjazz, 2007) * ''November'' (Maxjazz, 2008) * ''Men of Honor'' (HighNote, 2010) * ''The Talented Mr. Pelt'' (HighNote, 2011) * ''Soul'' (HighNote, 2012) * ''Water and Earth'' (HighNote, 2013) * ''Face Forward, Jeremy'' (HighNote, 2014) * ''Tales, Musings and Other Reveries'' (HighNote, 2015) * ''#Jiveculture'' (HighNote, 2016) * ''High Art'' (HighNote, 2016) * ''The Co-Op'' (Brown Brothers, 2017) * ''Make Noise!'' (HighNote, 2017) * ''Noir En Rouge, Live in Paris'' ...
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Jeff Hirshfield
Jeffrey Lee Hirshfield (born August 22, 1955) is an American jazz drummer. Hirshfield was born in New York City. He studied under Ed Soph. He worked for the Joffrey Ballet in 1976–1977 and then played with Mose Allison (1977–1979). During the 1980s he worked with Red Rodney and Ira Sullivan (1981–1985), Toshiko Akiyoshi (1986–1989), and Bennie Wallace (1987–1990). Alongside Fred Hersch and Steve LaSpina, he was a member of the trio ''Etc.'' during 1988–1991. During this time he also played in a trio with Hersch and Michael Formanek. From 1990 he played with Harold Danko, played in Formanek's Wide Open Spaces project, and played again with LaSpina in a quartet setting. He also worked in a quartet with John Abercrombie and Andy LaVerne early in the 1990s. In the mid-1990s he played in a trio with Marc Copland and Dieter Ilg (1992–1995), another trio with Tim Berne and Formanek (1993–1994), and the Lan Xang ensemble with David Binney, Donny McCaslin, and Scott Colley ...
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Bob Malach
Bob Malach (born August 23, 1954) is an American jazz saxophonist. Malach learned several reed instruments in his youth, and played with Philadelphia soul bands such as The Stylistics and The O'Jays while still a teenager. He played in the big bands of Lin Biviano and Les Elgart in the mid-1970s, then moved to New York City in 1977, where he met Alphonse Mouzon. He recorded with Mouzon and went on tour with him in Europe, leading to eventual collaborations with European jazz artists including George Gruntz, Chris Hinze, Joachim Kuhn, Didier Lockwood, Palle Mikkelborg, Michel Petrucciani, Aldo Romano, Bo Stief, and Jasper Van't Hof. In the US, Malach played extensively both in jazz circles and with pop, rock, and soul musicians. He worked with Stanley Clarke in the 1970s, and in the 1980s and 1990s played with, among others, Madonna, Horace Silver, Bob Mintzer, Robben Ford, Stevie Wonder, Steve Miller, Joe Zawinul, Mike Stern, Georgie Fame, Ben Sidran, Leni Stern, and Dave Weckl ...
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Michael Cochrane (musician)
Michael Cochrane (born September 4, 1948 in Peekskill, New York) is an American jazz pianist who has recorded extensively for SteepleChase Records, as well as Soul Note and Landmark Records. As a sideman, he has recorded with Marvin Peterson, Oliver Lake, Sonny Fortune and Jack Walrath. Discography ''As a Leader'' * ''Elements'' (Soul Note, 1985) with Tom Harrell, Trumpet; Bob Malach, Tenor Saxophone, Flute; Dennis Irwin, Bass; James Madison, Drums * ''Song of Change'' (Soul Note, 1992) * ''Impressions'' (Landmark, 1995) * ''Cutting Edge'' (Steeplechase, 1997) * ''Footprints'' (Steeplechase, 1998) * ''Gesture of Faith'' (Steeplechase, 2000) * ''Minor Matrix'' (Steeplechase, 2000) * ''Quartet Music'' (Steeplechase, 2001) * ''Pathways'' (Steeplechase, 2000) * ''Right Now'' (Steeplechase, 2007) With Sonny Fortune *''Waves of Dreams'' (Horizon, 1976) With Jack Walrath *''Revenge of the Fat People'' (Stash, 1981) *'' In Europe'' (SteepleChase, 1982) *''A Plea for Sanity'' (St ...
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Mel Lewis
Melvin Sokoloff (May 10, 1929 – February 2, 1990), known professionally as Mel Lewis, was an American jazz drummer, session musician, professor, and author. He received fourteen Grammy Award nominations. Biography Early years Lewis was born in Buffalo, New York, to Russian-Jewish immigrant parents Samuel and Mildred Sokoloff. He started playing professionally as a teen, eventually joining Stan Kenton in 1954. His musical career brought him to Los Angeles in 1957 and New York City in 1963.''All Music Guide to Jazz''. Yanow, Scott (1996). Miller Freeman Books. Career In 1966 in New York, he teamed up with Thad Jones to lead the Thad Jones/Mel Lewis Orchestra. The group started as informal jam sessions with the top studio and jazz musicians of the city, but eventually began performing regularly on Monday nights at the famed venue, the Village Vanguard. In 1979, the band won a Grammy for their album '' Live in Munich''. Like all of the musicians in the band, it was only a ...
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Jimmy Rowles
James George Hunter (August 19, 1918 – May 28, 1996), known professionally as Jimmy Rowles (sometimes spelled Jimmie Rowles), was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored multiple styles including swing and cool jazz. Music career Rowles was born in Spokane, Washington, United States, and attended Gonzaga University in that city. After moving to Los Angeles, he joined Lester Young's group in 1942. He also worked with Benny Goodman, Woody Herman, Les Brown, Tommy Dorsey, Tony Bennett, and as a studio musician. With female singers Rowles was praised as an accompanist by female singers. He recorded ''Sarah Vaughan with the Jimmy Rowles Quintet'' with Sarah Vaughan and accompanied Carmen McRae on her 1972 live album '' The Great American Songbook''. McRae described Rowles as "the guy every girl singer in her right mind would like to work with". In the 1950s and 1960s, he frequently played behind Billie Holiday and Peggy L ...
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Bill Holman (musician)
Willis Leonard Holman (born May 21, 1927), known professionally as Bill Holman, is an American composer, arranger, conductor, saxophonist, and songwriter working in jazz and traditional pop. His career is over seven decades long, having started with the Charlie Barnet orchestra in 1950. Early life Bill Holman was born in Olive, California, United States. His family moved to Orange, east of Anaheim, then Santa Ana. He started playing the clarinet in junior high school. While attending Orange High School he played the tenor saxophone and formed a band. Although his family had no musical background, Holman was influenced by Count Basie and Duke Ellington while constantly listening to the radio. He was drafted at the later end of World War II and served in the U.S. Navy from 1944 to 1946. Through the Navy, he studied mechanical engineering at the University of Colorado and then studied at UCLA. In the late 1940s, he started to concentrate on music instead of engineering. He enr ...
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Conclusion (music)
In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work." Perle, George (1990). ''The Listening Composer''. California: University of California Press. . For example: * The slow movement of Bach's '' Brandenburg Concerto No. 2'', where a "diminished-7th chord progression interrupts the final cadence." * The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts", follow the initial statements of the first theme and only return expanded in the coda. * Varèse's '' Density 21.5'', where partit ...
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