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1970 In Jazz
This is a timeline documenting events of Jazz in the year 1970. Events June * 17 – The 4th Montreux Jazz Festival started in Montreux, Switzerland (June 17 – 22). July * 10 ** Lee Morgan records '' Live at the Lighthouse'' (July 10 – 12), at the Lighthouse Café in Hermosa Beach, California. ** The 17th Newport Jazz Festival started in Newport, Rhode Island (July 10 – 12). September * 18 – The 13th Monterey Jazz Festival started in Monterey, California (September 18 – 20). Album releases *Bill Evans: ''Montreux II'' *Bill Evans: '' Bill Evans Alone'' *Paul Bley: ''Improvisie'' *Marion Brown: ''Afternoon of a Georgia Faun'' *Alice Coltrane: ''Ptah, the El Daoud'' *McCoy Tyner: ''Extensions'' *Art Ensemble of Chicago: ''Les Stances a Sophie'' *Sonny Sharrock: ''Monkey-Pockie-Boo'' *Freddie Hubbard: '' Straight Life'' *Jan Garbarek: ''Afric Pepperbird'' *Evan Parker: '' The Topography of the Lungs'' *Spontaneous Music Ensemble: ''So What Do You Think'' *Alice Coltra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Krug
Manfred Krug (; 8 February 1937 – 21 October 2016) was a German actor, singer and author. Life and work Born in Duisburg, Krug moved to East Germany at the age of 13, and worked at a steel plant before beginning his acting career on the stage and, ultimately, in film. By the end of the 1950s he had several film roles, and in 1960 he appeared in Frank Beyer's successful war movie ''Fünf Patronenhülsen'' (''Five Cartridges''). Many more film roles followed, with Krug often cast as a socialist hero. Krug also achieved notability as a popular jazz singer, often in collaboration with composer Günther Fischer. In 1976 the East German government (GDR) forbade Krug to work as an actor and singer because he participated in protests against the expulsion and stripping of GDR citizenship of Wolf Biermann. On 20 April 1977 he requested to leave the GDR and as soon as he got the approval he left the GDR and moved to Schöneberg in West Berlin. After moving back to West Germany he very soo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Bley
Paul Bley, CM (November 10, 1932 – January 3, 2016) was a jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the ''New York Times'' as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s. Early life Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joseph Bley, owner of an embroidery factory, who named him Hyman Bley. However, in 1993 a relative from the New York branch of the Bley family walked into the Sweet Basil Jazz Club in New York City and informed Bley that his father was actually his biological parent. At age five Bley began studying the violin, but at age seven, after his mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straight Life (Freddie Hubbard Album)
''Straight Life'' is a soul/funk influenced jazz album recorded in 1970 by trumpeter Freddie Hubbard. It was recorded on 16 November 1970 and released between the albums '' Red Clay'' (1970) and '' First Light'' (1971). This is also Hubbard's eighteenth overall album. Track listing #"Straight Life" (Freddie Hubbard) - 17:30 #"Mr. Clean" ( Weldon Irvine) - 13:37 #"Here's That Rainy Day" (Jimmy Van Heusen, Johnny Burke) - 5:17 Personnel *Freddie Hubbard - trumpet, flugelhorn *Joe Henderson - tenor saxophone *Herbie Hancock - electric piano * George Benson - guitar *Ron Carter - double bass *Jack DeJohnette - drums *Richard Landrum - drums, percussion * Weldon Irvine - tambourine The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though ... References Freddie Hubbard albums 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monkey-Pockie-Boo
''Monkey-Pockie-Boo'' is the second album by American jazz guitarist Sonny Sharrock which was recorded in 1970 in Paris and released on the BYG Actuel label. accessed July 13, 2015 Reception awarded the album 2½ stars, stating, " It is an album one wants to like, but it is as difficult to like as the losers at cheerleader tryouts. Not all the problems can be blamed on Big Sonny, but he does decide to lay out on guitar for nearly half of the first side's 17-minute opus... in the end it subtracts from, not adds to, the pleasure of enjoying Sharrock's playing. Of course, there are moments of quality guitar skronking. Track lis ...
