|
1580 In Music
Events *Giovanni Pierluigi da Palestrina loses his wife in an outbreak of plague. Bands formed *The is founded by Alfonso II, Duke of Ferrara. Popular music *First recorded appearance of the English ballad ''Greensleeves''. Publications *Giammateo Asola – Second book of masses for four voices (Venice: Angelo Gardano), also includes a Requiem mass for two choirs * Lodovico Balbi – Masses for four and five voices (Venice: Angelo Gardano) *Anthoine de Bertrand **First book of for four voices (Senlis: Simon Goulart; Lyon: Charles Pesnot) **Second book of for four voices (Senlis: Simon Goulart; Lyon: Charles Pesnot) *Joachim a Burck ** for four voices (Erfurt: Georg Baumann) ** for four voices (Mühlhausen: Georg Hantzsch) *Girolamo Diruta – for five voices (Venice: Angelo Gardano) *Placido Falconio ** (Voices of the crowd) for four voices (Brescia: Vincenzo Sabbio), a collection of motets ** (Voices of Christ) for three voices (Brescia: Vincenzo Sabbio), a collection of mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to '' Grove Music Online'', Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement." Biography Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States to N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus Gallus
Jacobus Gallus (a.k.a. Jacob(us) Handl, Jacob(us) Händl, Jacob(us) Gallus; sl, Jakob Petelin Kranjski; between 15 April and 31 July 155018 July 1591) was a late-Renaissance composer of presumed Slovene ethnicity.Skei/Pokorn, Grove online Born in Carniola, which at the time was one of the Habsburg lands in the Holy Roman Empire, he lived and worked in Moravia and Bohemia during the last decade of his life. Life Gallus's name has been Slovenianized as ''Jakob Petelin'' (''petelin'' means 'rooster'; ''Handl'' and ''gallus'' mean the same in German and Latin, respectively). However, Gallus never used the name ''Petelin''. He was probably born in Reifnitz (now Ribnica, southern Slovenia), although Slovene folk tradition also claims his birthplace to be at Šentviška Gora in the Slovenian Littoral. He used the Latin form of his name, to which he often added the adjective ''Carniolus'', thus giving credit to his homeland Carniola. Gallus most likely was educated at the Cist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Wanning
Johann Wanning (also known as ''Johannes Wanningus, Wannigk, Wannicke'' or ''Wangnick'') (1537 – 23 October 1603) was a Dutch composer, kapellmeister and singer who worked for most of his career in the Prussian city of Danzig. He wrote a number of cycles of motets to be performed through the church year, as well as being the composer of the first known musical epithalamium. Life Little is known about his early years or education. He was born in Kampen in the then Habsburg Netherlands and went to the university at Königsberg in the Duchy of Prussia in 1560. He sang as an alto in the ducal choir and gained a reputation as a composer. A few years later he moved to the port city of Danzig, where he was appointed to the role of kapellmeister at St. Mary's Church. He held the position until his death in 1603, though his health had progressively deteriorated since 1593; in 1599 the composer Nikolaus Zangius took over Wanning's duties, while Wanning himself was given what amounted to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costanzo Porta
Costanzo Porta (1528 or 1529 – 19 May 1601) was an Italian composer of the Renaissance, and a representative of what is known today as the Venetian School. He was highly praised throughout his life both as a composer and a teacher, and had a reputation especially as an expert contrapuntist.Lilian P. Pruett, Grove online Biography Porta was born in Cremona. Details of his early life are slim, but he probably was educated at the Convent Porta San Luca in Cremona. Around 1550 he is thought to have studied with Adrian Willaert, who was ''maestro di cappella'' at St. Mark's in Venice; while he was there he met Claudio Merulo, who was also a student; they remained close friends throughout their lives. In 1552 Porta became ''maestro di cappella'' at Osimo Cathedral; in 1565 he took a position in Padua briefly, but took a more important position in Ravenna the next year, where he was hired to build an entirely new music practice at the cathedral. By 1580 his services were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuremberg
Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest city in Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms with the neighbouring cities of Fürth, Erlangen and Schwabach a continuous conurbation with a total population of 800,376 (2019), which is the heart of the urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metropolitan Region has approximately 3.6 million inhabitants. The city lies about north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonhard Päminger
Leonhard Päminger also Paminger and Panninger (Aschach an der Donau, 29 March 1495 - Passau, 1567) was an Upper-Austrian born Lutheran theologian, poet and composer in Catholic Bavaria. Leonhard Päminger's father Andreas was mayor of Aschbach in upper Austria. He came to Passau in 1516 as a scribe. His son the composer Sigismund Päminger was born in 1539. As a school official he was free, as a Lutheran, to compose outside church employ. In addition to his duties he was a poet and theologian and corresponded with Martin Luther, Philip Melanchthon, and Veit Dietrich.Music and Theology in Reformation Germany: The Case of Leonhard Päminger. Id:KUL_3H090317 K.U.Leuven Works Päminger was a prolific composer, with more than 700 of his works surviving. Recordings * ''Sacred Music'' Ensemble Stimmwerck, Christophorus Records Christophorus Records is a German classical music label based originally in Freiburg im Breisgau specializing in Catholic church and early music. History Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De Monte
