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1721 In Music
{{Year nav topic5, 1721, music The year 1721 in music involved some significant events. Events * December 3 – Johann Sebastian Bach marries his second wife, Anna Magdalena. * Antonio Maria Bononcini becomes maestro di cappella in his native city of Modena. * Georg Philipp Telemann becomes director of music in Hamburg. Classical music * Johann Sebastian Bach **''Brandenburg Concertos'', a collection of five concerti grossi and one ripieno concerto presented to Christian Ludwig, Margrave of Brandenburg-Schwedt. **Capriccio in E major, BWV 993 * Giovanni Bononcini – ''Cantate e Duetti'' * Evaristo Felice Dall'Abaco – ''6 Concerti à più istrumenti'', Op. 5 *Christoph Graupner – Sonata in G minor, GWV 724 *George Frideric Handel **''Crudel tiranno amor'', HWV 97 **Keyboard Sonatina in G minor, HWV 583 * Pietro Locatelli – ''12 Concerti grossi à 4 e à 5'', Op. 1 (including concerto in F minor "Christmas Concerto") *Jean-Philippe Rameau – ''Orphée'', R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gli Orti Esperidi
''Gli orti esperidi'' (The Gardens of the Hesperides) is a libretto by Metastasio set first in 1721 by Nicola Porpora Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included compose ..., and performed 28 August 1721, at the Palazzo Reale.The Harvard Biographical Dictionary of Music - Page 703 0674372999 Don Michael Randel - 1996 - other works dating from this time include 2 serenatas, Angelica (1720) and Gli orti esperidi (1721), with texts by the young Metasta- sio. In 1751 Nicola Conforto set the libretto in honor of the Empress Maria Theresa of Austria, to celebrate the name day of the Spanish king Ferdinand VI on 30 May. References External links Libretti by Metastasio 1722 operas Italian-language operas Operas Operas based on classical mythology {{Italian-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nerone (Orlandini)
Nerone may refer to: Film * ''Nerone'' (1909 film) (''Nerone, o la caduta di Roma''), an Italian short silent film * ''Nerone'' (1930 film), an Italian comedy * ''Nerone'' (1977 film), an Italian comedy Opera * ''Nerone'' (Boito), a 1921 opera by Arrigo Boito * ''Nerone'' (Mascagni), a 1935 opera by Pietro Mascagni * ''Nerone'', a 1735 opera by Egidio Duni * Nerone, the principal male character in Monteverdi's 1643 opera '' L'incoronazione di Poppea'' Other uses * Nerone (rapper) (Massimiliano Figlia, born 1991), Italian rapper * Monte Nerone, a mountain in the Umbrian Apennines of central Italy See also * * Nero, a Roman emperor * Neron (other) * ''Nerone fatto Cesare'', an opera by Antonio Vivaldi * Torre di Nerone, part of the German Gothic Line The Gothic Line (german: Gotenstellung; it, Linea Gotica) was a German Defense line, defensive line of the Italian Campaign (World War II), Italian Campaign of World War II. It formed Generalfeldmarschall, Fie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Orlandini
Giuseppe Maria Orlandini (4 April 167624 October 1760) was an Italian Baroque music, baroque Musical composition, composer particularly known for his more than 40 operas and intermezzos. Highly regarded by music historians of his day like Francesco Saverio Quadrio, Jean-Benjamin de La Borde and Charles Burney, Orlandini, along with Antonio Vivaldi, Vivaldi, is considered one of the major creators of the new style of opera that dominated the second decade of the 18th century. Life Born in Florence,Note- It was previously thought that he was born earlier on 19 March 1675 but current research has proven he was born on 4 April 1676. It is most likely that the earlier date is referring to an older brother who had died before Orlandini was born. Orlandini began working as an opera composer in his late twenties for Prince Ferdinando (III) de' Medici, Ferdinando de’ Medici. His first opera, ''Artaserse'', premiered in Livorno in 1706. A moderate success, the work was revived in Naples in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Cardinal Destouches
André Cardinal Destouches (sometimes called des Touches) (baptised 6 April 1672 – 7 February 1749) was a French composer best known for the ''opéra-ballet'' ''Les élémens''. Biography Born in Paris, the son of Étienne Cardinal, a wealthy merchant, André Cardinal was educated by Jesuits. With the Jesuit Father Guy Tachard, he went on a mission to Siam for two years, leaving in January 1687, and spending some time at the Cape of Good Hope, arriving in Siam in September. Coming back to France, in September 1688, he spent several months at the academy in the Manège royale, rue de Tournon. In 1692 he joined the army and participated in the invasion of Namur, discovering his musical talent while not occupied by combat. When his father died in August 1694, André Cardinal added "Destouches" to his name in memory of his father's title, Seigneur des Touches et de Guilleville. He quit the army in 1696 to pursue his musical aspirations. Destouches' opera ''Issé'' was per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les élémens
