1830 In Music
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1830 In Music
This article is about music-related events in 1830. Events *August 25 – A performance of Daniel Auber's ''La muette de Portici'' at La Monnaie in Brussels helps trigger the Belgian Revolution. *October **Maria Malibran, Margarethe Stockhausen and Charles de Bériot tour the English Midlands. **Felix Mendelssohn arrives in Italy. *November 2 – Frédéric Chopin, aged twenty, leaves Warsaw for Austria. *December 5 – Franz Liszt attends the first performance of Hector Berlioz's ''Symphonie fantastique''. It inspires him to search for new expressive effects on the piano. *In Britain: **The Royal Academy of Music is granted a charter by King George IV of the United Kingdom. **Charles Lucas is appointed official composer and cellist to Queen Adelaide. Classical music * Frédéric Chopin ** 4 Mazurkas Op. 6 ** Piano Concerto No. 1 ** ''Revolutionary'' Étude, Op. 10, No. 12 * George Onslow – Symphony No. 1 in A Major * Hector Berlioz – ''Symphonie Fantastique'' * Felix Mendelss ...
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1830
It is known in European history as a rather tumultuous year with the Revolutions of 1830 in France, Belgium, Poland, Switzerland and Italy. Events January–March * January 11 – LaGrange College (later the University of North Alabama) begins operation, becoming the first publicly chartered college in Alabama. * January 12– 27 – Webster–Hayne debate: Robert Y. Hayne of South Carolina debates the question of states' rights vs. federal authority with Daniel Webster of Massachusetts in the United States Congress. * February 3 – The London Protocol establishes the full independence and sovereignty of Greece from the Ottoman Empire, as the result of the Greek War of Independence. * February 5 – A fire destroys the Argyll Rooms in London, where the Philharmonic Society of London presents concerts, but firefighters are able to prevent its further spread by use of their new equipment, steam-powered fire engines. * March 26 – The Book of Mormon is published in Palmyr ...
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George IV Of The United Kingdom
George IV (George Augustus Frederick; 12 August 1762 – 26 June 1830) was King of the United Kingdom of Great Britain and Ireland and King of Hanover from the death of his father, King George III, on 29 January 1820, until his own death ten years later. At the time of his accession to the throne, he was acting as Prince Regent, having done so since 5 February 1811, during his father's final mental illness. George IV was the eldest child of King George III and Queen Charlotte. He led an extravagant lifestyle that contributed to the fashions of the Regency era. He was a patron of new forms of leisure, style and taste. He commissioned John Nash to build the Royal Pavilion in Brighton and remodel Buckingham Palace, and commissioned Jeffry Wyatville to rebuild Windsor Castle. George's charm and culture earned him the title "the first gentleman of England", but his dissolute way of life and poor relationships with his parents and his wife, Caroline of Brunswick, earned him t ...
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Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ...
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Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ...
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Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and arias, as well as expanding the roles of Fra Diavolo's accomplices. The opera was Auber's greatest success, one of the most popular works of the 19th century and was in the standard repertory in its original French as well as German and Italian versions. An English translation was also prepared. Hugh Macdonald has characterised this comic opera ...
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Variations On The Name "Abegg"
The ''Variations on the name "Abegg"'' in F major is a piece ( theme with variations) for piano by Robert Schumann, composed between 1829 and 1830 and published as his Opus 1. The name is believed to refer to Schumann's fictitious friend, Meta Abegg, whose surname Schumann used through a musical cryptogram as the motivic basis for the piece. The name Meta is considered to be an anagram of the word " tema" (''Latin''). Another suggestion is Pauline von Abegg. Apparently, when he was twenty years old, Schumann met her and dedicated this work to her, as witnessed in Clara Schumann's edition of her husband's piano works. The first five notes of the theme are A, B (B), E, G, and G. This use of pitch names as letters was also used by Schumann in other compositions, such as his ''Carnaval''. It is composed of: : Thema (Animato) (F major) : Variations: :# (''energico,'' F major) :# (''il Basso parlando,'' F major) :# (''corrente,'' F major) : (''cantabile,'' A-flat major) : (''Fi ...
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Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Symphonie Fantastique
' (''Fantastical Symphony: Episode in the Life of an Artist … in Five Sections'') Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt made a piano transcription of the symphony in 1833 (S. 470). The American composer and conductor Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature, and because history suggests Berlioz composed at least a portion of it under the influence of opium. According to Bernstein, "Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral." Berlioz put a great deal of emotion into the piece, exploring the extremities of many ends of the emotional spectrum. He wanted people to understand his intentions behind it as they were the driving factor behind each movement ...
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George Onslow (composer)
André George(s) Louis Onslow (27 July 1784 – 3 October 1853) was a French composer of English descent. His wealth, position and personal tastes allowed him to pursue a path unfamiliar to most of his French contemporaries, more similar to that of his contemporary German romantic composers; his music also had a strong following in Germany and in England. His principal output was chamber music, but he also wrote four symphonies and four operas. Onslow was esteemed by critics of his time, but his reputation declined swiftly after his death. It has only been revived in recent years. Life George Onslow was born in Clermont-Ferrand, the son of an English father, Edward Onslow, and a French mother, Marie Rosalie de Bourdeilles de Brantôme; his paternal grandfather was George Onslow, 1st Earl of Onslow.Bickley (n.d.) In Onslow's own brief autobiography (written in the third person) he comments that in his childhood, "music studies formed but a secondary part of his education" but na ...
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Étude Op
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa .... Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, l ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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