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37 Minutes And 48 Seconds With Sonny Stitt
''37 Minutes and 48 Seconds with Sonny Stitt'' is an album by saxophonist Sonny Stitt that was released by Roost.Edwards, D. & Callahan, MRoyal Roost/Roost Album Discography accessed January 3, 2013 Track listing Personnel * Sonny Stitt – alto saxophone * Dolo Coker – piano * Edgar Willis – bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ... *Kenny Dennis – drums References {{Authority control 1957 albums Sonny Stitt albums Roost Records albums Albums produced by Teddy Reig ...
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Sonny Stitt
Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/ hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone. Early life Edward Hammond Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background: his father, Edward Boatner, was a baritone singer, composer, and college music professor; his brother was a classically trained pianist, and his mother was a p ...
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Harlem Nocturne
"Harlem Nocturne" is a jazz standard written by Earle Hagen (music) and Dick Rogers (lyrics) in 1939 for the Ray Noble orchestra, of which they were members. The song was chosen by the big-band leader Randy Brooks the next year as his theme song. The version by the Viscounts has the distinction of being released twice and rising high on the ''Billboard'' charts each time: first in 1959, when it peaked at #53, and again in 1966, peaking at #39 on the ''Billboard'' Hot 100 chart. "Harlem Nocturne", in a version with Bud Shank on alto sax, was the theme song of the television series '' Mickey Spillane's Mike Hammer'' and ''The New Mike Hammer''. Harold Faltermeyer recorded a version for the soundtrack to the film '' Tango & Cash''. In 1990, the pianist Kofi Wilmot gained popularity in the instrumental world for his cover version from the album of the same name, ''Harlem Nocturne''. Danny Gatton released a version in 1993 on his album ''Cruisin' Deuces'' (Elektra/Rhino). The So ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Edgar Willis
Edgar Willis is a jazz bassist. Associated for many years with Ray Charles, Willis was also a member of the late 1950s Sonny Stitt Quartet, with Bobby Timmons and Kenny Dennis. Discography ;With Curtis Amy *''Mustang'' (Verve, 1967) With Ray Charles *'' The Genius of Ray Charles'' (Atlantic, 1959) With Hank Crawford *'' The Soul Clinic'' (Atlantic, 1962) *'' From the Heart'' (Atlantic, 1962) *'' True Blue'' (Atlantic, 1964) *'' Dig These Blues'' (Atlantic, 1966) With David "Fathead" Newman *'' Fathead Comes On'' (Atlantic, 1962) With Sonny Stitt *''37 Minutes and 48 Seconds with Sonny Stitt'' (Roost, 1957) *''Personal Appearance ''Personal Appearance'' (1934) is a stage comedy by the American playwright and screenwriter Lawrence Riley (1896–1974), which was a Broadway smash and the basis for the classic Mae West film '' Go West, Young Man'' (1936). ''Personal Appe ...'' (Verve, 1957) References {{DEFAULTSORT:Willis, Edgar Post-bop double-bassists Hard bop ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Dolo Coker
Charles Mitchell "Dolo" Coker (November 16, 1927 – April 13, 1983) was a jazz pianist and composer who recorded four albums for Xanadu Records and extensively as a sideman, for artists like Sonny Stitt, Gene Ammons, Lou Donaldson, Art Pepper, Philly Joe Jones, and Dexter Gordon. Allmusic/ref> Biography Charles Mitchell "Dolo" Coker was born in Hartford, Connecticut on November 16, 1927, raised in both Philadelphia and Florence, South Carolina. The first musical instruments Coker played in childhood were the C-melody and alto saxophones, learning them at a school in Camden, South Carolina. By the age of thirteen he was starting to play piano. Coker moved to Philadelphia, where he studied piano at the Landis School of Music and at Orenstein's Conservatory. Coker also played some shows on piano for Jimmy Heath while in Philadelphia. He was also a member of the Frank Morgan Quartet (with Flip Greene on bass and Larance Marable on drums). Coker did not record his own albu ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, ...
