2nd Time Around (album)
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2nd Time Around (album)
''2nd Time Around'' is a studio album recorded by American R&B group The Spinners, released in October 1970 on Motown's V.I.P. label (their second overall). This is their only album with G. C. Cameron (who replaced Edgar Edwards from the previous album and was replaced by Philippé Wynne on their next album). This is also the group's last album made while they were under contract with Motown Records; by the time of their next album, they had signed at Atlantic Records. History The album includes the first of the group's string of 1970s' hits, the Stevie Wonder produced " It's a Shame", which was their first U.S. Pop top-twenty (and third R&B top-ten) hit, as well as most of the group's singles released between 1968–1971 (the exception being the original version of "Message From a Black Man" and their second hit, "We'll Have It Made", which was their last hit – and last single – released while they were under contract with Motown). Also in 1973, the label released a second ...
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The Spinners (American R&B Group)
The Spinners are an American rhythm and blues vocal group that formed in Ferndale, Michigan, United States, in 1954. They enjoyed a string of hit singles and albums during the 1960s and 1970s, particularly with producer Thom Bell. The group continues to tour, with Henry Fambrough as the only original member. The group is also listed as the Detroit Spinners and the Motown Spinners, due to their 1960s recordings with the Motown label. These other names were used in the UK to avoid confusion with a British folk group also called The Spinners. On June 30, 1976, they received a star on the Hollywood Walk of Fame. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. History In 1954, Billy Henderson, Henry Fambrough, Pervis Jackson, C. P. Spencer, and James Edwards formed The Domingoes in Ferndale, Michigan, a northern suburb of Detroit. The friends resided in Detroit's Herman Gardens public housing project and came together to make music. James Edwards ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Pam Sawyer
Pamela Joan Sawyer (born 1938) is a British songwriter/lyricist, who started writing songs in the mid-1960s and whose credits as a co-writer at Motown included " Love Child", " If I Were Your Woman", "My Whole World Ended (The Moment You Left Me)", and "Love Hangover". Songs written by Pam Sawyer, ''MusicVF.com''
Retrieved 17 April 2016


Biography

She was born in , England. Wanting to become a songwriter, she contacted in London, who was impressed and introduced her to visiting Am ...
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My Whole World Ended (The Moment You Left Me)
"My Whole World Ended (The Moment You Left Me)" is the solo debut single for former Temptations lead singer David Ruffin, released on Motown Records in early 1969 (see 1969 in music). The song was written by Harvey Fuqua, Johnny Bristol, Pam Sawyer, and James Roach. Fuqua and Bristol handled the recording's production. Song Background Ruffin had been dismissed from the Temptations in June 1968 for what has been repeatedly deemed increasingly unprofessional behavior. The song was originally intended to be sung by the Temptations when Ruffin was still the group's front man. David Ruffin had always been signed as a single artist which was part of the issue with the group who had a collective contract. Once he left, the song was given to him. The song, with its melody and intro based upon the classical music piece "Frühlingslied" by Felix Mendelssohn, is a bittersweet Sentimental ballad, ballad in the style of "Since I Lost My Baby", "All I Need (The Temptations song), All I Need", ...
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O-o-h Child
"O-o-h Child" is a 1970 single, written by Stan Vincent, recorded by Chicago soul family group the Five Stairsteps and released on the Buddah label. The Five Stairsteps had previous peripheral success recording in Chicago with Curtis Mayfield; when Mayfield's workload precluded his continuing to work with the group they were reassigned to Stan Vincent, an in-house producer for Buddah Records, who had recently scored a Top Ten hit with the Lou Christie single " I'm Gonna Make You Mine". The Five Stairsteps' debut collaboration with Vincent was originally formatted with the group's rendition of "Dear Prudence" as the A-side with Vincent's original composition "O-o-h Child" as B-side. However, "O-o-h Child" broke out in the key markets of Philadelphia and Detroit to rise as high as #8 on the ''Billboard'' Hot 100 in the summer of 1970. The track's R&B chart impact was more muted with a #14 peak, although "O-o-h Child" is now regarded as a "soft soul" classic. ''Billboard'' ranke ...
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Bobby Scott (musician)
Robert William Scott (January 29, 1937 – November 5, 1990) was an American musician, record producer, and songwriter. Biography Scott was born in Mount Pleasant, New York, United States, and became a pianist, vibraphonist, and singer, and could also play the accordion, cello, clarinet, and double bass. He studied under Edvard Moritz at the La Follette School of Music at the age of eight, and was working professionally at 11. In 1952, he began touring with Louis Prima, and also toured and performed with Gene Krupa, Lester Young, and Tony Scott in the 1950s. In 1956 he hit the U.S. ''Billboard'' Hot 100 with the song " Chain Gang", peaking at number 13. It sold over one million copies, and was awarded a gold disc. Career and Grammy Award As a bandleader, he did sessions for Verve, ABC-Paramount, Bethlehem, and Musicmasters. As a songwriter, he won a Grammy Award for Best Instrumental Composition for the song " A Taste of Honey". In addition to "A Taste of Honey", Scott al ...
