1850 In Music
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1850 In Music
Events *August 28 (anniversary of Goethe's birth) – Richard Wagner's romantic opera ''Lohengrin'' (including the Bridal Chorus) premières under the direction of Franz Liszt at the Staatskapelle Weimar. Hans von Bülow attends and makes the decision to give up law and pursue music. His mother is convinced by two letters she receives from Liszt and Wagner. *Jenny Lind tours America, with Julius Benedict as her accompanist. *Soprano Wilhelmine Schröder-Devrient marries her third husband, landowner Heinrich von Bock. *Charles Gounod meets the soprano Pauline Viardot in Rome. She convinces him to compose opera. *Johannes Brahms meets the violinist Ede Reményi, whom he will accompany on several tours for the next couple of years. *Wagner, under a pseudonym, writes an antisemitic article on "Jewishness in Music" in ''Neue Zeitschrift für Musik''. Published popular music *Stephen Foster ** "Camptown Races" ** "Ah! May the Red Rose Live Alway" ** "Molly Do You Love Me?" ** "Nelly B ...
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1849 In Music
Events *April 16 – Giacomo Meyerbeer's grand opera ''Le prophète'' is premièred (after a decade in preparation) by the Paris Opera at the Salle Le Peletier with Pauline Viardot (who has collaborated extensively in the production) in the mezzo-soprano role, her first with the Opera. Stage effects include electric light, ballet on roller skates and the use of saxhorns. The audience includes Napoleon III (new Emperor of France), Berlioz, the terminally ill Chopin, and Turgenev. Its world tour begins on July 24 in London. *May 3– 9 – Richard Wagner is an active participant in the May Uprising in Dresden, suppressed by the Kingdom of Saxony, and is forced to flee to Zürich. *September 22 – Johann Strauss I fails to turn up to a banquet in honour of Field Marshal Joseph Radetzky von Radetz, where he is expected to perform a new work. His absence is explained by the fact that he had contracted scarlet fever from one of his illegitimate children while working on the new comp ...
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Wilhelmine Schröder-Devrient
Wilhelmine Schröder-Devrient, born Wilhelmine Schröder (6 December 180426 January 1860), was a German operatic soprano. As a singer, she combined a rare quality of tone with dramatic intensity of expression, which was as remarkable on the concert platform as in opera. Biography Schröder was born in Hamburg, the daughter of the actress Sophie Schröder and the tenor Friedrich Schröder. The poet Johann Wolfgang von Goethe was her 2nd cousin. Her first role was at the age of 15 as Aricia in Schiller's translation of Racine's ''Phèdre'', and in 1821, aged 17, she was received with so much enthusiasm as Pamina in Mozart's ''The Magic Flute'' that her future career in opera was assured. In 1823, she married Karl Devrient, becoming known as Wilhelmine Schröder-Devrient, but separated from him in 1828. Meanwhile, she had maintained her popularity at Dresden and elsewhere. She made her first Paris appearance in 1830, and sang in London in 1833 and 1837. Richard Wagner, born in ...
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Joseph Edwards Carpenter
Joseph Edwards Carpenter (2 November 1813, London – 6 May 1885, BayswaterBoase, F., ''Modern English biography'', 6 vols, 1892-1921) was an English playwright, composer, and songwriter. In 1851, Carpenter moved from Leamington to London. He wrote various touring musical entertainments such as ''The Road, the Rail and the River'', and a ''Vocal, Pictorial, and Descriptive Illustration of Uncle Tom's Cabin'' (1853). He appeared in Wisbech at the Public-hall accompanied by the Misses Jolly to present musical entertainments including ''An Hour in Fairyland'' in November 1854. A two-act musical drama ''The Sanctuary'' and his three-act drama ''Love and Honour'' appeared in 1854, and a three-act drama ''Adam Bede'' in 1862. He wrote lyrics for over 2500 songs and duets, publishing them in ''Ainsworth's Magazine'' and other magazines, and partnering with various composers including Henry Bishop, Stephen Glover, and James Ernest Perring. From 1865 to 1867, Carpenter edited 10 volume ...
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Ah! May The Red Rose Live Alway (song)
Ah! May the Red Rose Live Alway is a song written and composed by Stephen Foster in 1850. This song is written in the style of a parlor ballad – a genre of popular song at the time intended to be performed at a slow tempo and to communicate a sentimental quality. Description Stephen Foster's "Ah! May the Red Rose Live Alway!" is different from Foster's minstrel songs of the same period. This song is an example of a parlor ballad. This ballad may have roots in the Anglo-Scots-Irish song tradition. Foster's "Ah! May the Red Rose Live Alway!" is similar to Irish musician Thomas Moore's "The Last Rose of Summer". The song begins with a piano introduction. The first vocal line of "Ah! May the Red Rose Live Alway!" begins on a high note that is held with a fermata. Music historians have postulated that this may give the setting an image of stalling the passage of time. Foster has placed additional fermatas throughout the song, possibly with similar effects in mind. Also of interest ...
