1805, Cuirassiers Before The Charge
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1805, Cuirassiers Before The Charge
''1805, Cuirassiers Before the Charge'' (french: 1805, Les Cuirassiers avant la charge), also known as ''Cuirassiers of 1805, before battle'' or ''1805'', is an 1878 painting by Ernest Meissonier depicting a line of Napoleonic cuirassiers before making a cavalry charge. It is on display at the Musée Condé, in Chantilly. Description This painting depicts a scene set in 1805 during the Napoleonic Wars. Two rows of cuirassiers await the signal to charge, with five non-commissioned officers in front of them also ready. They are wearing the distinctly coloured uniforms of the 12th Cuirassier Regiment. On the left, a Division General in a tail-coat and distinctive gold and scarlet sash is pointing, while addressing a cuirassier officer, probably the Colonel of the 12th Regiment. Behind them stands a trumpeter in yellow, an aide-de-camp to the Division General in a hussar-style uniform, and two more cuirassiers. On the right, a group of artillerymen are moving in front of a row o ...
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Ernest Meissonier
Jean-Louis-Ernest Meissonier (; 21 February 181531 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae". Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the ''atelier d'hiver'', or ''winter workshop'', situated on the top floor of the house, and at ground level, a glass-roofed annexe, the ''atelier d'été'' or ''summer workshop''. Meissonier himself said that his house and temperament belonged to a ...
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Hussar
A hussar ( , ; hu, huszár, pl, husarz, sh, husar / ) was a member of a class of light cavalry, originating in Central Europe during the 15th and 16th centuries. The title and distinctive dress of these horsemen were subsequently widely adopted by light cavalry regiments in European armies in the late 17th and early 18th centuries. By the 19th century, hussars wore jackets decorated with braid and shako or busby hats and they developed a romanticized image of being dashing and adventurous. A small number of modern armies retain the designation of hussars for some armored (tank) units. As well, some modern armies have ceremonial mounted units which wear historical hussar uniforms on parades or to provide a VIP escort to national leaders. Historically, the term derives from the cavalry of late medieval Hungary, under Matthias Corvinus, with mainly Serb warriors. Etymology Etymologists are divided over the derivation of the word ''hussar''. Several alternative theorie ...
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War Paintings
War is an intense armed conflict between states, governments, societies, or paramilitary groups such as mercenaries, insurgents, and militias. It is generally characterized by extreme violence, destruction, and mortality, using regular or irregular military forces. Warfare refers to the common activities and characteristics of types of war, or of wars in general. Total war is warfare that is not restricted to purely legitimate military targets, and can result in massive civilian or other non-combatant suffering and casualties. While some war studies scholars consider war a universal and ancestral aspect of human nature, others argue it is a result of specific socio-cultural, economic or ecological circumstances. Etymology The English word ''war'' derives from the 11th-century Old English words ''wyrre'' and ''werre'', from Old French ''werre'' (also ''guerre'' as in modern French), in turn from the Frankish *''werra'', ultimately deriving from the Proto-Germanic *''we ...
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Paintings In The Musée Condé
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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Paintings By Ernest Meissonier
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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