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1962 In Jazz
This is a timeline documenting events of Jazz in the year 1962. Events May * 29 – The 4th Annual Grammy Awards were held at Beverly Hilton Hotel in Los Angeles. * Best Jazz Performance – Soloist or Small Group (Instrumental) ** André Previn for ''André Previn Plays Harold Arlen'' * Best Jazz Performance – Large Group (Instrumental) **Stan Kenton for ''Kenton's West Side Story'' * Best Original Jazz Composition **Galt MacDermot (composer) for "African Waltz" performed by Cannonball Adderley July * 6 – The 7th Newport Jazz Festival started in Newport, Rhode Island (July 6 – 8). Unknown dates *Several recordings are made at the Lighthouse Café in Hermosa Beach, California: Curtis Amy, ''Tippin' on Through''; The Jazz Crusaders, ''The Jazz Crusaders at the Lighthouse''. Album releases * Art Blakey and The Afro-Drum Ensemble: ''The African Beat'' * Bill Evans and Jim Hall: '' Undercurrent'' *Dexter Gordon: '' Go'' * Freddie Hubbard: '' Ready for Freddie'' * Mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie South
Edward Otha South (November 27, 1904 – April 25, 1962) was an American jazz violinist. Biography South studied classical music in Budapest, Paris, and Chicago. He turned to jazz because, as a Black musician, there was no room for him in classical music. In the 1920s he was a member of jazz orchestras led by Charlie Elgar, Erskine Tate, and Jimmy Wade. From 1928 to 1930, he was touring in Europe with his band, Eddie South's Alabamians, with whom he had already made several records. He recorded during this tour as well. During this tour, the Alabamians had an extended stay in Venice, in 1928, at the Luna Hotel. He led a band in the early 1930s that included Milt Hinton and Everett Barksdale. In 1937 he recorded in Paris with Stephane Grappelli, Django Reinhardt, and Michel Warlop. In 1945 he worked for the studio band at WMGM in New York City. During the 1950s, he was a guest on television with Fran Allison and Dave Garroway and on WGN in Chicago. On September 2, 2020, ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Amy
Curtis Amy (October 11, 1929 – June 5, 2002) was an American jazz saxophonist. Biography Amy was born in Houston, Texas, United States. He learned how to play clarinet before joining the Army, and during his time in service, picked up the tenor saxophone. After his discharge, he attended and graduated from Kentucky State College. He worked as an educator in Tennessee while playing in midwestern jazz clubs. In the mid-1950s, he relocated to Los Angeles and later signed with Pacific Jazz Records, often playing with organist Paul Bryant. In the mid-1960s, he spent three years as musical director of Ray Charles' orchestra, together with his wife, Merry Clayton, and Steve Huffsteter. As well as leading his own bands and recording albums under his own name, Amy did session work and played the solos on several recordings, including The Doors song "Touch Me", Carole King's ''Tapestry'', and Lou Rawls' first albums, ''Black and Blue'' and ''Tobacco Road'', coinciding with Dexter Gord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ready For Freddie
''Ready for Freddie'' is an album by trumpeter Freddie Hubbard, released on the Blue Note label in 1962 as BLP 4085 and BST 84085. In 2003, it was remastered and issued on CD with the addition of two alternate takes. It contains performances by Hubbard, Bernard McKinney, Wayne Shorter, McCoy Tyner, Art Davis and Elvin Jones. Reception The album was identified by Scott Yanow in his AllMusic essay "Hard Bop" as one of the 17 Essential Hard Bop Recordings.Yanow, S. Hard Bopaccessed December 7, 2009 Track listing # "Arietis" – 6:41 # "Weaver of Dreams" ( Jack Elliott, Victor Young) – 6:35 # "Marie Antoinette" (Wayne Shorter) – 6:38 # "Birdlike" – 10:15 # "Crisis" – 11:33 # "Arietis" lternate take– 5:51 # "Marie Antoinette" lternate take(Shorter) – 6:15 :''All compositions by Freddie Hubbard except as indicated'' Personnel * Freddie Hubbard – trumpet * Bernard McKinney – euphonium * Wayne Shorter – tenor saxophone * McCoy Tyner – piano * Art Davis – dou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go (Dexter Gordon Album)
''Go!'' is a studio album by jazz musician Dexter Gordon featuring Sonny Clark, Butch Warren and Billy Higgins, recorded on August 27, 1962 and released in the same year on Blue Note. According to the liner notes by Ira Gitler, this session was "not recorded in a nightclub performance but, in its informal symmetry, it matches the relaxed atmosphere that the best of those made in that manner engender. Everyone was really together, in all the most positive meanings of that word." It was recorded by Rudy Van Gelder at the Van Gelder Studio in Englewood Cliffs. Since its release, ''Go!'' has received very positive reviews from critics, with AllMusic giving it a five star rating. The album was re-released in March 1999 as part of Blue Note's RVG Series, produced by Michael Cuscuna. In 2019, ''Go!'' was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Track listing Person ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as " Happy Birthday" and well known melodies from the operas of Wagner. This is not unusual in jazz improvization, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undercurrent (Bill Evans And Jim Hall Album)
''Undercurrent'' is a 1962 album by jazz pianist Bill Evans and jazz guitarist Jim Hall. The two men collaborated again in 1966 on the album ''Intermodulation''. Cover and releases The front cover image for ''Undercurrent'' is Toni Frissell's photograph "Weeki Wachee Spring, Florida". The album was originally released on United Artists, then reissued by Solid State in 1968. Later, the album was reissued on the Blue Note label; both Blue Note and United Artists Records have been part of the same catalog for many decades. The original LP and the first CD reissue featured a cropped, blue-tinted version, overlaid with the title and the Blue Note logo in white; but for the most recent (24-bit remastered) CD reissue, the image has been restored to its original black-and-white coloration and size, without lettering. Reception In his November 26, 1962 review for '' DownBeat'' magazine jazz critic Pete Welding states: "This collaboration between Evans and Hall has resulted in some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell (composer), George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded ''Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The African Beat
''The African Beat'' is a jazz album released by Art Blakey and The Afro-Drum Ensemble in November 1962 on Blue Note Records. He described it as the first opportunity he had to work with drummers from Africa; as a blend of American jazz with the traditional rhythms and tonal colors in the percussion of that continent. The album features compositions by African and American musicians, all based on aspects of West African (especially Nigerian) music.Original liner notes by Nat Hentoff Track listing #"Prayer by Solomon G. Ilori" - 0:55 #"Ife L'ayo (There Is Happiness in Love)" (Solomon G. Ilori) - 5:31 #"Obirin African (Woman of Africa)" (Garvin Masseaux) - 3:45 #"Love, The Mystery of" ( Guy Warren) - 9:22 #"Ero Ti Nr'Ojeje" (Ilori) - 7:33 #"Ayiko, Ayiko (Welcome, Welcome, My Darling)" (Ilori) - 7:13 #"Tobi Ilu" ( James H. Bey) - 5:56 Personnel * Art Blakey — drums, timpani, telegraph drum, gong * Ahmed Abdul-Malik — bass * Yusef Lateef — cow horn, flute, tenor saxophone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
