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10 Plagues Of Egypt
The Plagues of Egypt, in the account of the book of Exodus, are ten disasters inflicted on Biblical Egypt by the God of Israel in order to convince the Pharaoh to emancipate the enslaved Israelites, each of them confronting Pharaoh and one of his Egyptian gods; they serve as "signs and marvels" given by God to answer Pharaoh's taunt that he does not know Yahweh: "The Egyptians shall know that I am the ". Plagues 1. Turning water to blood: Ex. 7:14–24 2. Frogs: Ex. 7:25–8:11/15 3. Lice or gnats: Ex. 8:12–15/8:16–19 4. Wild animals or flies: Ex. 8:16–28/8:20–32 The fourth plague of Egypt was of creatures capable of harming people and livestock. The Torah emphasizes that the ''‘arob'' (עָרוֹב "mixture" or "swarm") only came against the Egyptians and did not affect the Israelites. Pharaoh asked Moses to remove this plague and promised to grant the Israelites their freedom. However, after the plague was gone, Pharaoh hardened his heart and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenes From Exodus F 16
Scene (from Greek σκηνή ''skēnḗ'') may refer to: Arts, entertainment, and media Music *Scene (subculture), a youth subculture from the early 2000s characterized by a distinct music and style. Groups and performers * The Scene who recorded the song "Scenes (from Another World)" * Scene, the stage name used by Japanese Punk guitarist Minoru Kojima * Selena Gomez & the Scene, an American band * The Scene (Canadian band), a late 1960s psychedelic Canadian band * The Scene (Dutch band), a Dutch band formed by Thé Lau Albums * ''Scene'', a 2005 noise album by Merzbow * ''Scenes'' (album), a 1992 music album by Marty Friedman * ''The Scene'' (Eskimo Callboy album), an Eskimo Callboy album * ''The Scene'', the debut album of The Scene Other uses in music * S.C.E.N.E. Music Festival, an annual festival held in downtown St. Catharines, Ontario, Canada * "The Scene" (song), a song by Canadian band Big Sugar from their 1998 album ''Heated'' Periodicals * ''Scene'' (see '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 78
Psalm 78 is the 78th psalm in the biblical Book of Psalms. It is one of the 12 Psalms of Asaph and is described as a "maskil" or "contemplation". It is the second-longest Psalm, with 72 verses (Psalm 119 has 176 verses), and the first of the three great history psalms (the others being Psalms 105 and 106). The New American Bible, Revised Edition entitles it "a new beginning in Zion and David". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 77. Uses Judaism *This psalm is recited on the third through sixth days of Passover in some traditions. *Verse 36-37 are found in the Foundation of Repentance recited on the eve of Rosh Hashanah. *Verse 38 (''V'hu Rachum'') is the first verse of a paragraph by the same name in Pesukei Dezimra, is the seventeenth verse of Yehi Kivod in Pesukei Dezimra, is the opening verse of the long Tachanun recited on Mondays and Thursdays, is found in Uva Letzion, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel's Messiah
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel In Egypt
''Israel in Egypt'', HWV 54, is a biblical oratorio by the composer George Frideric Handel. Most scholars believe the libretto was prepared by Charles Jennens, who also compiled the biblical texts for Handel's ''Messiah''. It is composed entirely of selected passages from the Old Testament, mainly from Exodus and the Psalms. ''Israel in Egypt'' premiered at London's King's Theatre in the Haymarket on April 4, 1739 with Élisabeth Duparc "La Francesina", William Savage, John Beard (tenor), Turner Robinson, Gustavus Waltz, and Thomas Reinhold. Handel started it soon after the opera season at King's Theatre was cancelled for lack of subscribers. The oratorio was not well received by the first audience though commended in the '' Daily Post''; the second performance was shortened, the mainly choral work now augmented with Italian-style arias. The first version of the piece is in three parts rather than two, the first part more famous as "The ways of Zion do mourn", with altered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Martin (painter)
