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4 Forests
''4 Forests'' is another experimental album by Brian Dougans under the alias ''Part-Sub-Merged'' from 2007 which was released on The Future Sound of London's digital download website. It is the soundtrack to a short film made by the duo called "Part-Sub-Merged" to be released on FSOLdigital.com at some point in the near future. The music is darker than his ''"Polemical "'' work with analogue techno beats and synth ambience. Track listing # Second Glance (3:34) # Slight Movement (3:17) # Roadhedge (3:26) # Wooden Gage (5:02) # Opposite Side (5:02) # Naked (1:26) # Mind Altered (2:35) # In The Forest (1:03) # Held (4:42) # Hallae (1:20) # First Breath (2:42) # Cark (3:01) Crew Composed, produced by Brian Dougans Brian Dougans (born 1968) is a British musician, and a member of the British electronic duo, the Future Sound of London (FSOL). He is the more technical member of FSOL, doing most of the programming, circuit bending et cetera and creating elec ... References Ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Download
A music download (commonly referred to as a digital download) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012."All music sales" refers to albums plus track equivalent albums. A track equivalent album equates to 10 tracks. By the beginning of 2011, Apple's iTunes Store alone made 1.1 billion of revenue in the first quarter of its fiscal year. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format. Online music store Paid downloads are sometimes encoded with d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Dougans
Brian Dougans (born 1968) is a British musician, and a member of the British electronic duo, the Future Sound of London (FSOL). He is the more technical member of FSOL, doing most of the programming, circuit bending et cetera and creating electronic instruments at his home studio in Glastonbury, Somerset. He is currently head of FSOLdigital (FSOL's record label) and co designer of the FSOL:Digitana SX-1 Synthesiser. Dougans' first releases were as "Humanoid", releasing the acid house single "Stakker Humanoid", which reached number 17 in the UK Singles Chart in 1988, and also charted in 1992 and 2001. "Stakker Humanoid" was No.1 for five weeks in the UK Dance Chart (December 1988) and has been cited as a major influence on early Aphex Twin releases. Dougans music as Humanoid is also part of the MOMA NY collection via Stakker Eurotechno. Dougans has always been the quiet, technical workhorse of FSOL whilst Garry Cobain brings in his melody and softness to balance Dougans' techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea" (1991), "Cascade" (1993), and albums '' Lifeforms'' (1994) and ''Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single "Stakker Humanoid" that reached ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-Made Devices
''Hand-Made Devices'' is an album by The Future Sound of London under the alias ''Polemical''; it is the first album under the pseudonym. The nature of the music is very experimental and is created almost entirely using Brian Dougans' electronic creations, including glitch devices and the like. There are videos on Dougans own YouTube channel (''"STAKKERHUMANOID"'') demonstrating the devices he has made. The website FSOLDigital.com says that all the devices used were modified by the band. The album is available only at their digital download site. Track listing # Mos Son (4:36) # Watery Seq (1:37) # Matti (2:48) # Honher 1 (0:44) # Bats (2:47) # 15 Frames A Second (2:15) # Early Sun (2:14) # Iseuem (2:19) # Kontact (2:44) # 2 Boots Together (5:14) # Truma (1:49) # Made Formal (1:22) # Medium Pull (2:50) # Zee2006 (0:24) # Sub Equal (2:26) # At The Beginning (2:14) # Staggered (2:08) # 7 Song 7 (1:59) # Sk1 Song (1:13) # Satallite (3:03) # Gogs People (1:03) # Formings (0:29) Crew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The San Monta Tapes
The San Monta Tapes is a side-project of The Future Sound of London The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip h ..., under the pseudonym ''Heads of Agreement'', described by them as ''"Experiments in polyrhythmic"''. It is described as very unmelodic with sparse percussion loops, thus an unusual experiment and departure from the "usual" FSOL sound. In the ''Freeze'' magazine interview Cobain suggests that the project is more Brian's work than his. Track listing # Yellow Way (6:48) # Elongate (5:53) # San Monta (3:12) # Antique (3:15) # Earth Magnetic (4:54) # Still Movements (5:09) # La Veshter Du Aumbre (4:24) # Low Cloud (2:16) # Bump (5:15) # Ukashan (3:42) # Slow Storm (1:35) # Northern Desert (0:34) # Cold Ground (3:36) # Waves (6:01) # Underpass (0:42) # Coasts (3:46) # T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Future Sound Of London Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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