1994 Laurence Olivier Awards
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1994 Laurence Olivier Awards
The 1994 Laurence Olivier Awards were held in 1994 in London celebrating excellence in West End theatre by the Society of London Theatre. Winners and nominees Details of winners (in bold) and nominees, in each award category, per the Society of London Theatre. Productions with multiple nominations and awards The following 25 productions, including two ballets and two operas, received multiple nominations: * 6: ''Sweeney Todd'' * 5: '' City of Angels'', ''Hysteria'', ''Machinal'' and ''The Winter's Tale'' * 4: ''Cabaret'' and ''Medea'' * 3: ''An Absolute Turkey'', ''Arcadia'', '' Oleanna'' and ''Tamburlaine the Great'' * 2: ''A Christmas Carol'', '' Angels in America: Perestroika'', ''Ariodante'', ''Gloriana'', '' Grease'', ''Herman Schmerman'', ''Jamais Vu'', ''Romeo and Juliet'', ''Stomp'', ''Sunset Boulevard'', ''The Beggar's Opera'', '' The Deep Blue Sea'', ''The Last Yankee'' and '' The Life of Stuff'' The following four productions received multiple awards: * 4: ''Mach ...
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Laurence Olivier Award
The Laurence Olivier Awards, or simply the Olivier Awards, are presented annually by the Society of London Theatre to recognise excellence in professional theatre in London at an annual ceremony in the capital. The awards were originally known as the Society of West End Theatre Awards, but they were renamed in honour of the British actor of the same name in 1984. The awards are given to individuals involved in West End productions and other leading non-commercial theatres based in London across a range of categories covering plays, musicals, dance, opera and affiliate theatre. A discretionary non-competitive Special Olivier Award is also given each year. The Olivier Awards are recognised internationally as the highest honour in British theatre, equivalent to the BAFTA Awards for film and television, and the BRIT Awards for music. The Olivier Awards are considered equivalent to Broadway's Tony Awards and France's Molière Award. Since inception, the awards have been held at va ...
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Laurence Olivier Award For Best Revival
The Laurence Olivier Award for Best Revival is an annual award presented by the Society of London Theatre in recognition of achievements in commercial London theatre. The awards were established as the Society of West End Theatre Awards in 1976, and renamed in 1984 in honour of English actor and director Laurence Olivier. This award was introduced in 1991, presented through to 1995, set aside from 1996 to 2002, and reintroduced for the 2003 Olivier Awards. Winners and nominees 1990s 2000s 2010s 2020s Multiple awards and nominations Awards 2 awards * ''Hedda Gabler'' Nominations 3 nominations * ''Hamlet'' * ''A Streetcar Named Desire'' * '' Macbeth'' 2 nominations * ''The Crucible'' * ''Death of a Salesman'' * ''Hedda Gabler'' * ''King Lear'' * ''Twelfth Night'' * ''Uncle Vanya'' * '' A View from the Bridge'' * ''Who's Afraid of Virginia Woolf?'' * ''The Winter's Tale'' See also * Tony Award for Best Revival of a Play The Tony Award for Best Revival of a P ...
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Terry Johnson (dramatist)
Terry Johnson (born 20 December 1955) is a British dramatist and director working for stage, television and film. Graduating from the Department of Drama and Theatre Arts at the University of Birmingham, he worked as an actor from 1971 to 1975, and has been active as a playwright since the early 1980s. Johnson's stage work has been produced around the world. He has won nine British Theatre awards including the Olivier Award for Best Comedy 1994 and 1999, Playwright of the Year 1995, Critics' Circle Theatre Awards for Best New Play 1995, two Evening Standard Theatre Awards, the Writers Guild Award for Best Play 1995 and 1996, the Meyer-Whitworth Award 1993 and the John Whiting Award 1991. He has had many West End productions as director and/or writer including: '' One Flew Over The Cuckoo's Nest'', ''Hitchcock Blonde'', ''Entertaining Mr Sloane'', ''The Graduate'', ''Dead Funny'', '' Hysteria'', ''Elton John's Glasses'' and ''The Memory of Water''. At the Royal Court Theatre ...
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Hysteria (play)
''Hysteria: Or Fragments of an Analysis of an Obsessional Neurosis'' is a two-hour comedy play, by British dramatist Terry Johnson, fictionalising a real-life 1938 meeting between Salvador Dalí and Sigmund Freud a year before the latter's death. It is named after the Freudian psychological term "hysteria". Freud and Dali meet for tea at Freud's house in Hampstead one summer's afternoon in 1938. The play combines that meeting with the arrival of the mysterious Jessica, who brings serious charges against Freud relating to his treatment of her mother and his theory of presexual shock. In the last months of his illness, the exhausted Freud, trying to put his affairs in order, soon finds himself up to his neck explaining both his life's work and the female undergarments in his garden. Performance history The play's London premiere, on 1 August 1993 at the Royal Court Theatre, was directed by Phyllida Lloyd, with Henry Goodman as Freud, Tim Potter as Dali, Phoebe Nicholls as ...
