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1st Asian Film Awards
The 1st Asian Film Awards were given on 20 March 2007 at the Hong Kong Convention and Exhibition Centre, on the opening night of the 31st Hong Kong International Film Festival. Given to films released in 2006 by film industry, film industries from Asian cinema, across Asia, awards were given in 10 categories: Best Film, Best Director, Best Actor, Best Actress, Best Screenwriter, Best Cinematographer, Best Production Designer, Best Composer, Best Editor and Best Visual Effects. Up to six nominees are honored in each category. The most awards went to ''The Host (2006 film), The Host'', directed by Bong Joon-ho. It had been nominated in five categories and won four: Best Picture, Best Actor, Best Visual Effects and Best Cinematographer. Awards Best Film *Winner: ''The Host (2006 film), The Host'' (Cinema of South Korea, South Korea) ** ''Curse of the Golden Flower'' (Cinema of China, China/Cinema of Hong Kong, Hong Kong) **''Exiled'' (Hong Kong) **''Love and Honor (2006 film), L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Asia
Asian cinema refers to the Film industry, film industries and films produced in the continent of Asia. However, in countries like the United States, it is often used to refer only to the cinema of East Asia, Southeast Asia and South Asia. West Asian cinema is sometimes classified as part of Cinema of the Middle East, Middle Eastern cinema, along with the cinema of Egypt. The cinema of Central Asia is often grouped with the Middle East or, in the past, the cinema of the Soviet Union during the Soviet Central Asia era. North Asia is dominated by Siberian Cinema of Russia, Russian cinema, and is thus considered part of European cinema. East Asian cinema is typified by the cinema of Japan, Cinema of China, China, Cinema of Hong Kong, Hong Kong, cinema of Taiwan, Taiwan and Cinema of South Korea, South Korea, including the Japanese anime industry and Hong Kong action cinema, action films of Hong Kong. South Asian cinema is typified by the cinema of India (including Bollywood), the cinem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of China
The cinema of China is one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan. Cinema was introduced in China in 1896 and the first Chinese film, '' Dingjun Mountain'', was made in 1905. In the early decades the film industry was centered on Shanghai. The 1920s was dominated by small studios and commercial films, especially in the action wuxia genre. The first sound film, '' Sing-Song Girl Red Peony'', using the sound-on-disc technology, was made in 1931. The 1930s, considered the first "Golden Period" of Chinese cinema, saw the advent of the leftist cinematic movement. The dispute between Nationalists and Communists was reflected in the films produced. After the Japanese invasion of China and the occupation of Shanghai, the industry in the city was severely curtailed, with filmmakers moving to Hong Kong, Chungking (Chongqing) and other places. A "Solitary Island" period began in Shanghai, where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnnie To
Johnnie To Kei-fung (born 22 April 1955) is a Hong Kong film director, screenwriter and film producer. Popular in his native Hong Kong, To has also found acclaim overseas. Intensely prolific, To has made films in a variety of genres, though in the West he is best known for his action and crime movies, which have earned him critical respect and a cult following (which include Quentin Tarantino, who once said that he really loves to watch To's gangster films). To's biggest international successes include ''Breaking News'', ''Election'', ''Election 2'' (a.k.a. ''Triad Election''), ''Exiled'', ''Mad Detective'' and '' Drug War''; these films have appeared in a number of international film festivals, been distributed theatrically in France and the United States, and been widely sold to foreign countries. His films, often made in collaboration with the same group of actors, screenwriters and cinematographers, frequently explore themes of friendship, fate and the changing face of Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Iran
The Cinema of Iran (Persian: سینمای ایران), also known as the Cinema of Persia, refers to the cinema and film industries in Iran which produce a variety of commercial films annually. Iranian art films have garnered international fame and now enjoy a global following. Iranian films are usually written and spoken in the Persian language. Iranian cinema has had many ups and downs. Along with China, Iran has been lauded as one of the best exporters of cinema in the 1990s. Some critics now rank Iran as the world's most important national cinema, artistically, with a significance that invites comparison to Italian neorealism and similar movements in past decades. A range of international film festivals have honoured Iranian cinema in the last twenty years. Many film critics from around the world have praised Iranian cinema as one of the world's most important artistic cinemas. History Visual arts in Iran The earliest examples of visual representations in Iranian history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offside (2006 Iranian Film)
''Offside'' ( fa, آفساید) is a 2006 Iranian film directed by Jafar Panahi, about a group of girls who tried to watch a World Cup qualifying match but are forbidden by law because of their gender. Female fans are not allowed to enter football stadiums in Iran on the grounds that there will be a high risk of violence or verbal abuse against them. The film was inspired by the director's daughter, who decided to attend a game anyway. The film was shot in Iran but its screening was banned there. Plot Most of the characters in the film are not named. A girl disguises herself as a boy to go attend the 2006 World Cup qualifying match between Iran and Bahrain. She travels by bus with a group of male fans, some of whom notice her gender, but do not tell anyone. Upon arrival at the grounds of Azadi Stadium, she persuades a reluctant ticket tout to sell her a ticket; he only agrees to do so at an inflated price. The girl tries to slip through security, but she is spotted and arrest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jafar Panahi
