1819 In Art
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1819 In Art
Events in the year 1819 in Art. Events * November - The Museo del Prado opens to the public as the Royal Museum of Paintings and Sculptures in Madrid. * Francisco Goya begins the series of "Black Paintings", working directly onto the walls of his dining and sitting rooms at his home, Quinta del Sordo, near Madrid. * The Liverpool Royal Institution in England acquires 37 paintings from the collection of William Roscoe, who has to sell his collection following the failure of his banking business, nucleus of what becomes the Walker Art Gallery collection. Works * Washington Allston – ''Florimell's Flight'' * John Constable – ''The Gathering Storm'' * Marie Ellenrieder – '' Self-portrait as a painter'' * Caspar David Friedrich – '' On a Sailing Ship'' * Théodore Géricault – ''The Raft of the Medusa'' (''Le Radeau de la Méduse'') * Anne-Louis Girodet de Roussy-Trioson – ''Pygmalion and Galatea'' * Francisco Goya ** ''The Madhouse'' ** ''A Procession of Flagellants'' * ...
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Museo Del Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ...
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Henry Raeburn
Sir Henry Raeburn (; 4 March 1756 – 8 July 1823) was a Scottish portrait painter. He served as Portrait Painter to King George IV in Scotland. Biography Raeburn was born the son of a manufacturer in Stockbridge, on the Water of Leith: a former village now within the city of Edinburgh. He had an older brother, born in 1744, called William Raeburn. His ancestors were believed to have been soldiers, and may have taken the name "Raeburn" from a hill farm in Annandale, held by Sir Walter Scott's family. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to the goldsmith James Gilliland of Edinburgh, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. When the medical student Charles Darwin died in 1778, his friend and professor Andrew Duncan took a lock of his student's hair to the jeweller whose apprentice, Raebu ...
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Joseph Paelinck
Joseph Paelinck, (20 March 1781 – 19 June 1839) was a painter from the Southern Netherlands. Biography Paelinck attended the Royal Academy of Fine Arts (Ghent) and then with Jacques-Louis David in Paris, where he painted in 1804 ''A Judgment of Paris'', which earned him his first Academy Art Award for Ghent. After he had worked there a short time as a teacher, he went to Rome and stayed there for five years. He painted, among other things: ''Rome under Augustus'' for the Quirinal Palace and the ''Discovery of the Cross'' for St. Michael's Church in Ghent. He was later a professor at the Académie royale de peinture et de sculpture in Brussels. His many pupils included Charles Baugniet, François Antoine Bodumont, Edouard de Bièfve, Élisa de Gamond, Félix De Vigne, Jean Joseph Geens, Jozef Geirnaert, Joseph Meganck, Fanny Paelinck-Horgnies, Alfred Stevens, Joseph Cohen de Vries and Abraham Johannes Zeeman.
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John Martin (painter)
John Martin (19 July 1789 – 17 February 1854) was an English Romanticism, Romantic painter, engraver and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantasy art, fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general publicin 1821 Thomas Lawrence referred to him as "the most popular painter of his day"but were lambasted by John Ruskin and other critics. Early life Martin was born in July 1789, in a one-room cottage, at Haydon Bridge, near Hexham in Northumberland, the fourth son of Fenwick Martin, a one-time fencing master. He was apprenticed by his father to a coachbuilder in Newcastle upon Tyne to learn heraldry, heraldic painting, but owing to a dispute over wages the indentures were cancelled, and he was placed instead under Boniface Musso, an Italian artist, father of the enamel painter Charles ...
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Générosité D'Alexandre
''Generosity of Alexander'' is a neoclassical style, oil-on-canvas painting by Jérôme-Martin Langlois. The painting was exhibited at the 1819 Paris Salon and won a first-prize medal. It is currently on display at the Musée des Augustins in Toulouse, France. In the painting, Alexander the Great gives his concubine, Campaspe, as a gift to the painter Apelles when he sees that the painter has fallen in love with her. The painting is a depiction of a well-known and perhaps apocryphal story of Alexander the Great's generosity. Description In the painting Apelles is sketching Alexander the Great's mistress Campaspe and has fallen in love with her. Alexander is so appreciative of the painter's skill that he gives him Campaspe. The painter is portrayed as thankful and Campaspe is seen sitting with her feet on a leopard skin, looking down toward the floor. The dimensions of the painting are x . The Neoclassical style painting follows the theme of an unfinished 1813 painting with the ...
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Jérôme-Martin Langlois
Jerome-Martin Langlois (11 March 1779 – 28 December 1838) was a French Neoclassical style painter. He was trained by painter Jacques-Louis David and he was a Knight of the Legion of Honour. Early life He was born in Paris on 11 March 1779. His father (Jerome Langlois) was a miniature painter. He received his training in the studio of Jacques-Louis David, (the leading Neoclassical French painter) and became one of his favorite students. The two artists worked together on several important paintings, including ''Napoleon crossing the Alps'' (now at the Kunsthistorisches Museum in Vienna), in which Langlois painted the horse, and ''Leonidas at Thermopylae'' (Musee du Louvre, Paris). Career Langlois won the second prize at the Prix de Rome in 1805 and the first prize in 1809, moving to Rome in the 1810s. A preparatory drawing of the painting that granted him the first place (''Priam aux pieds d'Achilles'') is in the collection of the Musee Magnin in Dijon, France. Since 1806 he r ...
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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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Louis Hersent
Louis Hersent (10 March 1777 – 2 October 1860) was a French painter. Life and career He was born in Paris. He became a pupil of Jacques-Louis David, and obtained the Prix de Rome in 1797. In the Salon of 1802, he showed ''Metamorphosis of Narcissus'', and he continued to exhibit with rare interruptions up to 1831. He married Louise-Marie-Jeanne Mauduit in 1821. His pupils were Louis-Eugène Bertier, Auguste Bigand, Hélène Charlotte Juliette de Bourge, Augustin Luc Demoussy, Henri Joseph Constant Dutilleux, Hippolyte Dominique Holfeld, Jean-Francois-Hyacinthe-Jules Laure, Eugène Modeste Edmond Lepoittevin, Emile Aubert Lessore, Auguste Dominique Mennessier, François Alexandre Pernot, Julie Philipault, August Thomas Pierre Philippe, Pierre Poterlet, Joachim Sotta, Henry de Triqueti, and Théophile Auguste Vauchelet. His most considerable works under the First French Empire were ''Achilles parting from Briseis'', and ''Atala dying in the arms of Chactas'' (b ...
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