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Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as " Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipste ...
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Scrapple From The Apple
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from " Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes. While the A section is based on " Honeysuckle Rose", the B section or " middle eight" comes from the rhythm changes, which are based on George Gershwin's " I Got Rhythm". Other versions * Lenny Breau – '' Pickin' Cotten'' (1977, released 2001) * Sonny Criss with Tal Farlow – ''Up, Up, and Away'' (1967) * Miles Davis – ''Many Miles of Davis'' (1962) * Curtis Fuller – ''Jazz Conference Abroad'' (1962) * Dexter Gordon – ''Our Man in Paris'' (1963) * Jim Hall – ''Jim Hall Live!'' (1975) * Tom Harrell with Kenny Garrett and Kenny Barron – ''Moon Alley'' (1985) * Keith Jarrett – '' After the Fall'' (1998, released 2018) * Frank Morgan Quartet – ...
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Kenneth Casey
Kenneth Casey (January 10, 1899 – August 10, 1965) was an American composer, publisher, author, and child movie star in early silents. Biography Born in New York City, Casey worked as a child actor in over thirty films for Vitagraph Studios between the years 1909 and 1913. He appeared with a young Moe Howard in the 1909 picture '' We Must Do Our Best''. Howard later became famous as one of The Three Stooges. As a songwriter, Casey is best remembered for writing the lyrics to "Sweet Georgia Brown" in 1925. Filmography * '' We Must Do Our Best'', directed by Van Dyke Brooke (1909) * ''Mario's Swan Song'' (1910) * ''Over the Garden Wall'' (1910) * ''Chew Chew Land; or, The Adventures of Dolly and Jim'' (1910) * '' Two Waifs and a Stray'' (1910) * '' A Lunatic at Large'' (1910) * '' Ransomed; or, A Prisoner of War'' (1910) * '' The Children's Revolt'' (1910) * '' Jean Goes Fishing'' (1910) * '' Drumsticks'' (1910) * '' A Tin-Type Romance'' (1910) * '' The Misses Finch and The ...
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Maceo Pinkard
Maceo Pinkard (June 27, 1897 – July 21, 1962) was an American composer, lyricist, and music publisher. Among his compositions is " Sweet Georgia Brown", a popular standard for decades after its composition and famous as the theme of the Harlem Globetrotters basketball team. Pinkard was inducted in the National Academy of Popular Music Songwriters Hall of Fame in 1984. Biography Pinkard was born in Bluefield, West Virginia to Mary Ellen Jimerson, educator, and G. Pinkard, a coal miner. He was educated at the Bluefield Colored Institute, class of 1913, and wrote his first major song ("I'm Goin' Back Home") one year later. He was one of the greatest composers of the Harlem Renaissance. In his early career he formed his own orchestra and toured throughout the US as the conductor. In 1914, at age 17, Pinkard founded the theatrical agency in Omaha, Nebraska and eventually founded Pinkard Publications, a music publishing firm in New York City. In 1917, he formed his own publishin ...
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Ben Bernie
Benjamin Anzelwitz, known professionally as Ben Bernie (May 30, 1891 – October 23, 1943),DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P. 32. was an American jazz violinist, bandleader, and radio personality, often introduced as "The Old Maestro". He was noted for his showmanship and memorable bits of snappy dialogue, being part of the first generation of "stars" of American popular music, alongside other artists such as Paul Whiteman (a fellow violinist and bandleader), Ted Lewis and Al Jolson. Career Early years Bernie was born Bernard Anzelevitz (another source says Benjamin Anzelevitz) in Bayonne, New Jersey. He attended Columbia University and the New York College of Music. By the age of 15 he was teaching violin, but this experience apparently diminished his interest in the violin for a time. Bernie performed in vaudeville, appearing with Charles Klass as The Fiddle ...
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