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Camptown Races
"Gwine to Run All Night, or De Camptown Races" (popularly known simply as "Camptown Races") is a minstrel song by Stephen Foster (1826–1864). () It was published in February 1850 by F. D. Benteen of Baltimore, Maryland, and Benteen published a different version with guitar accompaniment in 1852 under the title "The Celebrated Ethiopian Song/Camptown Races". The song quickly entered the realm of popular Americana. Louis Moreau Gottschalk (1829–1869) quotes the melody in his virtuoso piano work Grotesque Fantasie, the Banjo, op. 15 published in 1855. In 1909, composer Charles Ives incorporated the tune and other vernacular American melodies into his orchestral Symphony No. 2. First stanza Reception Richard Jackson was curator of the Americana Collection at New York Public Library; he writes: Foster quite specifically tailored the song for use on the minstrel stage. He composed it as a piece for solo voice with group interjections and refrain ... his dialect ve ...
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Stephen Foster
Stephen Collins Foster (July 4, 1826January 13, 1864), known also as "the father of American music", was an American composer known primarily for his parlour music, parlour and Minstrel show, minstrel music during the Romantic music, Romantic period. He wrote more than 200 songs, including "Oh! Susanna", "Hard Times Come Again No More", "Camptown Races", Old Folks at Home, "Old Folks at Home" ("Swanee River"), "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe", and "Beautiful Dreamer", and many of his compositions remain popular today. He has been identified as "the most famous songwriter of the nineteenth century" and may be the most recognizable American composer in other countries. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections. Biography There are many biographies of Foster, but details differ widely. Among other issues, Foster wrote very little biographical info ...
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Neue Zeitschrift Für Musik
'Die'' (; en, " heNew Journal of Music") is a music magazine, co-founded in Leipzig by Robert Schumann, his teacher and future father-in law Friedrich Wieck, and his close friend Ludwig Schuncke. Its first issue appeared on 3 April 1834. History Although the first editor was Julius Knorr, most of the work on the early issues of the ''Neue Zeitschrift'' (NZM) was done by Schumann; in 1835, when a new publisher was found, Schumann's name appeared as editor. In his reviews, he praised those of the new generation of musicians who deserved acclaim, including Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ... and Hector Berlioz. Schuncke wrote some articles under the byline "Jonathan" but died at the age of 23 in December 1834. In June 1843, Schumann's other commitm ...
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Antisemitic
Antisemitism (also spelled anti-semitism or anti-Semitism) is hostility to, prejudice towards, or discrimination against Jews. A person who holds such positions is called an antisemite. Antisemitism is considered to be a form of racism. Antisemitism has historically been manifested in many ways, ranging from expressions of hatred of or discrimination against individual Jews to organized pogroms by mobs, police forces, or genocide. Although the term did not come into common usage until the 19th century, it is also applied to previous and later anti-Jewish incidents. Notable instances of persecution include the Rhineland massacres preceding the First Crusade in 1096, the Edict of Expulsion from England in 1290, the 1348–1351 persecution of Jews during the Black Death, the massacres of Spanish Jews in 1391, the persecutions of the Spanish Inquisition, the expulsion from Spain in 1492, the Cossack massacres in Ukraine from 1648 to 1657, various anti-Jewish pogroms in the Rus ...
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Ede Reményi
Ede Reményi or Eduard Reményi (January 17, 1828 Miskolc, Austria-Hungary May 15, 1898 San Francisco) was a Hungarian violinist and composer. His birth date is disputed, and variously given from 1828-1830. Biography Reményi was born in Miskolc, Hungary, as Eduard Hoffmann. He studied under Joseph Böhm at the Vienna Conservatory from 1842 to 1845. Banished from Austria for participation in the Hungarian Revolution of 1848, he went to Germany, where he befriended the 15-year-old Johannes Brahms and introduced him to Hungarian music. Pursued by German authorities, he fled to the United States in December, 1849. He returned to Europe in 1852, toured with Brahms in 1853, and then sojourned for a time at Weimar, where he received the benefit of Franz Liszt's instruction and friendship. In 1854 he became solo violinist to Britain's Queen Victoria. He obtained his amnesty in 1860 and returned to Hungary, being soon afterward appointed soloist to Emperor Franz Joseph. He then retired f ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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