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Laurence Olivier Award For Best Entertainment
The Laurence Olivier Award for Best Family Show is an annual award presented by the Society of London Theatre in recognition of achievements in commercial London theatre. The awards were established as the Society of West End Theatre Awards in 1976, and renamed in 1984 in honour of English actor and director Laurence Olivier. The award was introduced in 1991, as Best Entertainment, was renamed Best Entertainment and Family in 2012, and changed to its current name in 2020when "Entertainment" was moved to join Best Comedy Play on the renamed Best Entertainment or Comedy Play. Winners and nominees 1990s 2000s 2010s 2020s See also * Drama Desk Award for Unique Theatrical Experience * Tony Award for Best Special Theatrical Event References * External links * {{OlivierAward Entertainment Entertainment Entertainment is a form of activity that holds the attention and interest of an audience or gives pleasure and delight. It can be an idea or a task, but is m ...
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Laurence Olivier Award For Best New Comedy
The Laurence Olivier Award for Best Entertainment or Comedy Play is an annual award presented by the Society of London Theatre in recognition of achievements in commercial London theatre. The awards were established as the Society of West End Theatre Awards in 1976, and renamed in 1984 in honour of English actor and director Laurence Olivier. The award was titled Comedy of the Year from its establishment in 1976 until 1990, was renamed to Best Comedy starting in 1991, Best New Comedy starting in 1999, then retitled to its current name for the 2020 Olivier Awards – when "Entertainment" was moved to join Best Comedy Play from the Best Entertainment and Family award, which was renamed Best Family Show at that same time. Winners and nominees 1970s 1980s 1990s 2000s 2010s 2020s See also * Critics' Circle Theatre Award for Best New Play * Evening Standard Theatre Award for Best Play * Tony Award for Best Play References * External links * {{OlivierAward Entert ...
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The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lisle's Tennis Court, Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's ''Pomone (opera), Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera ...
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Grease (musical)
''Grease'' is a musical with music, lyrics, and a book by Jim Jacobs and Warren Casey. Named after the 1950s United States working-class youth subculture known as greasers, the musical is set in 1959 at fictional Rydell High School (based on Taft High School in Chicago, Illinois and named after rock singer Bobby Rydell) and follows ten working-class teenagers as they navigate the complexities of peer pressure, politics, personal core values, and love.Woulfe, Molly" 'Grease' has deep, dark Chicago roots"''NW Times'', January 2, 2009, retrieved January 10, 2017 The score borrows heavily from the sounds of early rock and roll. In its original production in Chicago, ''Grease'' was a raunchy, raw, aggressive, vulgar show. Subsequent productions toned down the more risqué content. The show mentions social issues such as teenage pregnancy, peer pressure, and gang violence; its themes include love, friendship, teenage rebellion, sexual exploration during adolescence, and, to some ...
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Cabaret (musical)
''Cabaret'' is a 1966 musical theatre, musical with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff. The musical was based on John Van Druten's 1951 play ''I Am a Camera'' which was adapted from ''Goodbye to Berlin'' (1939), a semi-autobiographical novel by Anglo-American writer Christopher Isherwood which drew upon his experiences in the poverty-stricken Weimar Republic and his intimate friendship with nineteen-year-old cabaret singer Jean Ross. Set in 1929–1930 Berlin during the twilight of the Jazz Age as the Nazi Party, Nazis are ascending to power, the musical focuses on the hedonistic nightlife at the seedy Kit Kat Klub and revolves around American writer Clifford Bradshaw's relations with English cabaret performer Sally Bowles. A subplot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Anti-Jewish legislation in prewar Nazi Germany, Jewish fruit vendor. Overseeing the action ...
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The Demon Barber Of Fleet Street
''Sweeney Todd: The Demon Barber of Fleet Street'' (often referred to simply as ''Sweeney Todd'') is a musical play with music and lyrics by Stephen Sondheim and a book by Hugh Wheeler. It is based on the 1973 play of the same name by Christopher Bond. The character of Sweeney Todd first appeared in a Victorian penny dreadful titled '' The String of Pearls'' (1846-7). ''Sweeney Todd'' opened on Broadway in 1979 and in the West End in 1980. It won the Tony Award for Best Musical and Olivier Award for Best New Musical. It has been revived in many productions as well as inspiring a film adaptation. The original logo for the musical is a modified version of an advertising image from the 19th century, with the sign replaced by a straight razor. There is also a woman wearing a blood-stained dress and holding a rolling pin next to the man. Background The character Sweeney Todd originated in serialized Victorian popular fiction, known as penny dreadfuls. A story called '' ...
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The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth " pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Fol ...
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The Deep Blue Sea (play)
''The Deep Blue Sea'' is a British stage play by Terence Rattigan from 1952. Rattigan based his story and characters in part on his secret relationship with Kenny Morgan, and the aftermath of the end of their relationship. The play was first performed in London on 6 March 1952, directed by Frith Banbury, and won praise for actress Peggy Ashcroft, who co-starred with Kenneth More. In the US, the Plymouth Theater staged the play in October 1952, with Margaret Sullavan. The play with Sullavan subsequently transferred to Broadway, with its Broadway premiere on 5 November 1953, and running for 132 performances. Prior to Rattigan's coding of his relationship with Morgan into the heterosexual relationship between Hester and Freddie, his first draft of the play more specifically treated the relationship between the lead characters as a homosexual relationship, and also hinted that the reason for the striking off of Miller, the ex-doctor in the play, from the medical register was Mi ...
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