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Sonny Sharrock
Warren Harding "Sonny" Sharrock (August 27, 1940 – May 25, 1994) was an American jazz guitarist. He was married to singer Linda Sharrock, with whom he recorded and performed. One of only a few prominent guitarists who participated in the first wave of free jazz during the 1960s, Sharrock was known for his heavily chorded attack, highly amplified bursts of feedback, and use of aggressive sustain to achieve saxophone-like lines on guitar. His early work also features creative use of a slide. Biography Early life and career He was born in Ossining, New York, United States. Sharrock began his musical career singing doo wop in his teen years. He collaborated with Pharoah Sanders and Alexander Solla in the late 1960s, appearing first on Sanders's 1966 album, ''Tauhid''. He made several appearances with flautist Herbie Mann, and an uncredited appearance on Miles Davis's ''A Tribute to Jack Johnson''. He wanted to play tenor saxophone from his youth after hearing John Coltrane on D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Stances A Sophie
''Les Stances a Sophie'' is a 1970 soundtrack album by the Art Ensemble of Chicago recorded in Paris for a French film of the same name directed by Moshé Mizrahi. It was released on the Pathé Marconi label in France and on Nessa Records in the U.S. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass and Don Moye. Moshé Mizrahi commissioned the original music for the film when the band had only two weeks left on their French visas. It was reissued on CD in 2000 by Universal Sound records, mastered from a (fairly quiet) vinyl source. Reception ''Rolling Stone'' writer Robert Palmer observed: "''Sophie'' is a film score and the group essays bop, free music, a neo-dixieland and pounding R&B. There are saxophone solos by Joseph Jarman and Roscoe Mitchell, solid walking from bassist Malachi Favors, aggressive percussion from Don Moye and a searing Fontella Bass vocal."Palmer, R., ''Rolling Stone'', January 4, 1973, p.61 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Ensemble Of Chicago
The Art Ensemble of Chicago is an avant-garde jazz group that grew out of the Association for the Advancement of Creative Musicians ( AACM) in the late 1960s. The ensemble integrates many jazz styles and plays many instruments, including "little instruments": bells, bicycle horns, birthday party noisemakers, wind chimes, and various forms of percussion. The musicians would wear costumes and face paint while performing. These characteristics combined to make the ensemble's performances both aural and visual. While playing in Europe in 1969, five hundred instruments were used. History Members of what was to become the Art Ensemble performed together under various band names in the mid-sixties, as members of the Association for the Advancement of Creative Musicians (AACM). They performed on the 1966 album ''Sound,'' as the Roscoe Mitchell Sextet. The Sextet included saxophonist Roscoe Mitchell, trumpeter Lester Bowie, and bassist Malachi Favors. For the next year, they played as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extensions (McCoy Tyner Album)
''Extensions'' is an album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970 but not released until January of 1973. It has performances by Tyner with alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, drummer Elvin Jones, and features Alice Coltrane playing harp on three of the four tracks. Reception In his AllMusic review Scott Yanow says, "The all-star sextet stretches out on lengthy renditions of four of Tyner's modal originals, and there is strong solo space for the leader and the two saxophonists... Stimulating music". Reviewing the album for jazz.com, Jared Pauley says, "McCoy Tyner finds himself among elite company on ''Extensions.'' Recorded as jazz was entering the fusion period, this is a great example of just how good straight-ahead swing can sound... This performance matches the superb quality of previous Shorter and Tyner albums where members of the Davis and Coltrane groups recorded tog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptah, The El Daoud
''Ptah, the El Daoud'', recorded and released in 1970, is the third solo album by Alice Coltrane. The album was recorded in the basement of her house in Dix Hills on Long Island, New York. This was Coltrane's first album with horns (aside from one track on ''A Monastic Trio'' (1968), on which Pharoah Sanders played bass clarinet). Sanders is recorded on the right channel and Joe Henderson on the left channel throughout. Coltrane noted: "Joe Henderson is more on the intellectual side, while Pharoah is more abstract, more transcendental." All the compositions were written by Alice Coltrane. The title track is named for an Egyptian god, Ptah, "the El Daoud" meaning "the beloved". "Turiya", according to the liner notes, "was defined by Coltrane as "a state of consciousness — the high state of Nirvana, the goal of human life", while " Ramakrishna" was a 19th-century Bengali religious figure and also denotes a movement founded by his disciples. On "Blue Nile", Coltrane switches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice Coltrane
Alice Coltrane (' McLeod; August 27, 1937January 12, 2007), also known by her adopted Sanskrit name Turiyasangitananda, was an American jazz musician and composer, and in her later years a swamini. An accomplished pianist and one of the few harpists in the history of jazz, she recorded many albums as a bandleader, beginning in the late 1960s and early 1970s for Impulse! and other record labels. She was married to jazz saxophonist and composer John Coltrane, with whom she performed in 1966–1967. One of the foremost exponents of spiritual jazz, her eclectic music proved widely influential both within and outside the world of jazz. Coltrane's professional music career slowed from the mid 1970s as she became more dedicated to her religious education. She founded the Vedantic Center in 1975 and the Shanti Anantam Ashram in California in 1983, where she served as spiritual director. On July 3, 1994, Swamini rededicated and inaugurated the land as Sai Anantam Ashram'' During the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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