3 Nights In Oslo
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3 Nights In Oslo
''3 Nights in Oslo'' is a five-disc live box set album by the Peter Brötzmann Chicago Tentet + 1, led by saxophonist Brötzmann, and featuring an eleven-piece ensemble. It was recorded during February 19–21, 2009, at Victoria, Nasjonal Jazzscene in Oslo, Norway, and was released on CD in 2010 by the Norwegian Smalltown Superjazzz label. On the album, Brötzmann is joined by saxophonists Mats Gustafsson and Ken Vandermark, trumpeter and saxophonist Joe McPhee, trombonists Jeb Bishop and Johannes Bauer, tubist Per Åke Holmlander, cellist Fred Lonberg-Holm, double bassist Kent Kessler, and drummers Paal Nilssen-Love and Michael Zerang. The entire ensemble is heard on discs 1 and 5, while the remaining discs feature duo, trio, and quartet combinations. Reception '' The Guardians John Fordham awarded the album a rare full five stars, describing it as "flat-out, no-prisoners, no-tunes free-jazz improvisation." He commented: "Sometimes the group's anthemic sax-choir sound sugges ...
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Peter Brötzmann
Peter Brötzmann (born 6 March 1941) is a German saxophonist and clarinetist. Biography Early life Brötzmann was born in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw American jazz musician Sidney Bechet while still in school at Wuppertal, and it made a lasting impression. He has not abandoned his art training. Brötzmann has designed most of his album covers. He taught himself to play clarinets, then saxophones; he is also known for playing the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. '' For Adolphe Sax'', Brötzmann's first recording, was released in 1967 and featured Kowald and drummer Sven-Åke Johansson. In 1968 ''Machine Gun'', an octet recording, was released. The album was self-produced under his BRO record label imprint and sold at concerts, ...
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Paal Nilssen-Love
Paal Nilssen-Love (born 24 December 1974) is a Norwegian drummer and composer in the jazz, free jazz and free improvisation genres. (in Norwegian) Early life Nilssen-Love was born in Molde, Norway. His parents ran a jazz club in Stavanger, and he learned to play drums on the kit owned by his father. As a teenager, he played with free-jazz reedsman Frode Gjerstad, which was the start of a long musical relationship. He did musical studies at ''Sund folkehøgskole'' 1993-94. In 1994, during studies on the Jazz program at the Trondheim Musikkonservatorium (1994–96), he formed the band Element which musically became a platform for several other groups with bassist Ingebrigt Håker Flaten and pianist Håvard Wiik and led to collaborations with Iain Ballamy and Chris Potter. Nilssen-Love also did a little composing in the mid-1990s. Later life and career Relocating to Oslo in 1996, Nilssen-Love took part in the forming of bands such as ''Håkon Kornstad Trio'', ''The Quintet'' and ...
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All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With a background in computer programming, he combined his interest in jazz and the internet by creating the ''All About Jazz'' website in 1995. The website publishes reviews, interviews, and articles pe ...
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Ascension (John Coltrane Album)
''Ascension'' is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. AllMusic called it "the single recording that placed John Coltrane firmly into the avant-garde". Background At the time of the ''Ascension'' recording session, Coltrane was one of the world's most successful jazz artists in both the artistic and commercial sense. His best-selling album ''A Love Supreme'' was nominated for a Grammy Award, and was voted "album of the year" by Jazz and DownBeat magazines. In addition, Coltrane was elected to DownBeat's Hall of Fame, putting him in the company of Coleman Hawkins and Lester Young. At the same time, in the months since ''A Love Supreme'' was recorded, Coltrane's music had be ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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John Fordham (jazz Critic)
John Fordham is a British jazz critic and writer. As well as being the main jazz critic for ''The Guardian'', he publishes a monthly column for the newspaper. He is the author of several books on jazz, and has reported on it for publications including '' Time Out'', ''City Limits'', ''Sounds'', ''Jazz UK'' and ''The Wire''. He is a former editor of ''Time Out'', ''City Limits'' and ''Jazz UK''. He has contributed to documentaries for radio and television, as well as regularly to BBC Radio 3's programme ''Jazz on 3''. Awards Fordham has won the Parliamentary Jazz Awards "Jazz Journalist of the Year" award three times since 2005.John Fordham biography
, Jazz Services.


Selected bibliography

*1989: ''The Sound of Jazz'' (Hamlyn) *1991: ''Jazz on CD: the essential guide ...
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Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a job ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Michael Zerang
Michael Zerang (born November 16, 1958) is an American jazz percussionist and drummer. Career Zerang's parents both emigrated to the United States from the Middle East; his father is Iranian and his mother Iraqi.Biography
, Encyclopedia of Jazz Musicians. Jazz.com.
He began playing professionally in 1976 with Kent Kessler and studied at Wilbur Wright College from 1977 to 1978 and Roosevelt College from 1978 to 1982. Zerang has played with Dave Rempis, < ...
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Kent Kessler
Kent Kessler (born January 28, 1957) is an American jazz double-bassist. Career Although born in Crawfordsville, Indiana, Kessler grew up on Cape Cod, Massachusetts. He began playing trombone at age ten. When he was thirteen, he moved with his family to Chicago and a few years later became interested in jazz. While attending St. Mary Center for Learning High School, he took lessons in bass guitar and jazz theory from Kestutis Stanciauskas. In 1977 he formed Neutrino Orchestra with percussionist Michael Zerang and guitarists Dan Scanlan and Norbert Funk. He spent three months in Brazil during 1980–81 and intermittently attended Roosevelt University in Chicago. He and Michael Zerang also formed a group called Musica Menta, which played routinely at Link's Hall. Kessler began playing double bass in the 1980s. It became his primary instrument in 1985 when he was asked to join the NRG Ensemble, which toured Europe and recorded for ECM Records, ECM under the leadership of Hal Russel ...
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Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ...
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Fred Lonberg-Holm
Fred Lonberg-Holm (born 1 October 1962) is an American cellist based in Chicago. He moved from New York City to Chicago in 1995. Lonberg-Holm is most identified with playing free improvisation and free jazz. He is also a composer of concert works. As a session musician and arranger, he is credited on rock, pop, and country records. As leader Lonberg-Holm has led Valentine Trio, with Jason Roebke ( bass) and Frank Rosaly (drums). This jazz trio performs original compositions as well as tunes by both jazz composers (e.g. Sun Ra) and pop songwriters (e.g. Jeff Tweedy, Syd Barrett). The group released its first album, ''Terminal Valentine'', in 2007, which was reviewed by AllAboutJazz critic Nils Jacobson. He has directed performances of his Lightbox Orchestra, an improvising ensemble with a flexible, ever-changing membership. Lonberg-Holm does not play an instrument in this group but rather conducts its non-idiomatic improvisations via the "lightbox" and by holding up handwr ...
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