1952 In British Music
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1952 In British Music
This is a summary of 1952 in music in the United Kingdom, including the official charts from that year. This year was a turning point for music in not only the UK, but all over the world. The first official UK Singles Chart began in November 1952, compiled by the ''NME''. This made the United Kingdom the first country in the world to have an official singles chart and created it in many other countries, with the Billboard Hot 100, ''Billboard'' Hot 100 era beginning in 1958 in the United States, U.S. The singles chart quickly became a phenomenon and record breaking became a new excitement for the public. Compiled solely on sales; it kept this trend until April 2005, when it was combined with legal downloads. Summary The Official UK Singles Chart On the week ending 14 November 1952, ''NME'' published the first ever UK Singles Chart. Only a Top 12 at the time, it slowly grew over the years as nowadays sales data is gathered electronically and a Top 200 is compiled weekly for i ...
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1952 In Music
This is a list of notable events in music that took place in the year 1952. Specific locations * 1952 in British music * 1952 in Norwegian music Specific genres * 1952 in country music *1952 in jazz Events *February 26 – Popular American singer Jo Stafford marries bandleader/arranger Paul Weston. *March 1 – Sun Records records its first release in Memphis, Tennessee. *March 21 – First major rock and roll concert, Alan Freed's Moondog Coronation Ball in Cleveland, Ohio. *August 29 – David Tudor gives the premiere of John Cage's ''4′33″'', during which the performer does not play, in Woodstock, New York. *September – Bill Haley and His Saddlemen change their image to become Bill Haley & His Comets. *October 7 – First edition of '' Bob Horn's Bandstand'' is broadcast as a local show from station WFIL-TV in Philadelphia, Pennsylvania. It is later renamed ''American Bandstand'' and syndicated. *November 14 – First UK Singles Chart published by the ''New Musical Expr ...
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Guy Mitchell
Guy Mitchell (born Albert George Cernik; February 22, 1927 – July 1, 1999) was an American pop singer and actor, successful in his homeland, the UK, and Australia. He sold 44 million records, including six million-selling singles. In the fall of 1957, Mitchell starred on the eponymous ABC's ''The Guy Mitchell Show''. He appeared as George Romack on the 1961 NBC western detective series ''Whispering Smith''. Life and career Born of Croatian immigrants in Detroit, Michigan, at age 11 he was signed by Warner Brothers Pictures, to be a child star, and performed on the radio on KFWB in Los Angeles, California. After leaving school, he worked as a saddlemaker, supplementing his income by singing. Dude Martin, who had a country music broadcast in San Francisco, hired him for his band. Mitchell served in the United States Navy for two years in World War II, then sang with Carmen Cavallaro's big band. In 1947 he recorded for Decca with Cavallaro's band, but left due to food poiso ...
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The Midsummer Marriage
''The Midsummer Marriage'' is an opera in three acts, with music and libretto by Michael Tippett. The work's first performance was at Covent Garden, on 27 January 1955, conducted by John Pritchard. The reception of the opera was controversial, over confusion as to the libretto and Tippett's use of symbols and psychological references. The opera has received at least 10 more productions, in England, Wales, Scotland, Germany, Sweden and the United States, including two more at the Royal Opera House. The premiere performance was recorded, and has been issued on compact disc. Covent Garden revived the work in 1968, conducted by Colin Davis, with the Ritual Dances choreographed by Gillian Lynne and in 1970, when the production formed the basis of the first commercial recording. Tippett extracted the ''Four Ritual Dances'' from the opera as a separate concert work. Story background The story of ''The Midsummer Marriage'' was consciously modeled after Mozart's ''The Magic Flute''. Both ...
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Michael Tippett
Sir Michael Kemp Tippett (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio ''A Child of Our Time'', the orchestral '' Fantasia Concertante on a Theme of Corelli'', and the opera ''The Midsummer Marriage''. Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences, including those of jazz and blues after his first visit to America in 1965, became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes ...
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William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata ''Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and '' Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a moderni ...
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Abraham And Isaac
Abraham and Isaac may refer to: *Binding of Isaac, a story in the Abrahamic religions in which God orders Abraham to sacrifice his son Isaac *''The Brome play of Abraham and Isaac ''The Brome play of Abraham and Isaac'' (also known as ''The Brome “Abraham and Isaac”'', ''The Brome Abraham'', and ''The Sacrifice of Isaac'') is a fifteenth-century play of unknown authorship, written in an East Anglian dialect of Middle ...'', a fifteenth-century play of unknown authorship * ''Abraham and Isaac'' (Goodman play), a 1935 drama by Paul Goodman * ''Abraham and Isaac'' (Titian), a c. 1544 painting by Titian * ''Abraham and Isaac'' (Stravinsky), a 1963 sacred ballad for baritone and orchestra by Igor Stravinsky *''Abraham and Isaac'', a 1952 musical composition by Benjamin Britten, included among his Five Canticles (Canticle II) See also * Sacrifice of Isaac (other) Mythological duos {{disambig ...
