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1898 In Art
The year 1898 in art involved some significant events. Events *Berlin Secession. *Bromsgrove Guild of Applied Arts, a company of artists and designers associated with the Arts and Crafts Movement, is founded by sculptor Walter Gilbert in Britain. *Käthe Kollwitz's cycle of lithographs and etchings ''The Weavers'' is first exhibited publicly. *The term "Young Poland" is coined after a manifesto by Artur Górski, published in the Kraków newspaper '' Życie'' ("Life"), to signify the period of modernism in the Polish arts. *Henri Matisse marries Amélie Noellie Parayre and, on the advice of Camille Pissarro, goes to London to study the paintings of J. M. W. Turner, continuing to Corsica. * The Hope Collection of Pictures is sold in London for the sum of £121,550. Works Paintings * Edwin Austin Abbey – '' King Lear, Act I, Scene I'' *José Ferraz de Almeida Júnior – '' The Inopportune'' *Ivan Aivazovsky – '' Among Waves'' *Teodor Axentowicz – '' Self-portrait'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin Secession
The Berlin Secession was an art movement established in Germany on May 2, 1898. Formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded," demonstrating against the standards of academic or government-endorsed art. The movement is classified as a form of German Modernism, and came on the heels of several other secessions in Germany, including Jugendstil and the Munich Secession. History Rise and reign of the Secession The upheavals that led to the formation of the Berlin Secession began in 1891 on the occasion of the Great International Art Exhibition in Berlin. A dispute began after the commission of the Association of Berlin Artists rejected images done by Edvard Munch. In May 1898, under the leadership of Walter Leistikow, Franz Skarbina and Max Liebermann, various artists converged to form a "free association for the organization of artistic exhibitions". This group was governed b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiswick Press
The Chiswick Press was founded by Charles Whittingham I (1767–1840) in 1811. The management of the Press was taken over in 1840 by the founder's nephew Charles Whittingham II (1795–1876). The name was first used in 1811, and the Press continued to operate until 1962. C. Whittingham I gained notoriety for his popularly priced classics, but the Chiswick Press became very influential in English printing and typography under C. Whittingham II who, most notably, published some of the early designs of William Morris. The Chiswick Press deserves conspicuous credit for the reintroduction of quality printing into the trade in England when in 1844 it produced ''The Diary of Lady Willoughby''. History The typeface ''Basle Roman'' was cut for the Chiswick Press in 1854 by William Howard and cast at his foundry in Great Queen Street. It was first used for the Rev. William Calvert's ''The Wife's Manual'' (a book of religious verse), published in 1854; later editions followed in 1856 and 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Sleep Of Arthur In Avalon
''The Last Sleep of Arthur in Avalon'' is a painting by Edward Burne-Jones, started in 1881. The massive painting measures 279 cm × 650 cm, and is widely considered to be Burne-Jones's ''Masterpiece, magnum opus''.Waters, p. 42. The painting was originally commissioned from Burne-Jones by his patron George Howard, 9th Earl of Carlisle, to hang on a wall in the library of Naworth Castle. Howard shared Burne-Jones's affection for the King Arthur, Arthurian legend and left the choice of topic to the artist.Mancoff, p. 118. Burne-Jones started working on it in 1881 and continued for 17 years. Within this period, he also designed the stage set for the play ''King Arthur'' by J. Comyns Carr that premiered in London in January 1895.Wildman, p. 315. The 1880s brought the deaths of Burne-Jones's close friends. As they died, the artist experienced mounting isolation and painful awareness of his own mortality.Mancoff, p. 113. Immersed in his work, Burne-Jones identified himself w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plague (Böcklin)
''Plague'' is an 1898 painting in tempera by the Swiss symbolist artist Arnold Böcklin, held in the Kunstmuseum Basel. It exemplifies the artist's obsession with nightmares of war, pestilence and death. The painting shows Death riding on a bat-like winged creature, who travels through the street of a medieval European town. ''Plague'' is rendered mostly using shades of pale green, a colour often associated with decomposition Decomposition or rot is the process by which dead organic substances are broken down into simpler organic or inorganic matter such as carbon dioxide, water, simple sugars and mineral salts. The process is a part of the nutrient cycle and is e .... The other predominant tones are black and dull browns; for example, in the clothes worn by the figures shown in the mid and background as they dive for safety before Death's path. The red cloth of the woman shown in the mid-foreground is the only vivid colour seen; she lies across the corpse of a woman wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Böcklin
Arnold Böcklin (16 October 182716 January 1901) was a Swiss symbolist painter. Biography He was born in Basel. His father, Christian Frederick Böcklin (b. 1802), was descended from an old family of Schaffhausen, and engaged in the silk trade. His mother, Ursula Lippe, was a native of the same city. Arnold studied at the Düsseldorf academy under Schirmer, and became a friend of Anselm Feuerbach. He is associated with the Düsseldorf school of painting. Schirmer, who recognized in him a student of exceptional promise, sent him to Antwerp and Brussels, where he copied the works of Flemish and Dutch masters. Böcklin then went to Paris, worked at the Louvre, and painted several landscapes. After serving his time in the army, Böcklin set out for Rome in March 1850. The many sights of Rome were a fresh stimulus to his mind. These new influences brought allegorical and mythological figures into his compositions. In 1856 he returned to Munich, and remained there for four years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teodor Axentowicz
Teodor Axentowicz ( Armenian: Թեոդոր Աքսենտովիչ; 13 May 1859 in Brașov, Austrian Empire – 26 August 1938 in Kraków, Second Polish Republic) was a Polish- Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Kraków. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians. Life Axentowicz was born on 13 May 1859 in Brașov, Hungary (now Romania), to a family of Polish- Armenian ancestry. In 1893 in Chelsea, London, he married Iza Henrietta Gielgud, aunt of Val Gielgud and John Gielgud of the theatrical dynasty. A son, Philip S.A.D. Axentowicz, was born in Chelsea in 1893. Between 1879 and 1882 he studied at the Academy of Fine Arts in Munich. From there he moved to Paris, where he was a student of Carolus-Duran and continued his education until 1895. During that time he started a long-time cooperation with various journals and star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Aivazovsky
Ivan Konstantinovich Aivazovsky (russian: link=no, Иван Константинович Айвазовский; 29 July 18172 May 1900) was a Russian Romantic painter who is considered one of the greatest masters of marine art. Baptized as Hovhannes Aivazian, in classical spelling and Հովհաննես Այվազյան in reformed spelling. His name was given as Յօհաննես Այվազեան, ''Yohannes Aivazian'' in baptismal records. he was born into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there. Following his education at the Imperial Academy of Arts in Saint Petersburg, Aivazovsky traveled to Europe and lived briefly in Italy in the early 1840s. He then returned to Russia and was appointed the main painter of the Russian Navy. Aivazovsky had close ties with the military and political elite of the Russian Empire and often attended military maneuvers. He was sponsored by the state and was well-regarded during his lifet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Ferraz De Almeida Júnior
José Ferraz de Almeida Júnior (8 May 1850 – 13 November 1899), commonly known as Almeida Júnior, was a Brazilian artist and designer; one of the first there to paint in the Realistic tradition of Gustave Courbet and Jean-François Millet. The "Dia do Artista Plástico" (Day of Fine Artists in Brazil) is celebrated on his birthday. Early life and education He was born in Itu. His art career began while he was working as a bell-ringer at the Church of Our Lady of Candelária in his native town. Some small works Júnior created on religious themes impressed the head priest enough to hold a fundraiser for him so he could go to Rio de Janeiro for formal art lessons.Brief biography @ Pitoresco. In 1869, he enrolled at the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
