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12-Bar Original
"12-Bar Original" is an instrumental 12-bar blues by the Beatles. It was recorded in 1965, but was not commercially available until 1996 when an edited version of take 2 of the song was included on the ''Anthology 2'' album. Prior to editing, the length of take 2 was 6:36. It is one of the few songs credited to Lennon/McCartney/Harrison/ Starkey and published by Lenono Music, Inc., MPL Communications Ltd, Harrisongs Ltd., and Startling Music Ltd. Other songs credited to all four Beatles include " Flying" from ''Magical Mystery Tour'', " Dig It" from ''Let It Be'' and " Christmas Time (Is Here Again)", the B-side to the 1995 single "Free as a Bird". Of the Beatles, only John Lennon and Ringo Starr ever commented on the song. During some US radio interviews, Lennon was asked if there were any unissued Beatles recordings, he replied that all he could recall was "some lousy 12 bar". Starr told journalist Peter Palmiere that "we all wrote the track and I have an acetate of one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magical Mystery Tour (album)
''Magical Mystery Tour'' is a record by the English rock band the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. It includes the soundtrack to the 1967 television film of the same name. The EP was issued in the UK on 8 December 1967 on the Parlophone label, while the Capitol Records LP release in the US and Canada occurred on 27 November and features an additional five songs that were originally released as singles that year. In 1976, Parlophone released the eleven-track LP in the UK. When recording their new songs, the Beatles continued the studio experimentation that had typified '' Sgt. Pepper's Lonely Hearts Club Band'' (1967) and the psychedelic sound they had pursued since ''Revolver'' (1966). The project was initiated by Paul McCartney in April 1967, but after the band recorded the song "Magical Mystery Tour", it lay dormant until the death of their manager, Brian Epstein, in late August. Recording then took place alongsi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pump Organ
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Guitar
Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs. History The first form of lead guitar emerged in the 18th century, in the form of classical guitar styles, which evolved from the Baroque guitar, and Spanish Vihuela. Such styles were popular in much of Western Europe, with notable guitarists including Antoine de Lhoyer, Fernando Sor, and Dionisio Aguado. It was through this period of the classical shift to romanticism the six-string guitar was first used for solo composing. Through the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overdub
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Starting with B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Goes On (Beatles Song)
"What Goes On" is a song by the English rock band the Beatles, featured as the eighth track on their 1965 album ''Rubber Soul''. The song was later released as the B-side of the US single " Nowhere Man", and then as the tenth track on the North America-only album '' Yesterday and Today''. It is the only song by the band credited to Lennon–McCartney– Starkey and the only song on ''Rubber Soul'' that features Ringo Starr on lead vocals. The song reached number 81 on the US ''Billboard'' Hot 100 in 1966. Composition John Lennon wrote the song in early 1959, likely at 251 Menlove Avenue. The early version of the song is heavily inspired by Buddy Holly and differed substantially from the ''Rubber Soul'' version with only the chorus being the same. The Beatles nearly recorded the song in March 1963, but ultimately did not record the song until November 1965 for ''Rubber Soul''. According to Lennon, "it was resurrected with a middle eight thrown in, probably with Paul cCartne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cry For A Shadow
"Cry for a Shadow" is an instrumental rock piece recorded by the Beatles on 22 June 1961. They recorded the song at Friedrich-Ebert-Halle within the gymnasium, Hamburg, West Germany while they were performing as Tony Sheridan's backing band for a few tracks, under the moniker the Beat Brothers. It was written by George Harrison with John Lennon, as a pastiche of the Shadows' styleMacDonald, Ian. ''Revolution in the Head''. 2007, Chicago Review Press, , p. 48 (the Shadows, who backed Cliff Richard, were the biggest British instrumental rock & roll group at the time of the recording). It is the only Beatles track to be credited to Lennon and Harrison alone. "Cry for a Shadow"'s original title was "Beatle Bop". It was intended to be released as the B-side of " Why", another Sheridan song with the Beatles, but the record company Polydor chose to release another song instead. This instrumental is the Beatles' first recording of an original song commercially released when, in January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cayenne (song)
"Cayenne" is an instrumental track by the Beatles. It was recorded in 1960, when they were still known as the Quarrymen, and was not officially released until its inclusion on the 1995 album ''Anthology 1''. According to Paul McCartney, the recordings were made in the McCartney family bathroom in April 1960 while they were rehearsing. The song is not credited to Lennon–McCartney but to McCartney alone, indicating that at this stage Lennon and McCartney had not agreed on the joint writing credit that they used for all of the band's professional recording career. The track is an instrumental jam similar in style to that of The Shadows. Stuart Sutcliffe plays bass with what critic Richie Unterberger described as an "artless thump". "Cayenne" is a 12-bar blues composition in the key of D minor. "Cayenne" and two other homemade Quarrymen recordings, "Hallelujah, I Love Her So" and " You'll Be Mine", were included in ''Anthology 1'', a collection of Beatles rarities and alternative t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free As A Bird
"Free as a Bird" is a single released in December 1995 by the Beatles. The song was originally written and recorded in 1977 as a home demo by John Lennon. In 1995, 25 years after their break-up and 15 years after Lennon's murder, his then surviving bandmates Paul McCartney, George Harrison and Ringo Starr released a studio version incorporating the demo. The single was released as part of the promotion for ''The Beatles Anthology'' video documentary and the ''Anthology 1'' compilation album. For the ''Anthology'' project, McCartney asked Lennon's widow Yoko Ono for unreleased material by Lennon to which the three remaining ex-Beatles could contribute. "Free as a Bird" was one of two such songs (along with " Real Love") for which McCartney, Harrison, and Starr contributed additional instrumentation, vocals, and arrangements. Jeff Lynne, who had worked with Harrison on Harrison's album '' Cloud Nine'' and as part of the Traveling Wilburys, co-produced. The song peaked at 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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