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Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the '' a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ...
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Comes A-Long A-Love
"Comes A-Long A-Love" was a hit single for American singer Kay Starr. The song was released in 1952 and was written by the former Tin Pan Alley songwriter Al Sherman. The melody was adapted from the final part of the overture to Gioachino Rossini's opera ''Semiramide''. "Comes A-Long A-Love" was the last hit song Sherman would write, before handing the reins over to his sons, Bob and Dick Sherman, who were just beginning their songwriting careers. The song was first published on June 9, 1952. Kay Starr version The hit recording by Kay Starr, with orchestra conducted by Harold Mooney, was made for Capitol on August 19, 1952. In 1963, Starr recorded it again for ''The Fabulous Favorites'', a stereo album of her greatest hits, which was released by Capitol on June 1, 1964. Chart performance On September 27, 1952, Starr's version of "Comes A-Long A-Love" charted on the ''Billboard'' Best Selling Pop Singles chart, where it reached No. 9. Outside, the US, the track also topped the ...
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Half As Much
"Half as Much" is an American pop standard song written by Curley Williams in 1951. It was first recorded by country music singer Hank Williams in 1952 and reached number two on the ''Billboard'' Country Singles chart. Hank Williams version According to the 2004 book ''Hank Williams: The Biography'', Williams was not too enamoured with "Half as Much" and only recorded it at producer Fred Rose's insistence. Williams recorded it at a session at Castle Studio in Nashville on August 10, 1951. He was backed by Jerry Rivers (fiddle), Don Helms (steel guitar), Sammy Pruett (lead guitar), Howard Watts (bass), probably Jack Shook (rhythm guitar), and either Owen Bradley or Fred Rose on piano. "Half as Much" is notable for being the only Hank Williams recording to feature a solo barroom piano at its conclusion. Two months after Williams recorded "Half as Much," Curly Williams recorded it for Columbia Records, so Rose held back Hank's release until March 28, 1952, to clear the way fo ...
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Because You're Mine (song)
"Because You're Mine" is a song written by Nicholas Brodszky with lyrics by Sammy Cahn taken from the 1952 musical film of the same title. It was recorded by Mario Lanza (who starred in the film) and Nat King Cole in two different versions, which were both released as singles in 1952. In the USA. Lanza's record reached no. 7 in the Billboard charts and Nat King Cole's version achieved the No. 16 position. The Mario Lanza recording also reached Number 3 in the UK Singles Chart, spending 24 weeks within the top 12, and was Lanza's only UK Top 12 hit. The Nat King Cole recording was included on his album ''Top Pops'', placed three spots lower and spent three weeks on the chart. The Mario Lanza recording was one of his three million-selling singles. The song (sung by Billy Daniels at the Awards show) had received a nomination for the Academy Award for Best Original Song in 1952, but lost out to "The Ballad of High Noon". Cover versions * Kitty Kallen - included in her album ''If I ...
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Feet Up
"Feet Up (Pat Him on the Po-Po)" is a popular song written by Bob Merrill in 1952. Its best-known version was recorded by Guy Mitchell in 1952. The song reached number 18 on the '' Cashbox'' chart in August 1952. The song also reached number 2 on the UK Singles Chart in November 1952, becoming the first number two record in that chart. The narrator of the song is a former lowlife who is reforming so he can set a good example for his newborn son, whom he loves. The title refers to the tradition of spanking a newborn baby just after birth Birth is the act or process of bearing or bringing forth offspring, also referred to in technical contexts as parturition. In mammals, the process is initiated by hormones which cause the muscular walls of the uterus to contract, expelling the f ..., to ensure it draws breath. References Songs written by Bob Merrill 1952 songs Guy Mitchell songs {{pop-standard-stub ...
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The Isle Of Innisfree
The "Isle of Innisfree" is a song composed by Dick Farrelly (Irish songwriter, policeman and poet, born Richard Farrelly), who wrote both the music and lyrics. Farrelly got the inspiration for "Isle of Innisfree", the song for which he is best remembered, while on a bus journey from his native Kells, County Meath to Dublin. The song was published in 1950 by the Peter Maurice Music Publishing Co. Farrelly’s "Isle of Innisfree" is a haunting melody with lyrics expressing the longing of an Irish emigrant for his native land. When film director John Ford heard the song, he loved it so much that he chose it as the principal theme of his film ''The Quiet Man''. The composition received no mention in the screen credits. "The Isle of Innisfree" became a worldwide hit for Bing Crosby in 1952 and continues to feature in the repertoires of many artists. There is a common misconception that the song and the famous poem by W. B. Yeats, "Lake Isle of Innisfree", were written about the same ...
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