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5001 Nights At The Movies
''5001 Nights at the Movies: A Guide from A to Z'', first published in 1982, is a book compiling passages of film critic Pauline Kael's reviews from the silent era to the early 1980s. They were originally written for ''The New Yorker''’s 'Goings On About Town' section. Summary In her regular ''New Yorker'' column Kael wrote long, thoughtful critiques of the latest films. ''5001 Nights'' is made up of abbreviated reviews of those longer articles and capsule critiques of dozens of other movies made throughout the 20th century in a single paragraph. Kael recaps American and international films; her reviews often contain a phrase that captures a film’s essence. Excerpts *''In a Lonely Place'': "an atmospheric but disappointingly hollow murder melodrama" *''Rebel Without a Cause'': "had more emotional resonance for the teenagers of the time than many much better movies" *''Written on the Wind'': "his talent for whipping up sour, stylized soap operas in posh settings" *'' The T ...
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5001 Nights At The Movies
''5001 Nights at the Movies: A Guide from A to Z'', first published in 1982, is a book compiling passages of film critic Pauline Kael's reviews from the silent era to the early 1980s. They were originally written for ''The New Yorker''’s 'Goings On About Town' section. Summary In her regular ''New Yorker'' column Kael wrote long, thoughtful critiques of the latest films. ''5001 Nights'' is made up of abbreviated reviews of those longer articles and capsule critiques of dozens of other movies made throughout the 20th century in a single paragraph. Kael recaps American and international films; her reviews often contain a phrase that captures a film’s essence. Excerpts *''In a Lonely Place'': "an atmospheric but disappointingly hollow murder melodrama" *''Rebel Without a Cause'': "had more emotional resonance for the teenagers of the time than many much better movies" *''Written on the Wind'': "his talent for whipping up sour, stylized soap operas in posh settings" *'' The T ...
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Raging Bull
''Raging Bull'' is a 1980 American biographical sports drama film directed by Martin Scorsese, produced by Robert Chartoff and Irwin Winkler and adapted by Paul Schrader and Mardik Martin from Jake LaMotta's 1970 memoir '' Raging Bull: My Story''. The film, distributed by United Artists, stars Robert De Niro as Jake LaMotta, an Italian-American middleweight boxer whose self-destructive and obsessive rage, jealousy and animalistic appetite destroyed his relationship with his wife and family. Also featured in the film are Joe Pesci as Joey, LaMotta's brother, and Cathy Moriarty as Vikki LaMotta, Vikki, his wife. Nicholas Colasanto, Theresa Saldana and Frank Vincent play supporting roles in the film. Scorsese was initially reluctant to develop the project, though he eventually came to relate to LaMotta's story. Schrader re-wrote Martin's first screenplay, and Scorsese and De Niro together made uncredited contributions thereafter. Pesci was an unknown actor prior to the film, as ...
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Books By Pauline Kael
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a bo ...
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Books About Film
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is '' codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called ...
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Books Of Film Criticism
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a b ...
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1982 Non-fiction Books
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 ''Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d ...
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Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology '' Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London F ...
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The Wrong Man
''The Wrong Man'' is a 1956 American docudrama film noir directed by Alfred Hitchcock and starring Henry Fonda and Vera Miles. The film was drawn from the true story of an innocent man charged with a crime, as described in the book ''The True Story of Christopher Emmanuel Balestrero'' by Maxwell Anderson and in the magazine article "A Case of Identity", which was published in ''Life'' magazine in June 1953 by Herbert Brean. It is one of the few Hitchcock films based on a true story and whose plot closely follows the real-life events. ''The Wrong Man'' had a notable effect on two significant directors: it prompted Jean-Luc Godard's longest piece of written criticism in his years as a critic, and it has been cited as an influence on Martin Scorsese's ''Taxi Driver''. Plot Alfred Hitchcock appears on screen to tell the audience that the film's "every word is true". Christopher Emanuel "Manny" Balestrero (Henry Fonda), a down-on-his-luck musician at New York City's Stork Club, ...
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Red Desert (film)
''Red Desert'' ( it, Il deserto rosso) is a 1964 drama film directed by Michelangelo Antonioni and starring Monica Vitti with Richard Harris. Written by Antonioni and Tonino Guerra, it was Antonioni's first color film. The story follows a troubled woman (Vitti) living in an industrial region of Northern Italy following a recent automobile accident. ''Red Desert'' was awarded the Golden Lion at the 25th Venice Film Festival in 1964. It has received acclaim from critics. This was the last in a series of four films he made with Vitti between 1959 and 1964, preceded by ''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962). Plot In Ravenna, Italy, Giuliana is walking with her young son, Valerio, towards the petrochemical plant managed by her husband, Ugo. Passing workers who are on strike, Giuliana nervously and impulsively purchases a half-eaten sandwich from one of the workers. They are surrounded by strange industrial structures and debris that create inhuman images ...
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Au Hasard Balthazar
''Au Hasard Balthazar'' (; meaning "Balthazar, at Random"), also known as ''Balthazar'', is a 1966 French drama film directed by Robert Bresson. Believed to be inspired by a passage from Fyodor Dostoyevsky's 1868–69 novel ''The Idiot'', the film follows a donkey as he is given to various owners, most of whom treat him callously. Noted for Bresson's ascetic directorial style and regarded as a work of profound emotional effect, it is frequently listed as one of the greatest films of all time. Plot In the French countryside near the Pyrenees, a baby donkey is adopted by young children - Jacques and his sisters, who live on a farm. They baptize the donkey (and christen it Balthazar) along with Marie, Jacques' childhood sweetheart, whose father is the teacher at the small school next door. When one of Jacques' sisters dies, his family vacates the farm, and Marie's family take it over in a loose arrangement. The donkey is given away to local farmhands who work it very hard. Years pass ...
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John Cassavetes
John Nicholas Cassavetes ( ; December 9, 1929 – February 3, 1989) was an American actor, film director, and screenwriter. First known as a television and film actor, Cassavetes also helped pioneer American independent cinema, writing and directing movies financed partly by income from his acting work. AllMovie called him "an iconoclastic maverick",Ankeny, JasonJohn Cassavetes ''AllMovie''. while ''The New Yorker'' suggested in 2013 that he "may be the most influential American director of the last half century."''The New Yorker'', July 1, 2013, p. 17 "On the Horizon: Movies: Wild Man Blues July 6–31" As an actor, Cassavetes starred in notable Hollywood films throughout the 1950s and 1960s, including ''Edge of the City'' (1957), ''The Dirty Dozen'' (1967), and '' Rosemary's Baby'' (1968). He began his directing career with the 1959 independent feature ''Shadows'' and followed with independent productions such as ''Faces'' (1968), ''Husbands'' (1970), ''A Woman Under the Infl ...
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Pauline Kael
Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for ''The New Yorker'' magazine from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries. One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades." Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal." Owen Gleiberman said she "was more than a great critic. She reinvented the form, and pioneered an entire aesthetic of writing." Early life and education Kael was born to Isaac Paul Kael and Judith Kael ( Friedman), Jewish emigrants from Poland, on a chicken farm a ...
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