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1777 In Music
{{Year nav topic5, 1777, music Events *Wolfgang Amadeus Mozart resigns his position in the Salzburg court. *Samuel Arnold becomes musical director of the Haymarket Theatre in London. *''Über die Theorie der Musik'' by Johann Nikolaus Forkel is published in Göttingen. *Thomas Arne and his wife are reconciled after a separation of over twenty years. Opera *Agostino Accorimboni – ''Nitteti'' * Luigi de Baillou – ''Il casino di campagna'' *Domenico Cimarosa **'' L'Armida immaginaria'' **''Il fanatico per gli antichi romani'' **''I tre amanti'' *Christoph Willibald Gluck – '' Armide'' *Joseph Haydn – ''Il mondo della luna'' *Elizabeth Ryves – ''The Prude'' Classical music *Carl Philipp Emanuel Bach – 4 Keyboard Trios, Wq.91 *Johann Christian Bach – 6 Keyboard Concertos, Op. 13 *Johann Christoph Friedrich Bach – Flute Sonata No.1 in D major *Charles Burney – 4 Sonatas for Keyboard 4-Hands *Giuseppe Maria Cambini – 6 Flute Quintets, Op. 8 *Michael Haydn – ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Burney
Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist and book donor to the British Museum. He was a close friend and supporter of Joseph Haydn. Early life and career Charles Burney was born at Raven Street, Shrewsbury, the fourth of six children of James Macburney (1678–1749), a musician, dancer and portrait painter, and his second wife Ann (''née'' Cooper, c. 1690–1775). In childhood he and a brother Richard (1723–1792) were for unknown reasons sent to the care of a "Nurse Ball" at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was later sent in 1739 to The King's School, Chester, where his father then lived and worked. His first music master was a Mr Baker, the cathedral organist, and a pupil of Dr John Blow. Returning to Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lisle's Tennis Court, Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's ''Pomone (opera), Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-Hunting We Will Go
"A-Hunting We Will Go" is a popular folk song and nursery rhyme composed in 1777 by English composer Thomas Arne. Arne had composed the song for a 1777 production of ''The Beggar's Opera'' in London. The '' a-'' is an archaic intensifying prefix; compare "Here We Come A-wassailing/Here We Come A-caroling" and lyrics to "The Twelve Days of Christmas" (e.g., “Six geese a-laying”). Lyrics A-hunting we will go, A-hunting we will go Heigh-ho, the derry-o, A-hunting we will go. A-hunting we will go, A-hunting we will go We'll catch a fox and put him in a box And never let him go (Modern versions often change the last line to “And then we’ll let him go”.) Each consequent verse gets modified by putting in a different animal: : "...a fish and put him on a dish..." : "...a bear and cut his hair..." : "...a pig and dance a little jig..." : "...a giraffe and make him laugh..." : "...a mouse and put him in a house..." : ... Earlier versions of the song switch the words "a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Baptist Wanhal
Johann Baptist Wanhal (12 May 1739 – 20 August 1813) was a Czech classical music composer. He was born in Nechanice, Bohemia, and died in Vienna. His music was well respected by Mozart, Haydn, Beethoven and Schubert. He was an instrumental performer as well. While being a proficient organist, he also played the violin and cello. Name Wanhal and at least one of his publishers used the spelling Waṅhal, the dot being an archaic form of the modern háček. Other attested variants include Wanhall, Vanhal and Van Hall. The modern Czech form Jan Křtitel Vaňhal was introduced in the 20th century."He himself spelt his name Johann Baptist Waṅhal; his Viennese contemporaries and most scholars until World War II used the spelling Waṅhal, but later in the 20th century a modern Czech form, Jan Křtitel Vaňhal, was erroneously introduced." Paul Robey Bryan, "Vanhal, Johann Baptist an Křtitel in ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Stamitz
Carl Philipp Stamitz ( cs, Karel Stamic; baptized 8 May 17459 November 1801) was a German composer of partial Czech ancestry. He was the most prominent representative of the second generation of the Mannheim School. He was the eldest son of Johann Stamitz, a violinist and composer of the early classical period. Born in Mannheim, he received lessons from his father and Christian Cannabich, his father's successor as leader of the Mannheim orchestra. As a youth, Stamitz was employed as a violinist in the court orchestra at Mannheim. In 1770, he began travelling as a virtuoso, accepting short-term engagements, but never managing to gain a permanent position. He visited a number of European cities, living for a time in Strasbourg and London. In 1794, he gave up travelling and moved with his family to Jena in central Germany, but his circumstances deteriorated and he descended into debt and poverty, dying in 1801. Papers on alchemy were found after his death. Stamitz wrote symphonie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chevalier De Saint-Georges
Joseph Bologne, Chevalier de Saint-Georges (25 December 1745 – 10 June 1799), was a French Creole (people), Creole virtuoso violinist and composer, who was conductor of the leading symphony orchestra in Paris. Saint-Georges was born in the then-French colony of Guadeloupe, the son of Georges de Bologne Saint-Georges, a wealthy married planter, and an enslaved Senegalese African woman named Nanon. At the age of seven he was taken to France, and at the age of thirteen educated as gendarme to the King. He received music lessons from François-Joseph Gossec and likely violin lessons from Jean-Marie Leclair, while continuing to study fencing. In 1764 Antonio Lolli dedicated two concertos to Saint-Georges. In 1769 he joined a new symphony orchestra; two years later he was appointed concertmaster and soon started composing. In 1773 he was appointed conductor of "Le Concert des Amateurs". In 1775 he introduced the symphonie concertante, using the possibilities offered by a new bow ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Mysliveček
Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. His closeness to the Mozart family resulted in frequent references to him in the Mozart correspondence. Biography Mysliveček was born in Prague, one of twin sons of a prosperous mill owner, and studied philosophy at Charles-Ferdinand University before following in the footsteps of his father. No documentation exists to support claims that he was actually born in H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Keeble (composer)
John Keeble (1711 – 24 December 1786) was an English organist, composer and writer on music. Life Keeble was born in 1711 in Chichester, and was chorister at Chichester Cathedral under Thomas Kelway. In 1734–1735 Keeble, with William Boyce, John Travers and others, attended Johann Christoph Pepusch's lectures, which gave him an enduring interest in Greek musical theory. He was appointed in 1737 as organist of St George's, Hanover Square in London, successor to Thomas Roseingrave. Keeble was also organist at Ranelagh Gardens, from the opening in 1742. As a teacher of the harpsichord he had many pupils. He married Hannah Painter in 1747, at St Botolph-without-Bishopsgate. Keeble died in 1786 at his house in Conduit Street, London, and was buried, according to his wish, at the parish church of Ramsholt in Suffolk, by the side of his wife. Works * ''Select pieces for the organ or harpsichord'': four sets of six pieces, 1777–1778. * ''The Theory of Harmonics, or an Illustra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_landing_in_France%2C_August_7%2C_1753.jpeg "Click for more on -> Chevalier De Saint-Georges")
