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1906 In Art
Events from the year 1906 in art. Events * September–October – First group exhibition by Die Brücke, in Dresden. * Gwen John begins modelling for Auguste Rodin. * Hilma af Klint begins painting abstract art, including the first of her ''Primordial Chaos'' series. * Paula Modersohn-Becker begins a series of nude portraits of herself and of other women and children in Paris. * Juan Gris, Amedeo Modigliani and Gino Severini all arrive in Paris. * Walter Sickert paints music hall scenes in London and Paris. * Ferdinand Preiss opens his workshop in Berlin. * Museum of Fine Arts (Budapest) completed. * (third German arts and crafts exhibition) took place in Dresden from May 12 to October 31 Works * Umberto Boccioni – ''Self-portrait'' * Antoine Bourdelle – '' The Fruit'' (sculpture) * Olga Boznańska – '' Portrait of a Lady in a White Hat'' * Paul Cézanne – ''The Gardener Vallier'' * Robert Delaunay – ''L'homme à la tulipe (Portrait de Jean Metzinger)'' * And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadriga
A () is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire until the Late Middle Ages. The word derives from the Latin contraction of , from ': four, and ': yoke. The four-horse abreast arrangement in quadriga is distinct from the more common four-in-hand array of two horses in the front and two horses in the back. Quadriga was raced in the Ancient Olympic Games and other contests. It is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief. During the festival of the Halieia, the ancient Rhodians would sacrifice a quadriga by throwing it into the sea. The quadriga was adopted in ancient Roman chariot racing. Quadrigas were emblems of triumph; Victory or Fame often are depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods; the god of the sun Helios (often identified with Apollo, the god of light) was depicted driv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progress Of The State
''Progress of the State'' is the title of a group of sculptural figures that sits above the south portico, at the main entrance to the Minnesota State Capitol in Saint Paul, the state capital of the U.S. state of Minnesota. The allegorical statuary group representing civilization is in an arrangement known as a ''quadriga'', consisting of a chariot pulled by four horses. Three human figures, two women and a man, are included. The sculpture, made by Daniel Chester French and Edward Clark Potter, was based on their earlier Columbus Quadriga statuary, at the World's Columbian Exposition of 1893 in Chicago. It was completed and raised to the roof of the capitol in 1906. The underlying armature is steel covered in copper. The exterior copper surface is gilded in 23 karat gold leaf and requires re-gilding approximately every 20 years. Design The quadriga arrangement is a style of statue reproducing ancient Greek and Roman four-horse chariots. In the Minnesota quadriga the male ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equestrian Statue Of Charles Devens
The equestrian statue of Charles Devens (also known as the Worcester County Devens Memorial Statue) is a public monument in Worcester, Massachusetts, United States. Located in front of the old Worcester County Courthouse in the Institutional District, the equestrian statue honors Charles Devens, who served as a general in the Union Army during the American Civil War and later served as United States Attorney General. The statue was designed by Daniel Chester French and Edward Clark Potter and was dedicated on July 4, 1906. History Background Charles Devens was born in Charlestown, Massachusetts, United States on April 4, 1820. In his youth, he attended the Boston Latin School. He graduated from Harvard College in 1838 and received a Bachelor of Laws degree from Harvard Law School in 1840. He began practicing law in 1841. Devens became involved in politics shortly thereafter, serving as a member of the Massachusetts Senate from Franklin County between 1848 and 1849, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Clark Potter
Edward Clark Potter (November 26, 1857 – June 21, 1923) was an American sculptor best known for his equestrian and animal statues. His most famous works are the marble lions, nicknamed ''Patience'' and ''Fortitude'', in front of the New York Public Library Main Branch Early years Born in New London, Connecticut, he grew up in Enfield, Massachusetts, where he lived with his mother Mary and sister Clara. There he went to local schools. At 17, due to his mother's wish that he become a minister, he entered Williston Seminary in Easthampton, Massachusetts, for four years. He entered Amherst College in Amherst, Massachusetts, in the class of 1882. He only attended for three semesters, but later was granted an honorary Master's degree. He studied drawing at the School of the Museum of Fine Arts in Boston with Frederic Crowninshield and Otto Grundmann. There he also did some modelling with the sculptor Truman H. Bartlett. Career In 1883 he became an assistant to Daniel Ches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Chester French
Daniel Chester French (April 20, 1850 – October 7, 1931) was an American sculptor of the late nineteenth and early twentieth centuries, best known for his 1874 sculpture ''The Minute Man'' in Concord, Massachusetts, and his 1920 monumental statue of Abraham Lincoln in the Lincoln Memorial in Washington, D.C. Family French was the son of Anne Richardson (1811–1856), daughter of William Merchant Richardson (1774–1838), chief justice of New Hampshire; and of Henry Flagg French (1813–1885). His siblings were Henriette Van Mater French Hollis (1839–1911), Sarah Flagg French Bartlett (1846–1883), and William M.R. French (1843–1914). He was the uncle of Senator Henry F. Hollis. Life and career French was born in Exeter, New Hampshire, to Henry Flagg French (1813–1885), a lawyer, judge, Assistant US Treasury Secretary, and author of a book that described the French drain, and his wife Anne Richardson. In 1867, French moved with his family to Concord, Massach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Derain
André Derain (, ; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Biography Early years Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 he began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Delaunay
Robert Delaunay (12 April 1885 – 25 October 1941) was a French artist who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract. His key influence related to bold use of colour and a clear love of experimentation with both depth and tone. Overview Delaunay is most closely identified with Orphism. From 1912 to 1914, he painted nonfigurative paintings based on the optical characteristics of brilliant colors that were so dynamic they would function as the form. His theories are mostly concerned with color and light and influenced many, including Stanton Macdonald-Wright, Morgan Russell, Patrick Henry Bruce, Der Blaue Reiter, August Macke, Franz Marc, Paul Klee, and Lyonel Feininger. Art Critic Guillaume Apollinaire was strongly influenced by Delaunay's theories of color and often quoted from them to explain Orphism, which he had named. Delaunay's fixations w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of Perspective (graphical), perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
