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1966 In Jazz
This is a timeline documenting events of Jazz in the year 1966. Events January * 14 – The Jazz Crusaders record ''Live at the Lighthouse '66'' at the Lighthouse Café in Hermosa Beach, California (January 14 – 16). July * 1 – The 13th Newport Jazz Festival started in Newport, Rhode Island (July 1 – 4). Album releases * Alex Schlippenbach: '' Globe Unity'' *Archie Shepp: ''Mama Too Tight'' *Bill Evans: '' Bill Evans at Town Hall'' *Bobby Hutcherson: '' Happenings'' *Bobby Hutcherson: '' Stick-Up!'' *Cecil Taylor: '' Unit Structures'' *Cecil Taylor: '' Conquistador!'' * Charles Lloyd: ''Dream Weaver'' *Charles Tyler: '' Charles Tyler Ensemble'' *Chick Corea: '' Tones For Joan's Bones'' *Denny Zeitlin: ''Zeitgeist'' *Dewey Redman: ''Look for the Black Star'' *Don Cherry: '' Symphony For Improvisers'' *Duke Ellington: '' The Far East Suite'' * Guenter Hampel: ''Assemblage'' *Hank Mobley: '' Straight No Filter'' *Horace Silver: '' The Jody Grind'' *Hugh Masekela: '' Grrr' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Robinson (trombonist)
Jim Robinson, also known as Big Jim Robinson (December 25, 1892 – May 4, 1976) was an American jazz musician, based in New Orleans, renowned for his deep, wide-toned, robust "tailgate" style of trombone playing, using the slide to achieve a wide swoop between two notes (a technique that classical musicians call "glissando") and rhythmic effects. Early life Born Nathan Robinson in Deer Range, a small settlement on the west bank of lower Plaquemines Parish, Louisiana, Robinson studied music under James Brown Humphrey. Career Robinson arrived in New Orleans looking for work shortly before the 1915 New Orleans hurricane, which wiped out his home town of Deer Range, and prompted Robinson to settle in the city. In his youth, he got the nickname "Jim Crow" because of his facial features, which resembled a Native American. He was playing professionally in his twenties, from World War I on. In the 1920s, he made his first recordings as a member of the Sam Morgan Jazz Band. He gain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Hutcherson
Robert Hutcherson (January 27, 1941 – August 15, 2016) was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album '' Components'', is one of his best-known compositions.Huey, Steve. "Components – Bobby Hutcherson." ''AllMusic.'' Web. March 17, 2014. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.Hamlin, Jesse.Bobby Hutcherson Passionate about Music, Life" ''SFGate.'' Hearst Communications, Inc., January 15, 2012. Web. March 17, 2014.Musto, Russ. "Steve Nelson: Vibing." ''All About Jazz.'' August 1, 2006. Web. May 23, 2014.Henderson, Alex. "Joe Locke , Biography." ''AllMusic.'' Web. February 27, 2014.Ross, David. "Bobby Hutcherson: Master of the Vibes." ''KALW.'' March 27, 2012. Web. March 17, 2014. Biography Early life and career Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeitgeist (Denny Zeitlin Album)
In 18th- and 19th-century German philosophy, a ''Zeitgeist'' () ("spirit of the age") is an invisible agent, force or Daemon dominating the characteristics of a given epoch in world history. The term is usually associated with Georg W. F. Hegel, contrasting with Hegel's use of ''Volksgeist'' "national spirit" and ''Weltgeist'' "world-spirit". Its coinage and popularization precedes Hegel, and is mostly due to Herder and Goethe. Other philosophers who were associated with such concepts include Spencer and Voltaire. Contemporary use of the term sometimes, more colloquially, refers to a schema of fashions or fads that prescribes what is considered to be acceptable or tasteful for an era: e.g., in the field of architecture. Theory of leadership Hegel in '' Phenomenology of the Spirit'' (1807) uses both ''Weltgeist'' and ''Volksgeist'', but prefers the phrase ''Geist der Zeiten'' "spirit of the times" over the compound ''Zeitgeist''. The Hegelian concept contrasts with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denny Zeitlin