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Lawrence Brown (jazz Trombonist)
Lawrence Brown (August 3, 1907 – September 5, 1988) was a jazz trombonist from California best remembered for his work with the Duke Ellington orchestra. He was a session musician throughout his career, and also recorded albums under his own name. Early life Lawrence Brown was born on August 3, 1907, in Lawrence, Kansas. When Brown was about six or seven years old in 1914 his family moved to Oakland, California. He began playing the violin at a young age, but quickly grew tired of it and turned to playing the tuba in his school's band. Brown came from a musical background. His father was a preacher at the African Methodist Episcopal Church, where he often sang as a part of his sermons. Brown’s mother played the organ and the piano. Brown discovered the trombone while doing janitorial work at his father’s church. He stated that he wanted to replicate the sound of cello on a trombone. Career Brown began his career with Charlie Echols and Paul Howard. In 1932, Brown ...
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Marv Johnson
Marvin Earl Johnson (October 15, 1938 – May 16, 1993) was an American R&B singer, songwriter and pianist. He was influential in the development of the Motown style of music, primarily for the song " Come to Me," which was the first record issued by Tamla Records, the precursor to the famous label. Despite his early success in the United States, Johnson ultimately enjoyed more popularity overseas than in his native country. His music was especially popular in the United Kingdom and Australia. Biography Johnson was born in Detroit. His early musical influences included gospel and blues, but he began his singing career with a doo-wop group, the Junior Serenaders, in the mid-1950s. He was discovered by Berry Gordy while performing at a carnival; Gordy had already decided to form his first record label, Tamla, and Johnson's recording of the song " Come to Me" became the label's first single, released in May 1959. The fledgling label did not have national distribution, so the song ...
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Suzanne De Passe
Suzanna Celeste de Passe (born July 19, 1946, 1947 or 1948) (sources differ) is an American businesswoman, television, music and film producer. De Passe serves as the co-chairwoman of de Passe Jones Entertainment, de Passe Jones Entertainment Group. Biography Early life and education De Passe was born in New York City to a Harlem born mother of Jamaicans, Jamaican descent and a father of Haitian people, Haitian and French people, French descent. Raised in Harlem, De Passe attended Manhattan High School and later Syracuse University. Career De Passe began her career in show business at the Cheetah (nightclub), Cheetah nightclub in New York City. Through her friendship with Cindy Birdsong, who replaced Florence Ballard as a member of The Supremes in 1967, she began working at Motown as Creative Assistant to company founder, Berry Gordy. Early in her career, de Passe developed Michael Jackson and his brothers (The Jackson 5)'s wardrobe and the act they took on the road. She was i ...
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Syreeta Wright
Syreeta Wright (February 28, 1946 – July 6, 2004), who recorded professionally under the single name Syreeta, was an American singer-songwriter, best known for her music during the early 1970s through the early 1980s. Wright's career heights were songs in collaboration with her ex-husband Stevie Wonder and musical artist Billy Preston. Biography Early life and career Wright was born in Pittsburgh, Pennsylvania, United States, in 1946, and started singing at the age of four. Her father served in the Korean War and Wright and her sister Kim were raised by their mother Essie and their grandmother. The Wrights moved back and forth from Detroit to South Carolina, before finally settling in Detroit just as Wright entered high school. Money problems kept Wright from pursuing a career in ballet, so she focused her attention on a music career joining several singing groups, before landing a job as a receptionist for Motown in 1965. Within a year, she became a secretary for Mickey Stevens ...
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Lee Garrett
Lee Garrett (born June 30, 1943, in Mississippi) is an American rhythm and blues singer-songwriter, most famous for co-writing the classic song "Signed, Sealed, Delivered I'm Yours". He recorded a handful of solo singles during the 1960s, one of which was "I Can't Break the Habit". He had a hit in 1976 with " You're My Everything". Artists that have covered his compositions include Taka Boom, Carl Graves, Peter Frampton, Eddie Money, Jackie Moore, Marlena Shaw, The Spinners and many more. He has also been a radio show host. Background Garrett is a Mississippi born singer, composer and radio D.J., and a graduate of the Missouri School for the Blind. He wrote several songs with Stevie Wonder, including the Jermaine Jackson song " Let's Get Serious" and The Spinners " It's a Shame". Garrett worked in radio during the 1960s and 1970s. In 1976, his solo track "You're My Everything" reached number 15 in the UK Singles Chart. Without any further chart presence, he became a one-hit ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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