''Les Élémens'' (''The Elements''), or ''Ballet des élémens'', is an opéra-ballet by the French composers André Cardinal Destouches and Michel Richard Delalande (or de Lalande). It has a prologue and four '' entrées'' (as well as, originally, a celebratory epilogue later removed). The libretto was written by Pierre-Charles Roy. It was styled "the third ballet danced by the king" because the 11-year-old Louis XV performed dance divertissements in it, as he had already done in the previous ballets, ''L'inconnu'' by various authors (including Delalande and Destouches), and ''Les folies de Cardenio'' by Delalande, both staged at court in 1720. Composition Destouches was responsible for most of the music. It has never been ascertained how much each composer contributed to the composition. In a 1726 letter, Destouches wrote to Antonio I, Prince of Monaco: "We were ordered to work in partnership; he elalandewrote very fine things whose details I implore you to spare me, for h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Richard Delalande
Michel Richard Delalande [de Lalande] (; 15 December 1657 – 18 June 1726) was a French Baroque composer and organist who was in the service of King Louis XIV. He was one of the most important composers of grands motets. He also wrote orchestral suites known as ''Simphonies pour les Soupers du Roy'' and ballets. Biography Born in Paris, he was a contemporary of Jean-Baptiste Lully and François Couperin. Delalande taught music to the daughters of Louis XIV, and was director of the French chapel royal from 1714 until his death at Versailles (city), Versailles in 1726. Delalande was arguably the greatest composer of French ''grands motets'', a type of sacred work that was more pleasing to Louis XIV because of its pomp and grandeur, written for soloists, choir and comparatively large orchestra. According to tradition, Louis XIV organized a contest between composers, giving them the same sacred text and time to compose the musical setting. He alone was the judge. Delalande was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floridante
''Floridante'' ( HWV 14) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Paolo Antonio Rolli after Francesco Silvani's libretto for Marc'Antonio Ziani dramma per musica ''La costanza in trionfo'' of 1696. The opera was first given at the King's Theatre in London on 9 December 1721 and was a success with audiences, being revived by Handel in several subsequent seasons. The plot involves dynastic struggles and love tangles in a fictionalised Ancient Persia and is notable for an exceptionally beautiful duet, "Ah, mia cara." Background The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera '' Rinaldo''. A tremendous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appoin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzio Scevola
''Muzio Scevola'' (; "Mucius Scaevola", HWV 13) is an opera seria in three acts about Gaius Mucius Scaevola. The Italian-language libretto was by Paolo Antonio Rolli, adapted from a text by Silvio Stampiglia. The music for the first act was composed by Filippo Amadei (family name sometimes given as Mattei), the second act by Giovanni Bononcini, and the third by George Frideric Handel. Collaborations of groups of composers were common in the 18th century, though this is the only one done in London. Bononcini had written the music for two earlier treatments of this story on his own, works dating from 1695 and 1710. Performance history The opera's initial run of performances began at the King's Theatre in London on 15 April 1721. Handel revived the work on 7 November 1722 when it received a further five performances. It was also performed in Hamburg. The first modern performance was in Essen in 1928. The work receives occasional concert performances and stagings today. Among oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Amadei
Filippo Amadei, also known as Pippo del Violoncello ( fl. 1690–1730) was an Italian composer from Reggio Emilia, who was active in Rome and London. He appears to have worked as composer of cantatas, oratorios, and as a cellist for Cardinal Ottoboni from 1690 to 1711, the year of his oratorio ''Teodosio il giovane'' (1711), then again from 1723 to 1729. From 1719 to 1722 he was in London, where he wrote the first act of the opera ''Muzio Scevola'' (1721), with the second act by Giovanni Bononcini and the third by George Frideric Handel. Works Oratorio: * ''Teodosio il giovane'' Rome, 1711 on the story of Byzantine emperor Theodosius II Theodosius II ( grc-gre, Θεοδόσιος, Theodosios; 10 April 401 – 28 July 450) was Roman emperor for most of his life, proclaimed ''Augustus (title), augustus'' as an infant in 402 and ruling as the eastern Empire's sole emperor after ... (401–450) Operas * ''Arsace'' London, Royal Academy of Music, 1st Feb. 1721. * ''Muzio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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