10cc Songs
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10cc Songs
This article presents the complete discography of the British art rock band 10cc. Albums Studio albums Compilation albums Live albums Promotional and limited releases Box sets Singles Other tracks Collaborations As featured artist Videos Video albums As featured artist Music videos Notes References External links The unofficial discography of 10cc {{10cc Rock music group discographies Discographies of British artists Discography Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry ...
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10cc
10cc are an English rock band formed in Stockport in 1972. The group initially consisted of four musicians – Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme – who had written and recorded together since 1968. The group featured two songwriting teams. Stewart and Gouldman were predominantly pop songwriters, who created most of the band's accessible songs. Godley and Creme were the predominantly experimental half of 10cc, featuring art and cinematically inspired writing. Every member of 10cc was a multi-instrumentalist, singer, writer and producer. Most of the band's records were recorded at their own Strawberry Studios (North) in Stockport and Strawberry Studios (South) in Dorking, with most of those engineered by Stewart. From 1972 to 1978, 10cc had five consecutive UK top-ten albums: ''Sheet Music'' (1974), '' The Original Soundtrack'' (1975), '' How Dare You!'' (1976), ''Deceptive Bends'' (1977) and ''Bloody Tourists'' (1978). 10cc also had twelve singles reach ...
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British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ...
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Ten Out Of 10
''Ten Out of 10'' is the eighth studio album by 10cc. It was released in two different versions with the original edition coming in November 1981 and the US version coming in June 1982 respectively. Overview After two albums of 10cc as a sixpiece lineup ''Ten Out of 10'' was a return to the core duo of Graham Gouldman and Eric Stewart with all other contributors taking a role of session musicians, despite the fact that the album featured two of the musicians used on the band's previous album, 1980s ''Look Hear?'': drummer Paul Burgess on all but three tracks and guitarist and singer Rick Fenn credited on two tracks but played on all other tracks uncredited. Other session musicians included pianist Vic Emerson of Sad Café, who also joined 10cc on tour. The album credits resulted in identification of Gouldman and Stewart only as "Graham" and "Eric" like on previous albums with other musicians credited by full name after the contributions of the former. The only band member pho ...
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Look Hear?
''Look Hear?'' is the seventh studio album by 10cc, released in 1980. Overview The album was recorded after a long break the band had to take due to Eric Stewart's car accident in January 1979 that left him with blindness in one eye and temporary hearing loss in one ear. Like previous albums, it was recorded at the band's Strawberry Studios South in Dorking, Surrey. At the time of the recording Graham Gouldman was coming through a divorce and it was reflected in the songs that he wrote for the album, "How'm I Ever Gonna Say Goodbye" and "I Hate to Eat Alone". These two songs also had little to none contribution from Eric Stewart in the studio: only percussion on "I Hate to Eat Alone" and nothing at all on "How'm I Ever Gonna Say Goodbye". Like the previous 10cc album, ''Bloody Tourists'', ''Look Hear?'' featured songwriting contributions from other members of the band and the album was the first by 10cc since the departure of Godley and Creme to include songs written by nei ...
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Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ...
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NVPI
NVPI (Nederlandse Vereniging van Producenten en Importeurs van beeld - en geluidsdragers) ( en, The Dutch Association of Producers and Importers of image - and sound carriers) is the Dutch trade association of the entertainment industry. The NVPI represents most of the Dutch record companies, video distributors and game-software distributors. History The NVPI is found in 1973 as a representative of the record companies in the Netherlands. In 1983 video film distributors were included in the association and in 1996 the producers of entertainment software. Every division has got its own board. The three divisions form a federation. The NVPI represents both major and small independent producers. The (board) structure guarantees influence by every included company. The NVPI represents (looked at the total volume of trade) approximately 85% of the record companies, 80% of the video film companies and 50% of the entertainment software. NVPI is included with the international organizat ...
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Bloody Tourists
''Bloody Tourists'' is the sixth studio album by the English rock band 10cc, released worldwide by Mercury Records and in North America by Polydor Records in September 1978. Recorded at Strawberry Studios South in Dorking, the album was produced by Eric Stewart and Graham Gouldman. Overview The album is the first 10cc studio album to feature the band as a six piece. The new lineup was already assembled for the tour in support of the band's previous album, ''Deceptive Bends'', but changing Tony O'Malley for Duncan Mackay on the keyboards. The band was also solidified with songwriting and lead vocals contributions from other members than the core duo of Stewart and Gouldman, however it was also the first 10cc album to feature songs written separately by Stewart and Gouldman. Cover art The cover art was again created by Hipgnosis with graphics by George Hardie and shows a map being blown into someone's face. The map is showing the French island Martinique, located in the Lesser ...
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Music Canada
Music Canada (formerly Canadian Recording Industry Association (CRIA)) is a non-profit trade organization that was founded 9 April 1963 to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, the CRIA was in the news when a number of smaller labels resigned their memberships, complaining that the organization wasn't representing their interests. In 2011, it changed its name to Music Canada offering special benefits to some of the leading independent labels and distributors in Canada. Organization Music Canada is governed by a board of directors who are elected annually by association members. To ...
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Deceptive Bends
''Deceptive Bends'' is the fifth studio album by rock band 10cc, released in 1977. History The band started recording sessions for the fifth album in late summer of 1976 with the song " People in Love", at that time referred to as "Voodoo Boogie". But with the tensions in the band rising the track was considered "awful" when assembled, and Kevin Godley and Lol Creme decided to temporarily split with Eric Stewart and Graham Gouldman to start work on what would later become their debut project ''Consequences''. As their work progressed Godley and Creme decided to leave the group. As Stewart and Gouldman were left as a duo they opted to try recording "Good Morning Judge", which debuted live at the Knebworth Festival on 21 August 1976 with the original line-up, and later " The Things We Do For Love". Satisfied with the results they continued to run the band with the assistance of drummer Paul Burgess, who had already worked with 10cc, acting as second drummer to Kevin Godley on t ...
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How Dare You! (album)
''How Dare You!'' is the fourth album by British band 10cc. Released in 1976, it included UK hit singles " I'm Mandy Fly Me" and "Art for Art's Sake". The album was the band's third to have cover artwork by the Hipgnosis creative team. It was also the last 10cc album by the original line-up of Eric Stewart, Graham Gouldman, Kevin Godley and Lol Creme (the latter two departed shortly thereafter to form Godley & Creme), until the four reformed (albeit briefly) for the 1992 album '' ...Meanwhile''. Writing and recording In an interview at the time of its release, Gouldman told '' Melody Maker'' music newspaper: "It's as different as any album by the same band can be, and I think it's a progression from the last one. I think there's been a progression on every album and I think we've done it again. It's a strange mixture of songs. There's one about divorce, a song about schizophrenia, a song about wanting to rule the world, the inevitable money song, and an instrumental." Criti ...
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Cash Box Magazine
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, ...
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ARIA
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ...
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