John Martin (19 July 1789 – 17 February 1854) was an English Romanticism, Romantic painter, engraver and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantasy art, fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general publicin 1821 Thomas Lawrence referred to him as "the most popular painter of his day"but were lambasted by John Ruskin and other critics. Early life Martin was born in July 1789, in a one-room cottage, at Haydon Bridge, near Hexham in Northumberland, the fourth son of Fenwick Martin, a one-time fencing master. He was apprenticed by his father to a coachbuilder in Newcastle upon Tyne to learn heraldry, heraldic painting, but owing to a dispute over wages the indentures were cancelled, and he was placed instead under Boniface Musso, an Italian artist, father of the enamel painter Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentations Over The Death Of The First-Born Of Egypt By Charles Sprague Pearce
The Book of Lamentations ( he, אֵיכָה, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible it appears in the Ketuvim ("Writings") as one of the Five Megillot (or "Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes and the Book of Esther although there is no set order. In the Christian Old Testament it follows the Book of Jeremiah, as the prophet Jeremiah is its traditional author. However, according to modern scholarship, while the destruction of Jerusalem by Babylon in 586/7 BCE forms the background to the poems, they were probably not written by Jeremiah. Most likely, each of the book's chapters was written by a different anonymous poet, and they were then joined to form the book. Some motifs of a traditional Mesopotamian "city lament" are evident in this book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the divini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural
Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entities, such as angels, demons, gods, and spirits. It also includes claimed abilities embodied in or provided by such beings, including magic, telekinesis, levitation, precognition, and extrasensory perception. The philosophy of naturalism contends that nothing exists beyond the natural world, and as such approaches supernatural claims with skepticism. Etymology and history of the concept Occurr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelfth Dynasty Of Egypt
The Twelfth Dynasty of ancient Egypt (Dynasty XII) is considered to be the apex of the Middle Kingdom by Egyptologists. It often is combined with the Eleventh, Thirteenth, and Fourteenth dynasties under the group title, Middle Kingdom. Some scholars only consider the 11th and 12th dynasties to be part of the Middle Kingdom. History The chronology of the Twelfth Dynasty is the most stable of any period before the New Kingdom. The Turin Royal Canon gives 213 years (1991–1778 BC). Manetho stated that it was based in Thebes, but from contemporary records it is clear that the first king of this dynasty, Amenemhat I, moved its capital to a new city named "Amenemhat-itj-tawy" ("Amenemhat the Seizer of the Two Lands"), more simply called, Itjtawy. The location of Itjtawy has not been discovered yet, but is thought to be near the Fayyum, probably near the royal graveyards at el-Lisht. The order of its rulers of the Twelfth Dynasty is well known from several sources: two lists re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ipuwer Papyrus
The Ipuwer Papyrus (officially Papyrus Leiden I 344 ''recto'') is an ancient Egyptian hieratic papyrus made during the Nineteenth Dynasty of Egypt, and now held in the Dutch National Museum of Antiquities in Leiden, Netherlands. It contains the ''Admonitions of Ipuwer'', an incomplete literary work whose original composition is dated no earlier than the late Twelfth Dynasty of Egypt (c.1991–1803 BCE). Content In the poem, Ipuwer – a name typical of the period 1850–1450 BCE – complains that the world has been turned upside-down: a woman who had not a single box now has furniture, a girl who looked at her face in the water now owns a mirror, while the once-rich man is now in rags. He demands that the Lord of All (a title which can be applied both to the king and to the creator sun-god) should destroy his enemies and remember his religious duties. This is followed by a violent description of disorder: there is no longer any respect for the law and even the king's burial in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canaanites
{{Cat main, Canaan See also: * :Ancient Israel and Judah Ancient Levant Hebrew Bible nations Ancient Lebanon 0050 Ancient Syria Wikipedia categories named after regions 0050 Phoenicia Amarna Age civilizations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