Philippe de Monte (1521 – 4 July 1603), sometimes known as Philippus de Monte, was a Flemish composer of the late Renaissance active all over Europe. He was a member of the 3rd generation madrigalists and wrote more madrigals than any other composer of the time. Sources cite him as being "the best composer in the entire country, particularly in the new manner and musica reservata." Others compare his collections of music with that of other influential composers, such as Lassus. Life Philippe de Monte was born in Mechelen. After boyhood musical training at St. Rumbolds Cathedral in Mechelen, where he was a choirboy, Monte went to Italy — a common destination for a young Flemish composer in the sixteenth century – where he made a name for himself as a composer, singer, and teacher. He lived and worked in Naples for a while, and in Rome, in the employ of Cardinal Orsini, although he was in England for a brief period, 1554–1555, during the reign of Queen Mary I, while she w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Merulo
Claudio Merulo (; 8 April 1533 – 4 May 1604) was an Italian composer, publisher and organist of the late Renaissance period, most famous for his innovative keyboard music and his ensemble music composed in the Venetian polychoral style. He was born in Correggio and died in Parma. Born Claudio Merlotti, he Latinised his surname (meaning little blackbird) when he became famous in Venetian cultural clubs. Life Little is known about his early life except that he studied in Correggio with Tuttovale Menon, a famous madrigalist who also worked in the Ferrara court; he also studied with Girolamo Diruta, an organist. It is likely that he studied with Zarlino at St. Mark's in Venice. While in Venice he became close friends with Costanzo Porta, a friendship which was to endure for his entire life. On 21 October 1556, he was appointed organist at Old Cathedral of Brescia ( Duomo Vecchio), and his skill as an organist must have been impressive, because he became organist at St. Mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiburtio Massaino
Tiburzio Massaino (also Massaini and Tiburtio) ( Cremona, before 1550 – Piacenza or Lodi, after 1608) was an Italian composer. Life He was an Augustinian friar in Piacenza. He became ''maestro di cappella'' at S Maria del Popolo in Rome in 1571. He moved to Modena in 1578, Lodi in 1580 and Salò in 1587 before arriving at Innsbruck in the service of Archduke Ferdinand II in 1589-1590. He is registered then in Salzburg in 1591; in Prague where he met Philippe de Monte till 1594 when he left for Piacenza and Cremona. He was again in Piacenza in 1598 before being ''maestro di cappella'' in Lodi (1600–1608). Adriano Banchieri reports he was ''maestro di cappella'' in Piacenza in 1609. Works Sacred works *Concentus in universos psalmos … in vesperis omnium festorum per totum annum frequentatos, cum 3 Magnificat, 5, 9vv (1576 and 1588) *Motectorum liber primus, 5, 6vv (1576) *Missae liber primus: Missa ‘Rorate coeli’, Missa ‘Nuncium vobis’, Missa ‘Omnes gente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Marenzio
Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. In all, Marenzio wrote around 500 madrigals, ranging from the lightest to the most serious styles, packed with word-painting, chromaticism, and other characteristics of the late madrigal style. Marenzio was influential as far away as England, where his earlier, lighter work appeared in 1588 in the ''Musica Transalpina'', the collection that initiated the madrigal craze in that country. Marenzio worked in the service of several aristocratic Italian families, including the Gonzaga, Este, and Medici, and spent most of his career in Rome. Early years According to biographer Leonardo Cozzando, writing in the late 17th century, Marenzio was born at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Mainerio
Giorgio Mainerio (c. 1530s – 3 or 4 May 1582) was an Italian musician, composer, and occultist. He started his career as a presbyter and would only later start his musical career in the 1560s. Most of the songs he made were in the 1570s and were mainly church music. He dabbled in occultism and was later investigated for it. Before his death, he suffered from health issues. Biography Mainerio was born in Parma, Italy between 1530 and 1540. His father is thought to have been Scottish given that Giorgio signed ''Mayner'' as his family name. During his education he studied music, but he did not immediately begin a musical career. In 1560, being a presbyter, he sought work as a chaplain and ''altarista'' by the church of ''Santa Maria Annunziata'' in Udine. In Udine, Mainerio spent ten years (from 1560 to 1570) and there, thanks to his previous musical knowledge and to the lessons given to him by two local contrapuntists, Gabriele Martinengo (Maestro di cappella from 1562 to 15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