Denny Zeitlin (born April 10, 1938) is an American jazz pianist, composer, and clinical professor of psychiatry at University of California, San Francisco. Since 1963, he has recorded more than 100 compositions and was a first-place winner in the ''DownBeat'' International Jazz Critics' Poll in 1965 and 1974. He composed the soundtrack for the 1978 science-fiction horror film ''Invasion of the Body Snatchers''. Early life Zeitlin was born in Chicago, Illinois, and grew up in the Chicago suburb of Highland Park. He began improvising on the piano at the age of two. His father was a radiologist who played piano by ear. His mother was a speech pathologist and his first piano teacher. He began formal study in classical music at the age of six, switching to jazz in the eighth grade. In high school, he played professionally in and around Chicago, and by college at the University of Illinois at Urbana–Champaign, was playing with Ira Sullivan, Johnny Griffin, Wes Montgomery, Joe Farrell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tones For Joan's Bones
''Tones for Joan's Bones'' is the first solo album by American jazz pianist Chick Corea, recorded in 1966 but not released until 1968 on Vortex Records, a subsidiary of Atlantic. It features Corea with tenor saxophonist Joe Farrell, trumpeter Woody Shaw, bassist Steve Swallow and drummer Joe Chambers. Corea had previously recorded with Mongo Santamaria, Sonny Stitt, Dave Pike, Hubert Laws, Blue Mitchell and Cal Tjader. This was the first Corea album to feature Joe Farrell, who would go on to record with Corea many times, including in the first and last lineups of Return to Forever. Farrell and Woody Shaw had played with Corea in Willie Bobo's band, and Shaw would record with Corea again on the 1969 album '' Is''. ''Tones for Joan's Bones'' was produced by flautist Herbie Mann, with whom Corea had recorded four albums the previous year. "Litha" was later recorded by Stan Getz, appearing on the 1967 album '' Sweet Rain'', with Corea on piano. "Tones for Joan's Bones" and "Straight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick Corea
Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", " 500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered one of the foremost jazz pianists of the post-John Coltrane era. Corea continued to collaborate frequently while exploring different musical styles throughout the 1980s and 1990s. He won 27 Grammy Awards and was nominated more than 60 times. Early life and education Armando Corea was born in Chelsea, Massachusetts on June 12, 1941, to parents Anna (née Zaccone) and Armando J. Corea. He was of southern Italian descent, his father having been born to an immigrant from Albi co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Tyler Ensemble
''Charles Tyler Ensemble'' is the debut album by American jazz saxophonist Charles Tyler, which was recorded in 1966 in New York City and released on ESP-Disk.an esp-disk' discography at Background By 1965, Tyler was added as the third horn in Albert Ayler's band. That association is documented by ''Bells'' and ''Spirits Rejoice''. The following year, offered Tyler the opportunity to record his first album as ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Tyler (musician)
Charles Lacy Tyler (July 20, 1941 – June 27, 1992) was an American jazz saxophone, saxophonist. He focused on baritone & alto saxophone and also played clarinet. Biography Tyler was born in Cadiz, Kentucky, United States, and spent his childhood years in Indianapolis. He played piano as a child and clarinet at the age of seven, before switching to alto saxophone in his early teens, and finally baritone saxophone. During the summers, he visited Chicago, Illinois, New York City and Cleveland, Ohio, where he met the young tenor saxophonist Albert Ayler at age 14. After serving in the army from 1957–1959, Tyler relocated to Cleveland in 1960 and began playing with Ayler, commuting between New York and Cleveland. During that period played with Ornette Coleman and Sunny Murray. In 1965, Tyler recorded ''Bells'' and ''Spirits Rejoice'' with Ayler's group. He recorded his first album as leader the following year for ESP-Disk. He returned to Indianapolis to study with David Baker (co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Weaver (album)
