|
1850 In Art
Events from the year 1850 in art. Events *Controversial exhibition of Pre-Raphaelite paintings by Holman Hunt and Millais at the Royal Academy, Millais' ''Christ in the House of His Parents'' being attacked for its ultra-realism. James Collinson resigns from the Pre-Raphaelite Brotherhood, which then dissolves. *Francisco Goya's engravings, ''Proverbios'', are posthumously published. * Edouard Pingret relocates to Mexico City. Awards * Grand Prix de Rome, painting: William-Adolphe Bouguereau, Paul Baudry. * Grand Prix de Rome, sculpture: * Grand Prix de Rome, architecture: * Grand Prix de Rome, music: J.A. Charlot. Works *Ivan Aivazovsky – ''The Ninth Wave'' *Oswald Achenbach – '' Evening in the Campagna'' *Hendrik van de Sande Bakhuyzen – '' The Artist Painting a Cow in a Meadow Landscape'' *Théodore Chassériau – '' Othello and Desdemona in Venice'' *Charles Allston Collins – ''Berengaria's Alarm'' *James Collinson **''Answering the Emigrant's Letter'' **''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horatio Greenough
Horatio Greenough (September 6, 1805 – December 18, 1852) was an American sculptor best known for his United States government commissions '' The Rescue'' (1837–50), ''George Washington'' (1840), and ''The Discovery of America'' (1840–43). Biography The son of Elizabeth (''née'' Bender) and David Greenough, he was born in Boston on September 6, 1805, into a home with ethics for honesty and emphasis on good education. Horatio showed an early interest in artistic and mechanical hobbies. Particularly attracted to chalk, around the age of 12 he made a chalk statue of William Penn, known as his earliest work of record. Horatio also experimented with clay, which medium he learned from Solomon Willard. He also learned how to carve with marble under instruction from Alpheus Cary. Horatio seemed to have a natural talent for art, yet his father wasn't fond of the idea of this as a career for Horatio. ] In 1814 Horatio Greenough enrolled at Phillips Academy, Andover, and in 1821 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Frémiet
Emmanuel Frémiet (6 December 182410 September 1910) was a French sculptor. He is famous for his 1874 sculpture of Joan of Arc in Paris (and its "sister" statues in Philadelphia and Portland, Oregon) and the monument to Ferdinand de Lesseps in Suez. The noted sculptor Pierre-Nicolas Tourgueneff was one of many students who learned sculpture under the tutelage of Frémiet., accessed: 10 October 2015 Early life Born in Paris, he was a nephew and pupil of Sophie Frémiet, and later he became a pupil of her husband François Rude. He chiefly devoted himself to animal sculpture. His earliest work was in scientific lithography (osteology), and for a while he served in times of adversity in the gruesome office of painter to the morgue. In 1843 he sent to the Salon a study of a Gazelle, and after that date worked prolifically. His ''Wounded Bear'' and ''Wounded Dog'' were produced in 1850, and the Luxembourg Museum at once secured this striking example of his work. Career In the 185 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Maw Egley
William Maw Egley (1826 in London – 20 February 1916) was an English artist of the Victorian era. The son of the miniaturist William Egley, he studied under his father. His early works were illustrations of literary subjects typical of the period, such as ''Prospero and Miranda'' from '' The Tempest.'' These were similar to the work of The Clique. William Powell Frith, one of The Clique, hired Egley to add backgrounds to his own work. Egley soon developed a style influenced by Frith, including domestic and childhood subjects. Most of his paintings were humorous or "feelgood" genre scenes of urban and rural life, depicting such subjects as harvest festivals and contemporary fashions. His best-known painting, '' Omnibus Life in London'' (Tate Gallery Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonaparte Crossing The Alps
''Bonaparte Crossing the Alps'' (sometimes called ''Napoleon Crossing the Alps'', which is also the title of Jacques-Louis David's better-known version of the subject) is a 1848–1850 oil painting by French artist Paul Delaroche. The painting depicts Napoleon Bonaparte leading his army through the Alps on a mule, a journey Napoleon and his army of soldiers made in the spring of 1800 in an attempt to surprise the Austrian army in Italy. Several versions of this painting exist: in the Louvre- Lens and the Walker Art Gallery in Liverpool, England. Queen Victoria owned a small version of it. The work was inspired by Jacques-Louis David's series of five paintings of ''Napoleon Crossing the Alps'' (1801–1805), which present a glorified vision of Napoleon "calm on a spirited horse" rather than a mule, crossing Great St. Bernard Pass. Painting Historical background As part of his 1798 campaign during the French Revolutionary Wars, Napoleon prepared to invade and conquer Egypt, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Delaroche
Hippolyte-Paul Delaroche (17 July 1797 – 4 November 1856) was a French painter who achieved his greater successes painting historical scenes. He became famous in Europe for his melodramatic depictions that often portrayed subjects from English and French history. The emotions emphasised in Delaroche's paintings appeal to Romanticism while the detail of his work along with the deglorified portrayal of historic figures follow the trends of Academicism and Neoclassicism. Delaroche aimed to depict his subjects and history with pragmatic realism. He did not consider popular ideals and norms in his creations, but rather painted all his subjects in the same light whether they were historical figures like Marie-Antoinette, figures of Christianity, or people of his time like Napoleon Bonaparte. Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet. Delaroche was born into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stone Breakers
''The Stone Breakers'' (french: Les Casseurs de pierres) was an 1849 painting by the French painter Gustave Courbet. It was a work of realism, depicting two peasants, a young man and an old man, breaking rocks. ''The Stone Breakers'' was first exhibited at the Paris Salon of 1850. As a work of realism the subject matter addressed a scene of everyday life. This painting was intended to show the hard labor that poor citizens experienced. Courbet did not show the figure's faces, they represent the "every man" and are not meant to be specific individuals. At the same time the clothing of the figures implies some degree of individuality, the younger man's pants are too short and the older man's vest is striped. The painting was destroyed during World War II, along with 154 other pictures, when a transport vehicle moving the pictures to the castle of Königstein, near Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste-Camille Corot
Jean-Baptiste-Camille Corot ( , , ; July 16, 1796 – February 22, 1875), or simply Camille Corot, is a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism. Biography Early life and training Jean-Baptiste-Camille Corot was born in Paris on July 16, 1796, in a house at 125 Rue du Bac, now demolished. His family were bourgeois people—his father was a wig maker and his mother, Marie-Françoise Corot, a milliner—and unlike the experience of some of his artistic colleagues, throughout his life he never felt the want of money, as his parents made good investments and ran their businesses well. After his parents married, they bought the millinery shop where his mother had worked and his father gave up his career as a wigmaker to run the business side of the shop. The store ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_WGA05486.jpg "Click for more on -> Gustave Courbet")
