1961 In Jazz
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1961 In Jazz
This is a timeline documenting events of jazz in the year 1961. Events June * 25 – Bill Evans Trio records ''Sunday at the Village Vanguard'' and '' Waltz for Debby'' during a two-week stay at The Village Vanguard in New York. The recording was made from five sets they played on June 25 and was the last time the trio would play before virtuoso bassist Scott LaFaro's death 10 days later. * 30 – The 7th Newport Jazz Festival started in Newport, Rhode Island (June 30 – July 3). August * 4 – The very first Moldejazz started in Molde, Norway (August 4 – 6). November * 1 – John Coltrane begins recording his first live record ''Live! at the Village Vanguard''. Unknown dates * Bengali Indian sitar player and composer Ravi Shankar and western jazz musicians Gary Peacock and Bud Shank collaborate on the album ''Improvisations''. The album combines the use of sitar and jazz music and is considered an early example of fusion experiments with jazz and Indian classical music. ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanisha ...
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Con Alma (Ray Bryant Album)
''Con Alma'' is an album by pianist Ray Bryant released on Columbia Records in 1961. Reception The Allmusic review stated: "Bryant is typically soulful, swinging and reasonably explorative on nine songs". Track listing # "Con Alma" (Dizzy Gillespie) – 6:55 # "Milestones" (Miles Davis) – 4:10 # " 'Round Midnight" (Thelonious Monk, Cootie Williams) – 3:51 # " Django" (John Lewis) – 5:38 Bonus track on CD reissue # "Nuts and Bolts" (Ray Bryant) – 3:05 # "Cubano Chant" (Bryant) – 4:22 # " Ill Wind" (Harold Arlen, Ted Koehler) – 3:12 # " Autumn Leaves" (Joseph Kosma, Jacques Prévert, Johnny Mercer) – 5:22 # "C Jam Blues" (Duke Ellington) – 4:22 *Recorded at Columbia Records, 30th Street Studio, NYC, on November 25, 1960 (tracks 2 & 4), and January 26, 1961 (tracks 1, 3 & 5–9) Personnel *Ray Bryant – piano * Arthur Harper (tracks 2 & 4), Bill Lee (tracks 1, 3, 5 & 7–9) – bass *Mickey Roker – drums A drum kit (also called a drum set, trap set, ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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The Dave Brubeck Quartet
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspired Brubeck to record the 1959 album '' Time Out''. Despite its esoteric theme and contrarian t ...
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Time Further Out
''Time Further Out'' (subtitled '' Miró Reflections'') is a jazz studio album by the Dave Brubeck Quartet released by Columbia Records in November 1961. It features the "classic" lineup of the quartet: pianist and leader Dave Brubeck, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello. The album was recorded by engineer Fred Plaut and produced by Teo Macero. Overview ''Time Further Out'' continues the Quartet's exploration of unusual time signatures that began on their 1959 album '' Time Out''. The tracks are ordered by the number of beats per bar: "It's a Raggy Waltz" and "Bluette" are in ; " Charles Matthew Hallelujah", a tribute to Brubeck's newborn son, is in ; "Far More Blue" and "Far More Drums" are in ; "Maori Blues" is in ; " Unsquare Dance" is in ; "Bru's Boogie Woogie" is in ; and "Blue Shadows in the Street" is in . The time signature of each song is listed on the cover of the album (where they are referred to as "tempos"). Cover art ...
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Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ...
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Mosaic (Art Blakey Album)
''Mosaic'' is a studio album by Art Blakey and the Jazz Messengers, released in January 1962 through Blue Note Records. The album's performers included Wayne Shorter (tenor saxophone), Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The ''Mosaic'' recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue. Track listing # "Mosaic" (Walton) - 8:13 # "Down Under" (Hubbard) - 5:29 # "Children of the Night" ( Shorter) - 8:51 # "Arabia" ( Fuller) - 9:10 # "Crisis" (Hubbard) - 8:33 Personnel * Art Blakey - drums * Freddie Hubbard - trumpet * Curtis Fuller - trombone * Wayne Shorter - tenor saxophone * Cedar Walton - piano * Jymie Merritt Jymie Merritt (May 3, 1926 – April 1 ...
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Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ...
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Blues March
"Blues March" is a composition by Benny Golson. It was first recorded for Blue Mitchell's Riverside album '' Big 6'' on July 2 and 3, 1958,Yanow, Scot"Blue Mitchell: Big 6" AllMusic. Retrieved December 21, 2013. and has become a jazz standard.Blumenthal, Bob (2004) In ''The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions'' D liner notes p. 3. Mosaic. Composition and recording The composition is in 4/4 time.Feather, Leonard In ''Moanin' '' iner notes Blue Note. It was influenced by New Orleans marching bands, and "starts in long meter form and transforms back into regular time." Its straightforward harmony and separate sections make it ideal for improvisation. In the view of Leonard Feather, "the theme, with its slight bugle-call orientation, has a period quality that ties the work together". Although some sources state that its first recorded version is the well known one by Art Blakey's band on his album ''Moanin'''Edelstein, Paul"Art Farmer/Benny Golson: Blues Ma ...
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Roulette Records
Roulette Records was an American record company and label founded in 1957 by George Goldner, Joe Kolsky, Morris Levy and Phil Kahl, with creative control given to producers and songwriters Hugo Peretti and Luigi Creatore. Levy was appointed director. The label had known ties to New York City mobsters. Levy ran the label with an iron fist. In 1958 Roost Records was purchased. Goldner subsequently bowed out of his partnership interest in Roulette and, to cover his gambling debts, sold his record labels Tico, Rama, Gee and—years later—End and Gone to Levy, who grouped them into Roulette. Peretti and Creatore later left Roulette and worked as freelance producers for RCA Records throughout the 1960s. They co-founded Avco Records in 1969. In 1971 Roulette took over the catalog of Jubilee Records. History During the late 1950s, Roulette scored hits by Buddy Knox, Jimmy Bowen, The Playmates, Jimmie Rodgers, Ronnie Hawkins and The Delicates as well as releasing albums by Pearl Bailey, ...
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Count Basie Orchestra
The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the Big Band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart. Originally including such musicians as Buck Clayton and Lester Young in the line-up, the band in the 1950s and 1960s made use of the work of such arrangers as Neal Hefti and featured musicians such as Thad Jones and Eddie "Lockjaw" Davis. Its recordings of this era included collaborations with singers such as Frank Sinatra and Ella Fitzgerald. History Early years Count Basie arrived in Kansas City, Missouri in 1927, playing on the Theater Owners Bookers Association (TOBA) circuit. After playing with Walter Page's Blue Devils, in 1929 he joined rival band leader Bennie Moten's band. Upon ...
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