''Dream Weaver'' is the third album by jazz saxophonist Charles Lloyd, his first released on the Atlantic label, and the first recordings by the Charles Lloyd Quartet featuring Keith Jarrett, Cecil McBee and Jack DeJohnette. The Allmusic review by Thom Jurek awarded the album 4½ stars and states "Dream Weaver is a fully realized project by a band — a real band — in which each member has a unique part of the whole to contribute... There were no records like this one by new groups in 1966".Jurek, T. Allmusic Reviewaccessed 9 November 2009 Track listing :''All compositions by Charles Lloyd except as indicated'' # "Autumn Sequence: Autumn Prelude/ Autumn Leaves/Autumn Echo" ( Joseph Kosma, Johnny Mercer, Jacques Prévert, Lloyd) - 12:01 # "Dream Weaver: Meditation/Dervish Dance" - 11:35 # "Bird Flight" - 9:07 # "Love Ship" - 5:54 # "Sombrero Sam" - 5:12 **Recorded on March 20, 1966 Personnel * Charles Lloyd - tenor saxophone, flute *Keith Jarrett - piano *Cecil McBee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lloyd (jazz Musician)
Charles Lloyd (born March 15, 1938) is an American jazz musician. Though he primarily plays tenor saxophone and flute, he has occasionally recorded on other reed instruments, including alto saxophone and the Hungarian tárogató. Lloyd's primary band since 2007 has been a quartet including pianist Jason Moran, acoustic bassist Reuben Rogers, and drummer Eric Harland. Early life and education Charles Lloyd was born and grew up in Memphis, Tennessee, United States, and was exposed to blues, gospel and jazz. He is of African, Cherokee, Mongolian, and Irish ancestry. He was given his first saxophone at the age of nine and was riveted by 1940s radio broadcasts by Charlie Parker, Coleman Hawkins, Lester Young, Billie Holiday and Duke Ellington. His early teachers included pianist Phineas Newborn, Jr. and saxophonist Irvin Reason. His closest childhood friend was trumpeter Booker Little. As a teenager Lloyd played jazz with saxophonist George Coleman, Harold Mabern, and Frank Stro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conquistador!
''Conquistador!'' is a 1968 studio album recorded in 1966 by free jazz pianist Cecil Taylor, released by Blue Note Records. Critical reception Writing for AllMusic, Scott Yanow gave the album 4.5 out of 5 stars, stating that "During the two lengthy pieces, [Jimmy] Lyons' passionate solos contrast with [Bill] Dixon's quieter ruminations while the music in general is unremittingly intense." The authors of ''The Penguin Guide to Jazz'' awarded the album 4 stars, calling it "an all but flawless record," and commenting: "Dark, difficult, unique, yet operating at an artful tangent to some of the other 'difficult' Blue Note music of the period, this is Taylor at his most devious." Writing for Vinyl Me Please, Brian Josephs stated: "''Conquistador!''... swerves away from ''Unit Structures fire and evokes the coolness of its cover, which features a turtlenecked Taylor slightly out of focus, hiding behind shades as he mysteriously stares into the distance. The musical elements don’t c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unit Structures
''Unit Structures'' is a 1966 studio album by free jazz pianist Cecil Taylor, released by Blue Note Records. Background ''Unit Structures'' was Taylor's first album on Blue Note. He released ''Conquistador!'' on the label in the same year, with a similar lineup. Jesse Jarnow of ''Pitchfork (website), Pitchfork'' described the album as "among the most intense of the early free jazz albums". The album was accompanied with an essay written by Cecil Taylor, titled ''Sound Structure of Subculture Becoming Major Breath/Naked Fire Gesture''. Critical reception ''AllMusic'' gave the album five stars, with reviewer Scott Yanow opining that "Taylor's high-energy atonalism fit in well with the free jazz of the period but he was actually leading the way rather than being part of a movement... In fact, it could be safely argued that no jazz music of the era approached the ferocity and intensity of Cecil Taylor's". ''The Penguin Guide to Jazz'' awarded it three and a half stars (of a possible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