Jafar Panâhi ( fa, جعفر پناهی, ; born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, ''The White Balloon'' (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes. Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for '' The Mirror'' (1997), the Golden Lion at the Venice Film Festival for '' The Circle'' (2000), and the Silver Bear at the Berlin Film Festival for '' Offside'' (2006). Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman On The Beach
''Woman on the Beach'' is the seventh feature film by South Korean director Hong Sang-soo, and was released in 2006. Plot Film director and screenwriter Kim Jung-rae asks his friend Won Chang-wook to drive with him from their homes in Seoul to the resort town of Shinduri, on the western coast of South Korea. Chang-wook initially resists, but accepts the request on the condition that he can bring Kim Mun-suk, a composer and aspiring singer whom he describes as being his girlfriend. Jung-rae is writing a treatment for a film titled "About Miracles," concerning the mysterious connections that secure everyday life—themes that play a major role in the work of Hong Sang-Soo. During the journey, Mun-suk quickly makes clear that she does not consider herself Chang-wook's girlfriend, and she finds herself and Jung-rae increasing drawn together. As the three drive on, Mun-suk discusses her years living abroad in Germany and reveals that she has had a number of relationships with Europea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hong Sang-soo
Hong Sang-soo (홍상수, born 25 October 1960) is a South Korean film director and screenwriter. Early life Hong's parents owned the film production company Cinetel Soul. Hong took the entrance exam and entered the theater department at Chung-Ang University in South Korea. He then studied in the United States where he received his bachelor's degree from the California College of Arts and Crafts and his master's at the School of the Art Institute of Chicago. Career Hong made his directorial debut at age 35 with The Day a Pig Fell into the Well (film), ''The Day a Pig Fell into the Well'' in 1996. Woman Is the Future of Man, ''Woman is the Future of Man'' (2004) was his first film to screen in competition at the Cannes Film Festival. Hong's films have also screened at the Berlin International Film Festival, the Venice Film Festival, and the Locarno Festival, Locarno Film Festival. He has received the Un Certain Regard, Prix Un Certain Regard at the 2010 Cannes Film Festival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sivaji (film)
''Sivaji: The Boss'' is a 2007 Indian Tamil-language action masala film directed by S. Shankar and produced by AVM Productions. The film stars Rajinikanth and Shriya Saran, with Vivek, Suman, Manivannan and Raghuvaran playing significant roles. It revolves around a well-established software systems architect, Sivaji, who returns home to India after finishing work in the United States. On his return, he dreams of giving back to society with free medical treatment and education. However, his plans face a roadblock in the form of the influential political leader Adiseshan. When corruption also arises, Sivaji is left with no option but to fight the system in his own way. A R Rahman composed the soundtrack and background music (in his 100th milestone composition), while Thota Tharani and K. V. Anand were the film's art director and cinematographer respectively. The film, released on 15 June 2007 was positively received by critics and became a commercial success worldwide. It went ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Indonesia
Cinema of Indonesia is film that is produced domestically in Indonesia. The Indonesian Film Agency or BPI defines Indonesian film as "movies that are made with Indonesian resources, and wholly or partly Intellectual Property is owned by Indonesian citizens or legal entities in Indonesia". It dates back to the early 1900s. Until the 1920s, most cinema in Indonesia was produced by foreign studios, mostly from Europe, and the United States, whose films would then be imported to the country. Most of these films were silent documentaries and feature films from France and the United States. Many documentaries about the nature and life of Indonesia were sponsored by the Dutch East Indies government and were usually made by the Dutch or at least Western European studios. The first domestically produced documentaries in Indonesia were produced in 1911. However, the first domestically produced film in the Dutch East Indies was in 1926: '' Loetoeng Kasaroeng'', a silent film, which was an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Jawa
''Opera Jawa'' (''Requiem from Java'') is a 2006 Indonesian-Austrian musical film directed by Garin Nugroho that features traditional Javanese classical music and dance in a setting of opera that is inspired by the " Abduction of Sita" episode from the Ramayana.Catsoulis, Jeanette. January 16, 2008. ocation.href?ex=1332475200&en=709faf668585ee66&ei=5124&partner=permalink&exprod=permalink Unrest, a love triangle and swinging hips ''The New York Times''; retrieved 2008-01-23 The film was commissioned for Peter Sellars' New Crowned Hope festival in celebration of the 250th anniversary of the birth of Wolfgang Amadeus Mozart. In addition to music by Rahayu Supanggah, the film features installation art production design by Nanang Rhamat. Plot Siti (Artika Sari Devi) and Setio ( Martinus Miroto) are a married couple living in a small village. They were once dancers in plays depicting the ''Ramayana'', but have since retired from the stage to sell earthenware pottery. Siti used t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Japan
The has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived. ''Tokyo Story'' (1953) ranked number three in ''Sight & Sound'' critics' list of the 100 greatest films of all time. ''Tokyo Story'' also topped the 2012 ''Sight & Sound'' directors' poll of The Top 50 Greatest Films of All Time, dethroning '' Citizen Kane'', while Akira Kurosawa's '' Seven Samurai'' (1954) was voted the greatest foreign-language film of all time in BBC's 2018 poll of 209 critics in 43 countries. Japan has won the Academy Award for the Best International Feature Film four times, more than any other Asian country. Japan's Big Four film studios are Toho, Toei, Shochiku and Kadoka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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