24→24 Music
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24→24 Music
''24→24 Music'' is a 1981 album by Dinosaur L, the disco project of American musician Arthur Russell. Enlisting a variety of musicians, Russell recorded the album in 1979 primarily at Blank Tapes studio in New York. It was released on Sleeping Bag Records, the label started by Russell and Will Socolov, and accompanied by the single "Go Bang! #5." Background The album is an improvised composition grounded in disco but characterized by rhythmic shifts every 24 bars, with Russell running the recordings through two 24-track tape recorders set up by producer Bob Blank. The recording featured a large number of musicians, including the Ingram Brothers band. It was recorded at Blank Tapes studio in June 1979, with the exception of "#7," recorded in April at the New York avant-garde venue the Kitchen, where the material was initially performed. Steven Hall later described its first performance: "it was like really hot dance music and no one got it. The idea that Arthur would turn around ...
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Arthur Russell (musician)
Charles Arthur Russell Jr. (May 21, 1951 – April 4, 1992) was an American cellist, composer, producer, singer, and musician from Iowa, whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved with both Lower Manhattan's avant-garde community and later the city's burgeoning disco scene. His eclectic work spanned many styles, and was often marked by his distinctive voice and adventurous production choices. Russell worked as musical director of the New York avant-garde venue the Kitchen in 1974 and 1975. Later embracing dance music, he produced or co-produced several underground club hits under names such as Dinosaur L, Loose Joints, and Indian Ocean between 1978 and 1988, and he co-founded the label Sleeping Bag Records with Will Socolov in 1981. He amassed a large collection of unfinished recordings in the last two decades of hi ...
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Downtown Music
Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s. History The scene the term describes began in 1960, when Yoko Ono, one of the early Fluxus artists, opened her loft at 112 Chambers Street, in a part of Lower Manhattan later named Tribeca, to be used as a performance space for a series curated by La Monte Young and Richard Maxfield. Prior to this, most classical music performances in New York City occurred "uptown" around the areas that the Juilliard School at Lincoln Center and Columbia University would soon occupy. Ono's gesture led to a new performance tradition of informal performances in nontraditional venues such as lofts and converted industrial spaces, involving music much more experimental than that of the more conventional modern classical series Uptown. Spaces in Manhattan that supported Downtown music from the 1960s on included the Judson Memorial Church, The Kitchen, Exper ...
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1981 Albums
Events January * January 1 ** Greece enters the European Economic Community, predecessor of the European Union. ** Palau becomes a self-governing territory. * January 10 – Salvadoran Civil War: The FMLN launches its first major offensive, gaining control of most of Morazán and Chalatenango departments. * January 15 – Pope John Paul II receives a delegation led by Polish Solidarity leader Lech Wałęsa at the Vatican. * January 20 – Iran releases the 52 Americans held for 444 days, minutes after Ronald Reagan is sworn in as the 40th President of the United States, ending the Iran hostage crisis. * January 21 – The first DeLorean automobile, a stainless steel sports car with gull-wing doors, rolls off the production line in Dunmurry, Northern Ireland. * January 24 – An earthquake of magnitude in Sichuan, China, kills 150 people. Japan suffers a less serious earthquake on the same day. * January 25 – In South Africa the largest part of the town Laingsburg ...
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Peter Zummo
Peter Zummo (born 1948) is an American composer and trombonist. He has been described as "an important exponent of the American contemporary classical tradition." Meanwhile, he has been quoted as describing his own work as "minimalism and a whole lot more." Since 1967, Zummo's compositions exploring the rock, jazz, new- and electronic-music, disco, punk, and world-music idioms have been presented in venues including the Brooklyn Academy of Music, New York City Center, Experimental Intermedia Foundation, Dance Theater Workshop, and La MaMa Experimental Theatre Club, among many others in New York City, as well as in numerous additional spaces worldwide. The website of the music magazine ''Pitchfork'' called Zummo's music “the sound of sublimity…that sends shivers down the nervous system,” and in an interview with ''The Quietus'', Scottish deejay JD Twitch (Keith McIvor) characterized Zummo's work as “sheer bliss.” Composing and performing career Writing in the British ...
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Jill Kroesen
Jill Kroesen is a performer and writer who was active in No Wave bands and avant-garde productions in the late 1970s and early 1980s. She has produced original musical theater works and written for many independent publications. Career After studying with Robert Ashley and Terry Riley at Mills College, Kroesen moved to New York City. There, in 1976, she played with Rhys Chatham's group on his ''Seven Fairy Tales'' theater piece for 6 performers and reptile, before focusing on her own musical theater works and performance art works, presented in 1979 at ''Public Arts International/Free Speech''. Other roles include Robert Ashley's early-1980s opera-for-TV project ''Perfect Lives'', and her own recording for Lovely Music, ''Stop Vicious Cycles''. Kroesen's work in graphic and visual arts led to her receiving a video fellowship from the New York Foundation for the Arts in 1985, after which she continued her work as a video engineer. Discography * ''Stop Vicious Cycles'' - Lovely M ...
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Peter Gordon (composer)
Peter Gordon (born June 20, 1951, New York City) is an American saxophonist, clarinetist, pianist and experimental composer, whose influences include jazz, disco, funk, rock, opera, classical and world music. He has released several albums and composed scores for film and theater, and he has also toured and re-interpreted the music of Arthur Russell, on whose compositions he played, as well as that of Robert Ashley. Early life and education Gordon was born in New York City, and grew up in Virginia, Munich, and Los Angeles. He began piano lessons at age 7 and learned the clarinet in early childhood. He started to play the saxophone, which would become his main instrument, at age 14. HIs earliest musical influences were jazz artists from New Orleans, as well as The Shadows, The Ventures, Albert Ayler, Igor Stravinsky, Sun Ra, The Animals and The Yardbirds. When he was a senior in high school, Gordon made friends with Captain Beefheart and spent time at Beefheart’s home ...
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Julius Eastman
Julius Eastman (October 27, 1940 – May 28, 1990) was an American composer, pianist, vocalist, and performance artist whose work is associated with musical minimalism. He was among the first composers to combine minimalist processes with elements of pop music, and involve experimental methods of extending and modifying music in creating what he called "organic music". He often gave his pieces titles with provocative political intent, such as ''Evil Nigger'' and ''Gay Guerrilla'', and has been acclaimed following new performances and reissues of his music. Biography Julius Eastman grew up in Ithaca, New York, with his mother, Frances Eastman, and younger brother, Gerry. He began studying piano at age 14 and made rapid progress. He studied at Ithaca College before transferring to the Curtis Institute of Music in Philadelphia. There he studied piano with Mieczysław Horszowski and composition with Constant Vauclain, and switched majors from piano to composition, graduating in 1963. He ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Record Collector
''Record Collector'' is a British monthly music magazine. It was founded in 1980 and distributes worldwide. History The early years The first standalone issue of ''Record Collector'' was published in March 1980, though its history stretches back further. In 1963, publisher Sean O'Mahony (alias Johnny Dean) had launched an official Beatles magazine, ''The Beatles Book''. Although it shut down in 1969, ''The Beatles Book'' reappeared in 1976 due to popular demand. Through the late-1970s, the small ads section of ''The Beatles Book'' became an increasingly popular avenue through which collectors could make contact and buy, sell, or trade Beatles records. Reflecting a burgeoning collecting scene in the 1970s, as time went by, the adverts were becoming dominated by traders who were interested in rare vinyl unassociated with the Beatles. In September 1979, ''The Beatles Book'' came with a record collecting supplement, and the response was positive enough for O'Mahony to launch ''Re ...
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