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4-beat
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. History Origins The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as ''happy hardcore'' where piano rolls and uplifting vocals were still central to the sound. DJs such as Slipmatt, DJ Sy, DJ Seduction, Wishdokta, DJ Dougal, and DJ Vibes continued to play and put out music of this nature throughout 1993/4 – notably Slipmatt through the ''SMD'' releases, Wishdokta as ''Naughty Naughty'', and Seduction on the ''Impact'' label. In mainland Europe, new beat and hardcore techno from Belgium had spread into Germany and the N ...
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Happy Hardcore
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. History Origins The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as ''happy hardcore'' where piano rolls and uplifting vocals were still central to the sound. DJs such as Slipmatt, DJ Sy, DJ Seduction, Wishdokta, DJ Dougal, and DJ Vibes continued to play and put out music of this nature throughout 1993/4 – notably Slipmatt through the ''SMD'' releases, Wishdokta as ''Naughty Naughty'', and Seduction on the ''Impact'' label. In mainland Europe, new beat and hardcore techno from Belgium had spread into Germany and th ...
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Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ...
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Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ...
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Jungle Music
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial style s ...
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New Beat
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG,Simon Reynolds: ''Generation Ecstasy: Into the World of Techno and Rave Culture.'' Routledge 1999, , p. 124. EBM and hip hop (e.g. scratching).Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , pp. 102–103. It flourished in Western Europe during the late-1980s. New beat spawned a subgenre called "hard beat" (a blend of EBM, new beat and acid house)Nikki van Lierop: ''Hard Beat 1st Compilation.'', 1989."Hard Beat is the perfect link between Electronic Body Music and New Beat." and became a key influence on the evolution of European electronic dance music styles such as hardcore techno and gabber. History New beat originated in Belgium in 1987, and was popular in several music clubs across Western Europe. Sometimes described as "new wave disco beat"Philipp Anz, Arnold Meyer: ''New Beat.'' In: Philipp ...
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Hardcore Jungle
Jungle is a music genre, genre of dance music that developed out of the UK rave scene and sound system (Jamaican), sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, Sampling (music), samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in Dub music, dub, reggae and dancehall, as well as hip hop music, hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/ha ...
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Darkcore
Darkcore (also referred to as darkside hardcore) is a genre of electronic dance music, considered to be a subgenre of breakbeat hardcore, which came out from the UK rave scene of the early 1990s; this genre in particular emerged from late 1992. It is recognised as being one of the direct precursors of the music genre now known as drum and bass. Origins By late 1992, breakbeat hardcore was beginning to fragment, and darkcore was one of the subgenres to emerge, in contrast with 4-beat. Darkcore is often characterised by dark-themed samples such as horror movie elements, cries for help, sinister sounding stabs and synthesizer notes, along with syncopated breakbeats in addition to 4-to-the-floor beats and low frequency basslines. It also saw the introduction of effects such as pitch shifting and time stretching to create mood. Notable releases Notable releases include Top Buzz's "Living in the Darkness" (Basement, 1993), DJ Hype's "Shot in the Dark" ( Suburban Base, 1993), Orig ...
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Eurobeat
Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influencedAng, Ien & Morley, David (2005). "Cultural Studies: Volume 3, Issue 2". ''Routledge''. pgs. 171, 173, 170. . "Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too. ..Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs." dance-pop, and the other is a hi-NRG-driven form of Italo disco. Both forms were developed in the 1980s. Producer trio Stock Aitken Waterman and pop band Dead or Alive ...
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Wishdokta
Grant Nelson (born April 1971 in London), also known as Wishdokta, Bump & Flex and N'n'G, is an English DJ, remixer and record producer. In the 1990s, inspired by producers such as Masters at Work, MK (DJ), MK and Eddie Perez, he played an important role in the development of the UK garage genre, being heralded as the "Godfather of UK Garage". In 2013, Nelson appeared alongside many other garage pioneers in a documentary exploring the legacy of UK garage, ''Rewind 4Ever: The History of UK Garage''. Hit singles on the Official Charts Company, UK charts as Bump & Flex include "Long Time Coming" (UK Singles Chart, UK #73, UK Dance Singles Chart, UK Dance #3) and "Got Myself Together" (UK #84, UK Dance #3), and as one half of N'n'G, he scored a No. 12 and No. 1 Dance hit with "Right Before My Eyes#N'n'G version, Right Before My Eyes" in 2000. Popular Bump & Flex remixes include Mis-Teeq's "B with Me" (UK #5), James Brown's "Funk on Ah Roll" (UK #40, UK Dance #1), Indo's "R U Sle ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Sanctuary Music Arena
The Sanctuary Music Arena was a 22,000 sq ft, 3,500 capacity music venue in Denbigh North, Milton Keynes in the UK, and most well known for its connection to the rave scene. Origins Originally intended for industrial use, the unit was built speculatively in 1990 but failed to find a tenant due to the early 1990s' recession. It was first used as a music venue by ''ESP Promotions'' to host their inaugural ''Dreamscape'' raves from December 1991, after ESP Promotions owner (the late Murray Beetson) had reached an agreement with the landlord for short-term event hire. Beetson had been looking for a larger venue after the success of his nights at Milwaukees nightclub, Bedfordshire. Dreamscape As it was never designed for this purpose, there were a number of licensing conditions to be met before the go ahead was given by the local authorities, one of which was the installation of additional fire exits at ESP's expense to cope with the planned 4,000 capacity. Due to the success of the ...
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Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ...
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