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25 Studies For Guitar, Op. 60 (Carcassi)
''25 Studies, Op. 60'' is a set of etudes for the classical guitar, written by Matteo Carcassi. The etudes serve as a bridge between the elementary and advanced intermediate stages of the discipline, and are based on simple harmonic structures. They contain many of the fundamental elements upon which guitar technique rests, for example, arpeggio A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played ...s, slurs, barres, etc. Each study attends to the treatment of a particular technical challenge. The etudes also accustom a pupil to various tempos and the various positions on the guitar. References Carcassi Compositions by Matteo Carcassi {{classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étude
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Carcassi
Matteo Carcassi (8 April 1796 – 16 January 1853)Raffaele Carpino, Mario dell'Ara: "Matteo Carcassi. Un nuovo aggiornamento biografico", in: ''Il Fronimo'' no. 184 (2018), p. 5–9. was an Italian guitarist and composer. Life Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. He moved to Germany in 1810, gaining almost immediate success. By 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Jean-Antoine Meissonnier for the first time. Also a well-known guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget. From 1820 on, Carcassi spent the majority of his time in Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and brok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slur (music)
A slur is a symbol in Western culture, Western musical notation indicating that the note (music), notes it embraces are to be played without separation (that is, with legato articulation (music), articulation). A slur is denoted with a curved line (geometry), line generally placed over the notes if the stem (music), stems point downward, and under them if the stems point upwards. The example below shows two measures in with a slur for each measure: : \relative c'' Performance Slurs mean different things for different instruments: *For bow (music), bowed string instruments, the notes should be played in one bow stroke. * For plucked string instruments, such as guitars, the notes should be played without plucking the individual strings (hammer-ons and pull-offs). * For wind instruments, the notes should be played without re-articulating each note (tonguing), except for the slide trombone (and other instruments that control the pitch with a slide), on which only certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barre Chord
In music, a barre chord (also spelled bar chord) is a type of chord on a guitar or other stringed instrument played by using one finger to press down multiple strings across a single fret of the fingerboard (like a bar pressing down the strings). Players often use this chording technique to play a chord that is not restricted by the tones of the guitar's open strings. For instance, if a guitar is tuned to regular concert pitch, with the open strings being E, A, D, G, B, E (from low to high), open chords must be based on one or more of these notes. To play an F chord the guitarist may barre strings so that the chord root is F. Most barre chords are "moveable" chords, as the player can move the whole chord shape up and down the neck. Commonly used in both popular and classical music, barre chords are frequently used in combination with "open" chords, where the guitar's open (unfretted) strings construct the chord. Playing a chord with the barre technique slightly affects tone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar études
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
